Virtual and real either complement each other to form a rendering contrast, or on the contrary, form a strong contrast, thus highlighting the center. For example, in Li Yu's The Mermaid, "the jade carving fence should still exist, but Zhu Yan changed it", and "the jade carving fence" is the scenery in memory. In Jiang Kui's Yangzhou Slow, the virtual scene is "ten miles in the spring breeze" and the real scene is "all the wheat grains are green". By describing the prosperity of the past, it shows the decline of today.
Virtual reality is mainly reflected in the description of the scene.
Reality refers to the objective scenery, that is, the scenery that readers can see and touch in poetry; Virtual refers to an illusory scene, which is mainly reflected in dreams, memories and associations with the future.
For example, Ceng Gongliang in the Song Dynasty wrote "Stay and watch Luigi": "There are thousands of peaks in the pillow, and the bottom of the bed is full of sadness. It's up to you to watch the silver mountain beat the sky waves, open the window and put it into the river. " The first two sentences written on a small pillow are filled with awe-inspiring clouds, which are real and make people feel that Qianshan Fengwan is also close at hand; There is the sound of pine trees under the bed. The sound of pines is ethereal writing, as if the wind echoed in the ear.
The combination of reality and reality makes people feel like they are in the wind, bringing people into a thrilling realm. In the last two sentences, the poet exaggeratedly opened the window to enjoy the spectacular waves like Yinshan, to appreciate the momentum of rivers falling from the sky, and to greatly describe the magnificence of beautiful mountains and rivers.