The drunken sword of Taibai is a very special work, which interprets Li Bai's life and poetry, neither like popular novels nor biographical literature. Throughout the book, I regard it as a poetic and magnificent "legendary documentary literature". For a character with only a few hundred words in the old and new Tang books, it is conceivable how difficult it is to write Li Bai vividly. The author is well informed, and there are a lot of original poems in the book. The scenes are patchy and the artistic conception is far away, which makes the environment full and heavy, giving people a sense of being there. As far as the image expressed in the article is concerned, the author's focus is not on the story of Li Bai that everyone can write, but on expressing his life with the help of Li Bai's life, that is, his feelings as a scholar. The so-called quality is better than literature, and from the reading effect, the weakening of the plot makes readers pay more attention to what the author wants to express.
"Taibai Drunken Sword" is ingenious in conception and broad in style. The author took great pains to classify Li Bai's poems and put them into his works properly. Carefully combing his travel route, life track and the thought of being born into the world, skillfully putting on Li Bai's poems and songs to form a crystal bead chain. Not everyone can do this! There are two clues in the book: one is bright and the other is dark. The bright line runs through the contradiction between Li Bai and An Lushan, while the dark line complements the contradiction between Li Bai and a cult organization-witchcraft. At the same time, taking the cultivation process of Li Bai's thirty-six Taibai drunken swordsmanship as the finishing touch, he described Li Bai's life and poems perfectly with legendary techniques.
In terms of language, throughout the book, its exquisite rhetoric and strong flavor of classical Chinese and vernacular Chinese are rare in the history of modern literature, which is in sharp contrast with popular novels. From the aesthetic point of view, the sentences in classical Chinese have an indescribable "concise beauty", which brings the charm of Chinese characters to the extreme. In Taibai drunken sword, the clever collocation of words and sentences is like a flowing landscape painting, which is amazing. Take the first opening sentence as an example: "The Yangtze River runs through China, from the foot of Tanggula Mountain, out of Qinghai and across Yunnan; After Zhangzhou, Yuechuan was unstoppable. " The length and grandeur of the Yangtze River can be explained clearly in one sentence, without additional text assistance, which embodies the independence of Chinese characters, which is difficult for other countries to do. Look at this sentence again: "When Tang Taizong Li Yuan heard the news, dispatch troops went out of Taiyuan from Gansu, captured Luoyang, went down to Tongguan, and entered Chang 'an. It was like a roll of bamboo, surrounded by heroes, saved the people from fire and water, and integrated with meteorology, laying the foundation of the Tang Dynasty. "The whole paragraph in one go, a period of historical dust settled. It can be seen that the author's writing skills are very profound.
The characteristics of China's writing have created the characteristics of China's poetry, while the brilliant achievements of China's poetry also show the vastness and magic of China's writing. They depend on each other and complement each other, which constitutes the literature and art with China characteristics. "Taibai Zuijian" skillfully integrates China's poems and Chinese characters into the work, and at the same time, in a paragraph or sentence, oral style and oral style appear alternately, which has a refined and retro taste and fully shows the unique charm of China characters.
The source of culture can flow from a distance, and so can the spirit. "Taibai Zuijian" is based on detailed historical materials, drawing on historical materials instead of sticking to historical materials, emphasizing poetry instead of indulging in it. Taking "great culture, great thought and great inheritance" as the main quality, this paper studies his life and returns the poet to the world. The book focuses on Li Bai's life journey, tangled with national tragedy, family feud and personal love; Interspersed with interesting humanities and court disputes; It reflects the famous mountains and rivers and beautiful scenery ... With the grand and romantic Tang Dynasty as the background, the conflict between the new forces and the old structure as the cultural background, and the legendary story as the clue, it fully shows Li Bai's lonely, romantic, wandering, legendary, tragic and brilliant life. Therefore, it not only makes Chinese people realize the unique charm of Chinese characters, but also further interprets Li Bai and Tang poetry for readers. (Taibai Drunken Sword by Cheng Tao, Henan Literature and Art Publishing House)
Views on Li Bai: Among many poets in the Tang Dynasty, Li Bai is the only romantic poet who is praised as chivalrous, brave, immortal and virtuous. Li Bai's legendary life and bold and elegant poetic style really left a deep impression on people, so that when we talk about Li Bai, we can imagine a poet floating in the air.
In fact, since he called Li Bai an immortal, Li Bai's image has been stereotyped. However, this rigid image of poetic immortals has also caused the distance between people and Li Bai, which is close to the distance between admirers and idols. There is an unattainable gap between watching flowers in the fog and watching the moon in the clouds, which restricts us from entering the temple of Li Bai's soul.
Now let's get into Li Bai's mind. Li Bai's life is complicated. On the one hand, he accepted the Confucian idea of "being kind to others" and demanded to help the poor and secure the country. On the other hand, he accepted the idea that Taoism is independent from the world, pursues absolute freedom and despises everything in the world. He was also deeply influenced by the thought of Rangers, who dared to despise feudal order and break traditional idols. Confucianism, Taoism and Rangers are incompatible, but Li Bai combined them.
Li Bai has been wandering the world all his life, generous and conceited, and unconventional. "I often want to make a blockbuster and soar. I will gradually move to Joe, I can't do it. " He values martial arts over Confucianism. He doesn't care about money and charity. He is arrogant. This formed his character of loving heroes. Reflected in poetry, he drew strength from the demeanor and style of countless ancient heroes and projected realistic ideals into history, thus establishing a gallery of heroes in poetry. He praised Cao Zeru, the hero of the world, for "Fu Liang Yin", and wrote King Taigong: "Don't you see that you are singing in the thorns and fishing for Weibin in the eighty west; I would rather be ashamed of my white hair, take water as light, and be strong and thoughtful when I meet the times. Wide Zhang 3800 fishing, dark and close in the wind. The Great Sage Tiger became stupid and unpredictable, and it was quite common in those days. " ; Praise the righteous who treat reputation like dirt. This reflects his chivalrous thought of daring to oppose feudal order and not fearing power.
In Li Bai, he has the characteristics of Confucianism, Taoism, chivalry and Zen. "Oh, how can I solemnly bow and scrape to those dignitaries who will never suffer?" Confucianism is proud and strong; "But let me, on my green slope, raise a white deer and ride to you when I need you, the great mountain", Taoism avoids vulgarity and turbidity; "I throw away my food bar and cup, I can't eat or drink, I pull out my dagger, I peep in four directions in vain", the chivalrous man is willful and crazy; "Until, I raised my cup, I asked the bright moon, and brought my shadow to the three of us." Zen is unique. It is hard to imagine how a person can present such a rich landscape, which is not superficial, but a beauty that blends everything and conforms to nature from the bottom of his heart. Perhaps each of us is more or less influenced by various schools, and various ideas collide in our minds, some are stifled, and more are merged in conflicts. In other words, there is no difference between various schools. They are all parts of the whole idea of heat, just as everything constitutes the natural harmony of the world. Man-made abrupt separation is not an objective attitude.
(Celebrity Review)
Du Li's articles are in full swing. (Han Yu)
Hou Li has a beautiful sentence, which is often like a pit. (Du Fu)
Li Bai's poems are unparalleled, and his superb creativity is far beyond ordinary people. (Du Fu)
Li Bai wrote hundreds of poems about fighting wine and went to sleep in a restaurant in Chang 'an. The son of heaven didn't get on the boat, calling himself Brewmaster. (Du Fu)
Everyone wants to kill people, but only I have pity. (Du Fu)
Drunk sleep autumn quilt, hand in hand with Japanese counterparts. (Du Fu)
A cold wind is blowing from the distant sky. What are you thinking, old friend? . (Du Fu)
Drinking crazy songs for nothing, who is arrogant? (Du Fu)
Gao Che Li Fu filled the capital, and you were brilliant, and you were haggard. (Du Fu)
Poetry can never be separated from talent, talent, land, talent and talent. I got Li Taibai from the genius, Du Zimei from the earth and Wang Mo from the genius. Taibai wins in charm, Zimei wins in rhythm, and Mowa wins in reason and interest. Too white is easy to tune, and the size of the child is beautiful. Every word conforms to the teachings of Mahatma. (Xu Zeng)
When the wine enters the intestine, it is divided into moonlight, and the rest is divided into firm but gentle. When the cuffs are spit out, it is half of the Tang Dynasty. (Yu Guangzhong)
Li Bai's couplet is:
Wan Jin Qing feng shan shui
A boat full of bright moon, a boat full of wine and a boat full of poems.
In the shed, on the millstone
Relying on the sword, hanging the bow to help the mulberry.
Sadly, what is this desolate bone?
Once wrote an earth-shattering poem.
Immortal poems are empty
The first floor of Chutian in Mingdajiang.
Crazy enough that everyone wants to kill someone.
You can't shout when you're drunk.