Another Angle of View of Original Fishing _ Translation and Appreciation

Cangjiang roe early collection, urgent network class. Those who can operate a boat are sick when the wind blows, and fork when the waves are stiff. Small fish can't forget it, and half-life is still awkward. When a big fish is injured, its head droops, and the sediment sometimes stands. The ornamental fish in Jin Dong came again. The owner stopped the silver carp and poured a cup. As the sun sets, Long Bian Cave and the mountain roots swim with the clouds and thunder. The war is not over, and the Phoenix unicorn is safe. I just try to immerse myself in this joy and mourn for the sacred place. -Du Fu's "Re-viewing Fishing" in the Tang Dynasty is also an early morning fishing for Cangjiang roe, setting up a net program.

Those who can operate a boat are sick when the wind blows, and fork when the waves are stiff.

Small fish can't forget it, and half-life is still awkward.

When a big fish is injured, its head droops, and the sediment sometimes stands.

The ornamental fish in Jin Dong came again. The owner stopped the silver carp and poured a cup.

As the sun sets, Long Bian Cave and the mountain roots swim with the clouds and thunder.

The war is not over, and the Phoenix unicorn is safe.

I just try to immerse myself in this joy and mourn for the sacred place. Narrative, fishing irony appreciation In the poem, the poet does not intend to popularize the secret of fishing, or to win the admiration of a fisherman. He managed to get around the difficult custom and was invited to the poet's banquet in time. This is his second time to watch a fishing scene. The situation in the scene, including fish and water, and the relationship between subject and object are similar to a great extent. But what made him write another poem about watching fishing? Is this poem intended to make up for a flaw in the last Fishing Watch?

Since fishermen can fish again and again without worrying about the improper life or aesthetics brought by fishing twice, why do other poets have problems: considering the repeated colors in two poems with similar nature, they question the credibility of the poems? On the other hand, one of the commandments of a poet's writing is to avoid identification, or to be precise, to avoid giving people the impression of identification. However, if the poet does not value the avoidance of this identity, but strives for a foothold in other interests, he has reason to leave his firm old customers and make a living elsewhere.

When he was in a busy fishing occasion, he had at least three perspectives to organize what he saw and heard: first, he described the fate of fishermen, especially the family status of one of them, narrowed the mesh and captured emotional profits; Secondly, it focuses on the description of fishermen's fishing skills, detailing each step and analyzing the relationship between people and fish; Thirdly, with this fishing activity as the background, observe the pond's color loss after fish loss and the sense of destiny that affects the home country. The fourth strategy is happy reunion and hodgepodge: the above three writing ideas are twisted together, and then the most touching theme is introduced conveniently.

The time between morning and sunset seems only to highlight two endpoints. The meaning of this judgment can be understood as follows: although this poem sets the internal running order by time sequence, it is after the appearance of two timing symbols familiar to readers that time has expired and solidified, and it has no effect. Even the "sunset" in the later position is very likely to be his fictional creation. As a fishing tourist, he never leaves the scene before dark. At sunset, what kind of riverbed the baptized Cangjiang River will provide for Xiaolong, or whether the poetic support of Xiaolong is true or not, is not a link worthy of careful investigation. The idea of Xiaolong's situation is actually the same as the feeling of watching fishing last time-the waves are lost forever: what kind of worries will people's situation and lonely journey suffer in a post-Cangjiang era without fish?

Du Fu (7 12-770), with beautiful words, is called "Du Gongbu" and "Du Shaoling" in the world. Born in Fugong County, Henan Province (now gongyi city, Henan Province), he was a great realistic poet in the Tang Dynasty. Du Fu is regarded as a "poet saint" by the world, and his poems are called "the history of poetry". Du Fu and Li Bai are called "Du Li" together. In order to distinguish them from the other two poets Li Shangyin and Du Mu, that is, "Little Du Li", Du Fu and Li Bai are also called "Big Du Li". He is concerned about the country and the people and has a noble personality. About 65,438+0,400 of his poems have been preserved, and his poetic skills are exquisite, and he is highly respected in Chinese classical poetry and has far-reaching influence. He lived in Chengdu from 759 to 766 and was commemorated by Du Fu's Caotang. Du Fu

Zi Pi wants to make Yin a city. Zi chan said, "Small, I don't know if it is possible." Zipi said, "Yes, I love it, but I don't rebel. Let my husband learn the lessons of the past, and the more he knows how to treat it. " Zi chan yue; "You can't. A man's lover pursues interests. Today, my son loves politics. If you still can't cut the knife, there will be many injuries. My son's lover is only hurt. Who dares to woo his son? Dong Ye, Zheng Guo, Yu Zi. If the building collapses, overseas Chinese will be tired of it. Dare you say it's all? Children are splendid, so people don't have a long academic system. Big officials and big cities are sheltered by their bodies, making it impossible for scholars to make decisions. This is a beautiful brocade, isn't it? Overseas Chinese have heard of learning to be an excellent official, but have never heard of political scholars. If you do this, it will hurt. For example, hunting in the wild, shooting imperial penetration, can get birds; If you haven't boarded the bus and filmed in the palace, you are afraid of losing the battle. Why bother to think about it? Zi Pi said, "Good! Tigers are not sensitive. It is said that a gentleman knows the big and far, while a villain knows the small and near. Me, little guy. Clothes are attached to the body, I know and be careful; Big official, big city, so shelter is also, I am far and slow. I don't know what I said. One day, I said,' My son belongs to Zheng, and I am my family. It doesn't matter if I hide.' I don't know enough occasionally. From now on, please go to my house and listen to my son. "Zi Chan said:" People's hearts are different, just like people's faces. How dare I call my face that? It is also a warning to suppress the so-called danger. "Zippy thought he was loyal, so he appointed the government. Zheng, who founded the country with energy. -Pre-Qin Zuo Qiuming's Zi Chan Yin Lun Wei Yi produced Yin Lun Wei Yi.

Pre-Qin: Zuo Qiuming

Zi Pi wants to make Yin a city. Zi chan said, "Small, I don't know if it is possible." Zipi said, "Yes, I love it, but I don't rebel. Let my husband learn the lessons of the past, and the more he knows how to treat it. " Zi chan yue; "You can't. A man's lover pursues interests. Today, my son loves politics. If you still can't cut the knife, there will be many injuries. My son's lover is only hurt. Who dares to woo his son? Dong Ye, Zheng Guo, Yu Zi. If the building collapses, overseas Chinese will be tired of it. Dare you say it's all? Brocade beautiful children are not allowed to learn.

Read the full text ∨ Zi Pi wants to make Yin a city. Zi chan said, "Small, I don't know if it is possible." Zipi said, "Yes, I love it, but I don't rebel. Let my husband learn the lessons of the past, and the more he knows how to treat it. " Zi chan yue; "You can't. A man's lover pursues interests. Today, my son loves politics. If you still can't cut the knife, there will be many injuries. My son's lover is only hurt. Who dares to woo his son? Dong Ye, Zheng Guo, Yu Zi. If the building collapses, overseas Chinese will be tired of it. Dare you say it's all? Children are splendid, so people don't have a long academic system. Big officials and big cities are sheltered by their bodies, making it impossible for scholars to make decisions. This is a beautiful brocade, isn't it? Overseas Chinese have heard of learning to be an excellent official, but have never heard of political scholars. If you do this, it will hurt. For example, hunting in the wild, shooting imperial penetration, can get birds; If you haven't boarded the bus and filmed in the palace, you are afraid of losing the battle. Why bother to think about it?

Ancient Chinese stopped writing, narrated and wrote dialogues with people, such as crow feathers, arrows, mountains and sangbows, shooting Lu Hong from the sky. Hemp clothes are black and fat. They pounce on the north wind and bring wine to the fields in the evening. People's hearts are not poor, and glory is not equal to anger. The cold wind has turned into spring willows, and each one is like smoke. -Tang Lihe's Wild Folk Songs

Crow feather arrow mountain sang bow, face upwards shot down the title of Lu Hong.

Hemp clothes are black and fat. They pounce on the north wind and bring wine to the fields in the evening.

People's hearts are not poor, and glory is not equal to anger.

The cold wind has turned into spring willows, and each one is like smoke. Tell stories, express feelings, ignore talents, and blame the hero for riding Hu for five or six years. When the vegetation weakens, the sword comes out and the soldiers block * * *. I miss my home, but I miss my brother. I watch the clouds and sleep during the day. I heard that Heyang was going to win, and Stuart was worried about Youyan. -Tang Du Fu's "Hate Farewell" hates farewell

The length of a line is 4 thousand Li, and Hu rode for five or six years.

When the vegetation weakens, the sword comes out and the soldiers block * * *.

I miss my home, but I miss my brother. I watch the clouds and sleep during the day.

I heard that Heyang was going to win, and Stuart was worried about Youyan. Narrative, lyrical and helpless homesickness