Appreciation and Translation of Li He's Poem of Qin Gong

Qin Gong's original poem: robe welcomes, jade carving unicorn with red. On the first floor, there is a banquet for immortals, with a strong blowing sheng fragrance at the bottom of the account. The wine on earth is warm in spring, and the flowers grow in the shade during the day. Flying window for drinking, ten nights copper plate greasy candle yellow. Bald small sleeve tunes parrots, purple embroidered Ma Xie stomps and roars tigers. Golden banquet is burned in Guangxi, and the Millennium is cooked at midnight. Tongying Yongxiang rode a new horse, and the inner room was full of colorful paintings. Open the door and weigh money with rotten water, and roll up the Yellow River to flow. God's bad luck has been broken, and Qin Gong has lived all his life. Luan grate didn't give it back, and I slept drunk for a whole month.

The first couplet of Qin Gong's Poems directly describes Qin Gong's dress. Luo Yue Shan Mei, Jade Carved Kirin and Red Ribbon vividly present the image of a handsome boy to readers. The second couplet looks at Qin Gong from the perspective of pedestrians downstairs: he seems to be a fairy in the ethereal fragrance, showing Qin Gong's immortal posture. Thirdly, Si Lian depicts the grand occasion of Qin Gong Banquet. "The wine in the world is warm and the spring scenery is boundless, and the flowers are long." Banquet time, endless spring scenery; Fourthly, through the accumulation of candles and tears under the candlestick, it shows that Qin Gong enjoys himself day and night and leads a dissolute life. The fifth combination of "parrot" and "roaring tiger" refers to "Sun Shou" and "Liang Ji". Qin Gong's ability to tame two different people, Sun Shou and Liang Ji, is obvious, so it is so "reasonable" that he can enjoy all the splendor. The sixth, seventh and eighth couplets describe the luxurious life in Qin Gong in detail: a breakfast banquet will be prepared in the middle of the night, and the ingredients are a rare white deer. How can ordinary people imagine such luxury? What the readers of the Seventh League saw was a man riding a good horse and holding his head high to admire paintings, and the ugly face of a villain in power was vividly displayed; Eighth, Qin Gong spends money faster than the Yellow River. How can Liang Ji afford it? By stealing the state treasury! There is an old saying in China that "many grievances lead to death", so what happened to such a luxurious Qin Gong? The ninth couplet answers questions for readers. Qin Gong lived a dissolute life all his life. Sadly, while the working people were living in dire straits, Qin Gong was drunk in the gentle village. Finally, Qin Gong's drunkenness was carefully displayed in the county seat. He is just a domestic slave. How can he have such great rights and live such a decadent life? All this is caused by the tyranny of consorts or eunuchs. "The old king Xie Tang flew into the homes of ordinary people", and the ancient people's feelings for wealth and prosperity were deep here. It's just that Wang and Xie are well-known families, but they are just guilty ministers and treacherous courtiers who run rampant and harm the people for a while. Liang Jia has been excluded and suppressed for a long time. Once in power, they were arrogant and cruel, and finally their spring dreams were shattered. The exaggeration of sensory impression will inevitably lead to the extensive use of synaesthesia in poetry. Li He is probably the most personal one who used synaesthesia among ancient poets. He synthesized, transformed and transformed intuitive experience, and added the function of emotional perception to the feelings of seeing, hearing, touching, tasting and smelling, so that poetry could reproduce the world as much as possible in its own feelings. There are many examples of successful application of synaesthesia in Li He's poems, and there are various forms of synaesthesia: seeing and hearing are connected. In Qin Gong's poems, "blowing sheng is fragrant, and the mist at the bottom of the curtain" combines hearing and smell, which makes people feel that they are in a fairyland. In Li He's poems, we can almost always see poems that reflect the author's painful psychology, such as "weeping", "crying", "shock" and "hate". How does Li He feel about Qin Gong, who was reused by selling his hue, compared with the talented poet who missed the imperial examination? This poem does not have Leng Yan's melancholy artistic conception, nor does it have strange or even grotesque imagination. The line drawing technique runs through. Qin Gong treats people with color, and just reading the poet's poems is very charming. This poem adopts the technique of line drawing, except that the first couplet directly depicts the appearance of Yushu in Qin Gong, and all the actions behind it are to arouse people's moving reverie about this beautiful boy. Or three thousand guests are drunk, or the background color of the spring night account is fragrant, or he is floating like a fairy, or he is having an affair with a hat with a horse. I think life is decadent and erotic enough. He has lived among flowers all his life. Even if he grabbed the comb drunk and lay on the carpet at will, it made people feel very fondly. Li He is good at innovation in poetry creation, such as carving jade. He often ponders over and over again, trying to make the sentences novel in order to achieve the effect of defamiliarization. He likes to use thick, gorgeous and mysterious colors, and the use of red, yellow, purple and white characters to make images numerous and dense, surrounded and overlapping. Under the background at that time, this poem has extremely profound realistic pertinence. From this poem, we can feel the deep sense of suffering for him. Poetic Works: Qin Gong's Poetry Author: Li He in Tang Dynasty