Seeking the Poetic Idioms (Diversity) in Every Episode of 87 TV Series A Dream of Red Mansions

First, Jia Baoyu is a strange and vulgar figure. The main feature of his character is rebellion. Jia Baoyu's stills in the 87th edition of A Dream of Red Mansions (15) are "out of reach and perverse", and they are rebels in ancient society. He despises fame and fortune and is unwilling to take the official career of "learning to be excellent and becoming an official". He hates stereotyped writing, insults the "traitors" who study and are officials, and is too lazy to meet them. He doesn't like so-called "serious books", but prefers "miscellaneous books" and loves Peony Pavilion and The West Chamber. He also boldly questioned Zhu Cheng's Neo-Confucianism, thinking that "there are too many fabrications except the Four Books", which fully shows that he is the "rebellious son and second minister" of absolute monarchy. He believes that "the beauty of mountains, rivers, the sun and the moon is only for daughters, and men with beards are just scum." Under the guidance of this shocking thought, Baoyu "wandered around at home" all day, loving and pitying girls, loving their beauty, purity, exuberance and intelligence, pitying their unfortunate experiences, and pitying them for marrying smelly men and losing their holy beauty. Jia Baoyu said: "A woman was a pearl before she got married, but after she got married, she lost her light and became a dead pearl. If she is old, she will walk with dirty men and become a dead fish eye. " He even felt irreparable regret for having a man. In his life, the most important thing is undoubtedly his love with Lin Daiyu. This love, on the one hand, began with rebellious character, on the other hand, it promoted the final formation of his rebellious character. This is the biggest and most important treason in his life history. In love, Bao and Dai not only demand marital autonomy, but also deviate from the lifestyle of traditional society. They went further and further on the road of rebellion, which eventually led to their tragic ending. Second, Lin Daiyu's 87 version of A Dream of Red Mansions (7 photos) Lin Daiyu's characteristics can be summarized as "sad beauty". "Sadness" is mainly manifested in Lin Daiyu's "bleak life experience, delicate and sickly", while "beauty" is manifested in "extension, connotation and art" The combination of the two forms the tragic image of Lin Daiyu's "sad beauty". When I first met Daiyu, the author did not directly draw her beauty, but skillfully used Xifeng's mouth and Baoyu's eyes to highlight Lin Daiyu's peerless beauty. When Feng, who spoke frankly, saw Daiyu's appearance, she could not help admiring: "There are such handsome people in the world! I just saw it today! " In Baoyu's eyes, "two bends are like frowns, a pair of weeping eyebrows are like weeping eyes (one says: affectionate eyes), and two are sad." I am sick all over, tears are a little, my breath is a little breathless, my leisure is like beautiful flowers shining on water, my actions are like weak willows, my heart is dry, and my illness is like calligraphy. " What a "daughter" and "fairy sister"! At this time, a living "beauty" of Daiyu has jumped from the page, which is Lin Daiyu's "external sadness". Lin Daiyu is sensitive and kind. On the one hand, the situation of relying on others makes her always cautious in dealing with people, forming a mentality of "fearing to be looked down upon by Lin Daiyu", 20 10 new version of A Dream of Red Mansions; On the other hand, the narrow-mindedness of a girl with a heart and wisdom can add something "smart and lovely" to her, thus making the role of Lin Daiyu more vivid, vivid and touching. This is the genius of the author. In most literary works, the author often praises the positive characters too much, which makes the protagonist almost deified, leading to the characterization divorced from real life and becoming empty, boring and silent. In terms of Daiyu's kindness, we can also see it from her words with Baochai. Although they were tired of love and had some friction on weekdays, she later treated Baochai "ten times better than others" and regarded Baochai as her thoughtfulness. Furthermore, we can see the kindness and weakness in her heart from her teaching Xiangling's poems "teaching people tirelessly" and her burying flowers. Third, Xue Baochai's 87 version of A Dream of Red Mansions Xue Baochai's stills (20 photos) is one of the twelve women in Jinling (second only to Lin Daiyu), the daughter of Aunt Xue. She looks beautiful and refined, and looks like a model of an orthodox lady at that time, but she has a cynical personality factor in her bones. She has a strong critical spirit to the society at that time. The 38th Ode to a Crab sharply satirizes Jia Yucun and other tyrannical officialdom figures. And her favorite lyrics and songs are actually "Parasitic Grass at the Gate", a lonely, angry and rebellious rich man! Because of Cheng Gaoben's misleading, the understanding of Xue Baochai's thought and character in the red circle has long deviated from the actual situation. According to the traditional view, Xue Baochai is "extremely shrewd, can win the hearts of the people and be praised by the Jia family." In fact, in Cao Xueqin's pen, she just offended her parents because of her personality! In the twenty-second novel, Baochai once wrote a poem "More Fragrant Mystery", which caused Jia Zheng to be greatly disappointed: "The words of villains are even more ominous, and no one will live forever." On the 40th time, when Grandmother Jia visited the Grand View Garden with Granny Liu, the indoor layout of Xue Baochai, Baochai and Wu Hengyuan in the 20 10 new edition of Dream of Red Mansions was crude, which caused great dissatisfaction of Grandmother Jia and was regarded as the shame of her relatives. For Baochai, Grandmother Jia said "Stop it", "Stop it", "Don't be too detached" and "Our old lady is going to live in the stable more and more". -All negative comments. At the "Guo Rongfu Lantern Festival" at that time, the grandmother ordered her beloved four people, Baoqin, Xiangyun, Daiyu and Baoyu, to sit at the main table with her, but only pushed Baochai out of the main table and sat with Wen Li and Li Qi. This was an important sign that Baochai changed from "favored" to "out of favor" in front of the grandmother. If she is really "shrewd and popular", why did she end up like this? It can be seen that in Cao Xueqin's original work, Baochai is just a person who disdains to play with any "talent" to please his parents! Coincidentally, Zhi Yanzhai's evaluation of Chai and Dai's poems is also: "Now, I don't care, but in Daiqing, it's not enough."