1, Water Regulation? Su Shi
When did the moon begin to appear? I take my glass from a distance. I wonder what year it is today. I want to ride home in the wind, but I'm afraid it's too cold. Dancing and watching shadows is like being on the earth. ? The moon turned into a scarlet pavilion, hanging low on the carved window, shining on the sleepy self. There should be no hate. Why leave? People are sad and happy, and they are separated and reunited. The moon will darken or shine, and it will become round or round. Nothing is perfect, even in the past. I hope people live a long life.
Su Shi's whole poems use imagery description and romantic imagination to describe, express feelings and discuss closely around the Mid-Autumn Festival, and think from the related categories of heaven and earth, moon people, time and space, and sublimate his feelings for his brothers to the philosophical height of exploring optimism and misfortune in life, expressing the author's optimistic and broad-minded attitude towards life and his good wishes and infinite love for life. The last film shows the poet's ideological activities from birth to love of life, with the emphasis on writing in the sky. The following films melt realism into freehand brushwork, turn scenery into emotion, show the poet's interpretation of the joys and sorrows of the world, and focus on writing about the world. It is a small summary of the author's worldview by observing the moon and people. The author looks forward to the changes from ancient times to modern times, feels deeply about the circulation of the universe and hates the ups and downs of officialdom. In the artistic atmosphere of bright moon and loneliness, he permeated with a strong philosophical meaning, revealed a wise concept of life, and achieved a high degree of harmony between man and the universe, nature and society.
2. Looking at the moon, I think of a distant person and Zhang Jiuling.
The moon, at this time is at sea, over the end of the world. People who love hate long nights and sleepless nights and miss their loved ones.
Put out the candle to love this moonlit room, and I wander in the deep night dew in my clothes. You can't have beautiful moonlight, just want to meet you in your dreams.
Zhang Jiuling's poems used "the sea" and "the end of the world" from the beginning, giving people infinite spatial associations. In addition, a bright moon rises in Ran Ran, which enhances the quiet and ethereal atmosphere, creates a vast and peaceful realm, and is full of lyrical atmosphere. Here, the author uses a word "* * *", covering all ages and regions, and writes that whenever people at the ends of the earth or at the ends of the earth see a bright moon, they will have a * * * mentality-missing people far away. The first couplet is closely related to the topic, with beautiful and far-reaching artistic conception, paving the way for the euphemistic and deep acacia below. Parallel couplet not only inherits the first couplet "looking at the moon and thinking about a distance", but also opens up the tortuous content of neck couplet and tail couplet. The neckline changes its angle, trying to get rid of the pain of lovesickness. The tail couplet comes from the neck couplet, which deepens the whole poem.
As a work of "cherishing the moon", Shuidiao Tou shows Su Shi's broad-minded and optimistic mood. Looking at the moon for a long time shows Zhang Jiuling's ardent yearning for his distant relatives.