Interpretation of Sanqu nouns

Sanqu is a poem in a broad sense.

1. For traditional Chinese opera, anything that has nothing to say but for the sake of oratorio is called "Sanqu".

2. One of the ancient literary genres in China.

Sanqu is one of the ancient literary genres in China, which flourished in Yuan Dynasty, and it is contemporary literature with Tang poetry and Song poetry. Also known as "Yuefu" or "Modern Yuefu". From the vulgarization of Song Ci, he composed music with the popular music tunes in the north at that time. It is a kind of China music literature that originated from the folk new voice, and it was a new poetic style that appealed to both refined and popular tastes at that time.

The system of Sanqu mainly includes poetry, collection number and cross-qu. Later, with the normalization of Sanqu and the decrease of population, it lost the fresh blood of street culture with distinctive personality, became almost the same as Song Ci, and then declined, failing to prosper and continue like Tang Poetry and Song Ci.

Sanqu features:

(1) Sanqu is divided into two forms: poem and divertimento.

(2) Every Sanqu has a Qupai, which belongs to a certain palace tune.

(3) Each Qupai has its own rules in terms of word number, sentence number, level tone and rhyme. Therefore, the front of each Yuan Song is crowned with the category name, Gongdiao name, Qupai name and Quti name.

Xiaoling:

The so-called Xiao Ling, also known as "Ye Er", got its name from the Liquor Order in the Tang Dynasty. Its basic feature is that there are only songs and few short words in a single article. But there is another kind of couplet, also called "poems with the same topic", which is composed of several poems. These poems should be consistent in theme and tone, connected in content, and syntactically consistent from beginning to end. Each poem can rhyme independently, with a maximum of one hundred poems. According to Ghost Record, Georgie sang two poems of the West Lake 100, and was the oldest person to write short poems.

Number of collections:

As for the "set number", it is also called "set", "scattered set" or "big order", which is developed from Daqu in Tang and Song Dynasties and Gongdiao in Song and Jin Dynasties. Its customization generally has three characteristics: first, the whole set must rhyme consistently; Second, there is an end; The third is composed of more than two songs with the same palace tune. The divertimento expresses relatively complex content with its long length, either lyrical, narrative or both.

Poems and sets of numbers are two main forms of Sanqu, one is short and pithy, the other is rich and graceful, but in addition, there is another one with music. Band songs are composed of different tunes in the same palace tune, such as Yaner's "Winning by Picking Tea", "Scolding" and "Grateful for Huang En", with no more than three tunes at most. The lead singer belongs to the ditty group, the capacity is much smaller than the number of sets, and there is no ending. He is just a special form between poetry and sets of numbers.