Friley Grasse (Friley Grasse, Ferdinand, 18 10-
1876) German poet. Born in Dayton, Maulde, his father is a teacher. Worked as an apprentice in soste from 1825 to 183 1, and then worked as an accountant and clerk in Amsterdam and Ba Erman. 1838 became famous for his first book of poetry. Friedrich William IV, King of Prussia, gave him an honorary salary from 1842, and 1844 refused to receive it. Confessions of Faith, a collection of political poems published in the same year, called for the realization of bourgeois ideals of freedom and democracy. Poetry was banned and he was forced to flee abroad. He 1845 met Marx in Brussels, and 1848 returned to Germany because the poem "The Dead Give Life" was "incited".
Arrested and imprisoned for subversion. After his release, he cooperated with Marx in the editorial department of the New Rheinische Zeitung and joined the producers' alliance. 185 1 year, he went into exile in London again. As an agent of a Swiss bank, he gradually alienated Marx. 1868 returned to Germany again, still maintaining the ideal of bourgeois freedom and democracy before the 1848 revolution, and taking a conciliatory and compromising attitude towards bourgeois philistinism. 1870 after the Franco-Prussian War broke out, he wrote some war songs with chauvinism, which were included in the New Poetry Collection (1876). In his later years, he refused to accept the honor awarded by the German Empire. Fregrat is an important poet of "1948 school", and his first-stage works, represented by poetry, show that he does not ask about politics. His poem Desert and Lion follows the footsteps of French romanticism and is written in a colorful narrative style, full of exotic and local colors. Confessions of Faith shows that he has become a political poet. A group of poems entitled "Enough" written in 1846 during the French Revolution predicted the coming revolution. 1848' s poems reached the peak of his creation. The deceased was born in the Republic of China. Anyway, The Farewell between the New Rheinische Zeitung and the Revolution, published in the last issue of the New Rheinische Zeitung, aroused strong repercussions and brought him the title of "revolutionary drummer". He also translated the works of Hugo, Miao Sai, Burns, Whitman and Hua.