Various articles in Weeds mainly describe the social state under the rule of the Beiyang warlord government, as well as the enthusiastic call for revolutionary forces, deep sympathy for the working people, bitter criticism of the national inferiority, strict self-dissection, etc. Almost every article is worthy of people's deep thinking and torture on their own heart and personality.
From 1924 to 1926, Lu Xun was in Beijing. His political situation was chaotic, his work was frustrated, his brother was injured and his marriage was unfortunate. During this period of existence, Lu Xun continued to write essays with a sharp style.
Later collections include Grave, Hot Wind and Gai Hua's Works, but on the one hand, I also wrote some short articles with different styles and genres. These essays are also poems, still sharp criticism, but more introspection.
There are descriptions, lyricism, arguments, dreams, death, hope, curse, fierce criticism, calm reflection, sometimes looking at the world and sometimes returning to the heart. * * * Article 20.
One spring day, Lu Xun wrote a chapter "Weeds", in which he wrote: "It is my sin to abandon the sludge of life on the ground and only grow weeds without trees." And other sentences, which the author takes as an "inscription", are prose poems in 24 short essays: "Weeds".
Lu Xun's words are in my subjective understanding. Whenever they appear with sharp, sharp and cold faces and connotations, it is always easy to cover up the warmth in the text. Of course, I can ignore it because it doesn't matter after all.
What's important is that his writing, and the connotation contained in it, are enough to make people think deeply, and can also be called a generation of writers with conscience, insight into human nature and self-analysis. Lu Xun in Weeds, in my opinion, is more like a lonely and thin poet's scribbled "sober" dreams and lines, and is "the expression of weeds".