The title is I see. Spring evening, in front of the magnificent nature. The poet is full of passion. The first two sections are "what I saw" and the last three sections are "what I thought".
See what? The beauty of nature.
Think about what? The meaning of life.
The poet's eyes are full of passion, and the images captured are atmospheric and far-reaching.
The first section is about the wind, the spring breeze in the evening, rubbing the rich grass, and the use of "rubbing" is wonderful. Write about the strength and gentleness of the wind. Grass is low and low, which is the interaction between spring breeze and grass. The poet writes ordinary scenery very vividly and full of emotion. The last sentence said that I thought of the vast land farther away from the undulating grass in front of me.
The second section is about the sky, the sunset glow and the echo of birds. "Inhalation" is the key word. I think it was sucked in. Those still birds with flat wings seem to blend in with the sky. The sunset intoxicated the earth, not "dyed red", but "intoxicated" the earth. That's a clever expression.
Look, just looking? No. Real poets don't just use their eyes. You can also use your sense of touch and smell to mobilize all your senses. When he writes about the wind, he becomes the wind, stroking the undulating grass. He is also a bird, still in the sky, integrated into it. He is also a cloud, a flowing cloud, intoxicating the earth.
Under the background of the magnificent and vast earth and sky, the poet began to express his feelings and began to think.
I think that when reading poetry, especially the nature described by poets, we just need to revel in the poet's artistic conception. There is no need to explore what it symbolizes word by word. That will only ruin the artistic conception. )
Facing the magnificent nature, what do young poets think of in the spring breeze and sunset glow?
Readers can guess.
I think it is time and life.
Man's life is fleeting, and our joys and sorrows are insignificant in the face of the endless vitality of nature.
The fourth section is to pay tribute to the sages, but their hymns, no matter how great, are still a stream in front of nature. This reminds me of "Zi Yue Chuan, the deceased is like a husband."
The last section. Although human life is extremely small in front of nature, we still have to live a wonderful life. Fly, roam, live freely like a bird, like a cloud, like a tree.
The last three sentences reach a climax and point out the main idea: "Let my breath blend with nature!" Embracing nature, laughter and sadness are all part of life. They bloom and thank like flowers.
Young people are often worried about writing new poems. Regard personal joys and sorrows as extremely great. Mu Dan, a 20-year-old poet, found that facing nature, the meaning of life needs to be reconsidered. The combination of passion and reason is the background color of his poems.
Passion, thinking, big mind and great realm. This is conveyed by young poets through poetry. Soon, his participation in the Expeditionary Force was the proof of War of Resistance against Japanese Aggression's narrow escape. He experienced the torture of political movement, and it was another narrow escape. But he kept writing poems, and when the winter of life came unconsciously, he wrote more beautifully. Poetry accompanied him all his life. He really achieved the coexistence of poetry and life.