a brief introduction to Ye Saining? Sergei Alexandrovich Ye Saining (сергейесенин, 1895-1925) was an Russian pastoral poet. Born in a peasant family in Ryazan province, he was raised by his grandfather who was rich in peasants. After graduating from normal school in 1912, he went to Moscow alone, worked as a proofreader in a printing factory, joined the Surikov Literature and Music Group, and took a part-time course in Shanyavski Civilian University. In 1914, he published the lyric poem "White Birch". In 1915, he met Brock, Gorky and Mayakovsky, and published the first poetry collection "Day of the Dead". In the spring of 1916, he was drafted into the army in Ye Saining, and married Reich after leaving the army. In 1919, he participated in publishing the Manifesto of Imagism, and later wrote Life and Art (1921) to criticize Imagism, indicating his return to real life. He married Duncan in 1921, traveled to Europe and America in the second year, and returned to the Soviet Union in 1923, and published an article criticizing the American way of life. In September 1925, she married lev tolstoy's granddaughter Thor Staja and was hospitalized for mental illness in November. On December 26th, I wrote a desperate poem in blood: "Goodbye, my friend, goodbye,/Dear, you will never forget my heart. /Destiny's separation,/indicates the reunion in the afterlife. //Goodbye, my friend, don't say anything, don't shake hands,/Don't be sad, don't be sad-/In this world, death is not new/living, and of course it is not rare. " On the 28th, before dawn, he hanged himself in a hotel in Leningrad, at the age of 3, which is exactly what Confucius said.
A year later, in the winter, his grave was shot, and Benislavskaya, who was deeply in love with him and repeatedly missed by him, died of double suicide for him. It is said that "my friend" in Ye Saining's desperate poem refers to her. ? The October Revolution changed his writing fundamentally. He praised the revolution and the working class, but he didn't understand the revolution and the Soviet system fundamentally. Therefore, it reveals the bohemian and cynical "Ye Saining temperament", and the representative work in this respect is the group poem "The Voice of the Moscow Tavern" (1921-1923). "Ye Saining temperament" is easy to remind people of romanticism. The "Faust spirit", especially the "Byronic hero", which embodies two sides, can be roughly regarded as the performance of the same poet at different times. "Ye Saining temperament" is actually a unique expression of "the last poet in the countryside" who found himself standing on the opposite side of the development of the times during the changes of the times. Pasternak (189-196) thought: "Ye Saining treated his life like a fairy tale. He crossed the ocean like Prince Ivan riding a gray wolf and grabbed isadora? Duncan, like catching the tail of a firebird. His poems are also written in the way of fairy tales. Sometimes, they are arranged like playing cards, and sometimes they are recorded with the blood in their hearts. The most precious thing in his poems is the scenery of his hometown, which is the central part of Russia, Ryazan province, full of forests. As in his childhood, he described it with dizzying freshness. Evtushenko "(1933-) called him" a purest Russian poet "."Ye Saining's poetry is a native phenomenon.
Ye Saining's: The phonology radiates the magical brilliance of the mineral peculiar to Russian land structure. Ye Saining's poetry is a unique product of Russian language (including fairy tales, ballads, country folk songs, proverbs and common sayings, spells, lamentations and ritual songs handed down from ancient times). Their grasp of Ye Saining is undoubtedly extremely accurate. " "Suddenly spread out the character array like playing cards, and then write it down with the blood in your heart" are two different manifestations of "Ye Saining temperament" in his poetry creation. The reason why he is called "a purest Russian poet" is precisely because Evtushenko grasped the cause of "Ye Saining temperament" from a deep level: he could not agree with the powerful promotion of modern civilization and its destruction to the countryside out of his persistent attachment to the Russian countryside. If Pushkin is a poet who walks in the forefront of the times and strives for national freedom, then Ye Saining undoubtedly acted as the "villain" of an era consciously or unconsciously, and he was eager to preserve the regional culture of a specific era. Gorky thought that he died in the conflict between urban and rural civilizations when analyzing his death, which is quite profound. The difference between Ye Saining and other poets in the Silver Age is that after the October Revolution, he didn't go into exile, and like gippius and others, he vowed to be at odds with the October Revolution. Except for the two years of traveling with Duncan, he has been sticking to Russian land. However, Ye Saining introduced that the development of reality made him feel more and more sad: "On the path of blue fields,/steel guests will soon appear.
/Oats soaked in the morning glow,/Only some shriveled grains are left. //strange and lifeless threshing floor,/the song I sing to you won't make you live! Only those horses and oats/will be sad for their old owners. In "Four" in the Ten-Day Sacrifice, he directly used the typical scene of "iron horse" (that is, train) competing with live horse to reflect this conflict. Pasternak, who lived at the same time and had contacts with him, was full of understanding and sympathy for Ye Saining: "The position of Ye Saining's landscape poems has been replaced by the maze of modern metropolis in his works. The lonely soul of a contemporary lost its way in this maze, destroying morality, and he described the exciting and inhuman tragic state of this soul. "