Ji hai's miscellaneous poems
Author: Gong Zizhen
Kyushu is furious.
It's a pity that a thousand horses can't walk.
I suggest that god stand up again,
Don't stick to a model and leave behind talents.
To annotate ...
1, this is the 220th poem in Ji Hai's miscellaneous poems.
2. Angry: a lively situation.
3. rely on.
4. hey (y and n): dumb.
5. Wanma Qi Qi: Metaphorically, the social and political situation is lifeless.
6. Research: After all, after all.
7. providence: creator, here refers to the god in the sky.
8. weight: weight.
9. cheer up: cheer up.
10, Health: Birth.
1 1, Kyushu: China.
12. fenglei: it looks like fenglei.
translate
Only thunderous power can make the land of China full of vitality.
However, it is a kind of sorrow for the people in the ruling and opposition parties to keep their mouths shut.
I suggest that the Emperor of Heaven stand up again.
Don't stick to certain specifications, and be more talented.
Make an appreciative comment
This is an excellent political poem. The whole poem has distinct levels and is divided into three levels: the first level describes the lifeless real society in which thousands of troops and horses are silent and the ruling and opposition parties are silent. On the second level, the author points out that to change this dull and decadent view, we must rely on the great power like a storm. For example, China must undergo magnificent social changes in order to be full of vitality. Thirdly, the author believes that such strength comes from talents, and what the court should do is to recommend talents in an exceptional way. Only in this way can there be hope for China. Subjective images such as "Kyushu", "Lei Feng", "Wanma" and "Heavenly Palace" are chosen in the poem, which are profound and magnificent.
The first two sentences of this poem use two metaphors to express the poet's views on the situation in China at that time. Under the decadent and cruel reactionary rule, the metaphorical thought of "a myriad of horses together" was imprisoned, talents were strangled, and dull, vulgar, ignorant and lifeless reality was everywhere. "Wind and thunder" is a metaphor for emerging social forces and sharp and violent reforms. Looking at the overall situation and the overall artistic realm is magnificent and profound. The last two sentences of the poem, "I urge God to be energetic again and drop talents in an unconventional way", are well-known sentences. The poet expressed his ardent hope with his peculiar imagination. He looked forward to the emergence of outstanding figures, forming a new "storm" and new vitality in the general trend of reform, sweeping away the dullness and depression that enveloped Kyushu, exposing contradictions, criticizing reality, looking forward to the future and full of ideals. It is unique, unique, calling for change and the future.
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Gong Zizhen lived on the eve of the war. He has a strong patriotic spirit and advocates reforming internal affairs and resisting foreign aggression. Criticism, call, expectation and concentration in Ji Hai's miscellaneous poems reflect the patriotic passion of the poet who is highly concerned about the fate of the nation and the country. For example, the first two or three poems in Jihai Miscellaneous Poems say, "No matter what iron and salt are, there are many tears in the southeast alone. The national tax is three liters, and the people fight. If you kill a girl, you won't grow grain. " The author boldly exposed and criticized the Qing government's neglect of salt and iron production, taxation and water conservancy planning related to the national economy and people's livelihood, and its blind dependence on southeast water transportation intensified the exploitation of the people in the south of the Yangtze River, which led to the decline of agricultural production, the hardship of people's lives and the harm to the national economy. Another example is the eighth and seventh poems of Ji Hai's Miscellaneous Poems. "The old friend worships the general with the sea and stands on the south side of the sky. I have three hundred words of yin, and wax pills are hard to send. " Express the poet's concern about the struggle against smoking and the fate of the country.
Gong Zizhen was a pioneer of the reformist movement in China. He clearly saw that the Qing dynasty had entered a "declining world", which was a "sunset"; He criticized the decay of feudal rule, exposed the declining trend of feudal society and called for reform. The 125th poem of Jihai Miscellaneous Poems says: "Kyushu is angry, depending on the wind and thunder, but it is sad." I suggest that God stand up again, let go of his talents and don't stick to a pattern. "This poem exposes social ills, attacks bureaucracy, shows the author's fiery enthusiasm, and inspires and inspires people. They are interested in a lifeless society. With a bang, many people's dreams were awakened and people were urged to be true, kind, beautiful and Xiang Yong. While attacking autocratic rule, it also expresses the author's pursuit of ideological liberation and personality liberation. The125th poem of Jihai Miscellaneous Poems is a "green poem" written by the author for Taoist priests when he passed by Zhenjiang, offering sacrifices to the Jade Emperor, Fengshen and Lei Feng. The author makes use of the topic to appeal for thunderous changes in the tone of praying to God and worshipping Buddha, so as to break the shackles of the Qing Dynasty, stifle the lifeless situation caused by a large number of talents, and express the author's desire to liberate talents, transform society and revitalize the country.
In the art of poetry, Gong Zizhen advocates that "Zhuang and Sao are two souls, deeply entrenched in the liver and intestines". His poems are mostly symbolic metaphors, romantic in style, magical in conception, rich in imagination, strange and different, greatly influenced by Zhuangzi and Qu Yuan, and full of the poet's unique fierce spirit. Tan Xian's Diary of Tang Fu says that his poems are "aggressive", so his poems. It is a summary and development of ancient idealized poetry art.