From the perspective of emotional structure, this poem echoes "horizon of expectation" with "calling way". Since "Mrs. Xiang" is a hymn, it is bound to pray for the gods to come by summoning. The whole poem starts with calling for the arrival of Mrs. Xiang and looks forward to it throughout. The first half of the poem is mainly about the expectation of thinking of Mrs. Xiang to you. Experienced emotional fluctuations such as sadness, regret, regret and trance. These are all emotional fluctuations caused by disappointment with expectations. In the second half of the poem, I was overjoyed to learn that Mrs. Xiang was going to keep an appointment, and was busy preparing for the wedding with the expectation of meeting by chance and not meeting again. At the end of the poem, Mrs. Xiang appeared, and the purpose of calling was achieved, echoing the previous series of expected descriptions. In fact, the description in the second half is only the fantasy realm of the Xiang army, and this fantasy is also due to the eager expectation for it. The whole poem describes the process of expectation, including beginning, contradiction, development, climax, low tide and calm. The line of consciousness is clearly visible.
This poem also has a double structure corresponding to light and shade. The performance of the protagonist's emotions is bright and dark, and the combination of light and dark. Lyric objects can be real or symbolic. When describing the real situation, the hero's emotions are superficial, with clear meaning, clear reference, bright language, vivid emotional color, ups and downs, clear strength and weakness, all in a transparent state. For example, in the second half of the poem, the scenes of building houses and halls, decorating new houses, decorating facades and welcoming guests are all superficial, that is, they are clearly written. From "building a house in water" to "thinning stones and leaving fragrance", it is from the outside to the inside, from big to small; From "building Lotus House" to "building incense door", it is from the inside out. The lines are clear, the facts are clear, and the emotional catharsis is exposed, which is a way to show your breasts. Heartfelt, unrestrained, not so reserved, the flow of emotions is synchronized with external forms.
From the deep structure, this poem also has the expression of situational emotion. The scenery is not what it used to be, such as "Why Birds", "Why Pounds", "Why Elk" and "Why jiaozi". Or emotional scenery, such as autumn wind, autumn water and autumn leaves. The flow of emotion is more subtle, subtle and deep, such as the undercurrent of the sea floor, which is not easy to be found. So it needs to be understood through surface images.
This double-layer structure, light and shade correspond and complement each other, forming a realm of scene blending. The advantage of this structure is that it can increase the capacity of emotion and make the expression of emotion three-dimensional.
In addition, the objects described and the language used in the whole poem are Chu-style, with distinctive local characteristics of Chu. Shui Yuan, Xiangshui, Lishui, Dongting Lake, Radix Angelicae Dahuricae, Ficus pumila, Polygonum multiflorum, Flos Magnoliae, Guangxi, Hui, Holland, elk, birds, white jade and other natural landscapes, animals and plants, minerals, as well as folk customs, myths and legends, unique romantic colors and religious atmosphere in that place. The buildings and furnishings envisaged in the poem are very distinctive, all based on the natural environment, social customs and cultural and psychological structure of Chu, otherwise it is impossible to make such an assumption.