[Edit this paragraph] Original works
Looking for flowers on the river bank, the Yellow Tower is in front of the river, and the spring is lazy and sleepy. Clusters of peach blossoms bloom by the river. Are they dark red or light red? [ 1]
[Edit this paragraph] Appreciation of works
This poem was written in 76 1 year (last year). At that time, Du Fu settled in Chengdu Caotang, and his life was a little more stable. But over half a year old, I am old. I can't express my feelings. I often seek to be alone and relax myself. Although the title of the poem is "Looking for Flowers and Asking for Willow", it is actually a way to relieve anxiety and boredom, thus hiding a sad mood. The song chosen here is the fifth of the seven quatrains. What stands out is the beauty of peach blossom and the poet's aesthetic psychology of loving and enjoying flowers. First of all, the poet outlined a wonderful landscape painting, the towering Yellowstone Pagoda, standing tall; The flowing river flows eastward from the front of the tower, forming a vertical and horizontal geometric map. The tower is stationary; Jiang, it is flowing. The picture is dynamic and static, in contrast to the huge geometric shape, giving people a magnificent feeling. The water in front of the tower, indicating the direction, provides a broad space for the landscape description of the next sentence. Among them, the phrase "Yellowstone Tower is in front" is particularly important in creating an atmosphere. Lu You said in Notes on the Old Learning Temple: "Shu people call monks teachers and are buried in the tower, which is a sentence from Wu Shaoling's Huang Family in front of the tower." The monk died in the tower, and his reverence was mixed with some sadness. However, after all, the poet is looking for spring, the weather is fine, the spring scenery is pleasant, he doesn't feel sleepy, and he leans against the wind to send elegance. The poet integrated himself with the great spring scenery with the word "leaning", reaching the perfect realm of lyric in the scene and lyric in the scene. The following two sentences focus on peach blossoms. In the poet's pen, the peach blossoms are red, but the owner has passed away, and only loneliness follows. If the poet is not looking for flowers here, no one will appreciate him. Between the lines, there is a touch of sadness. This is in tune with the general tone of the seven quatrains. But after all, the focus of this poem is to write love flowers, so it also haunts the atmosphere of joy. The phrase "lovely crimson loves pale red" uses two words of love and two scarlet letters to express the poet's delight in the beauty of flowers, and ends with a rhetorical tone, which is not only interesting, but also from oneself and others, expanding the aesthetic scope and strengthening the aesthetic feeling. Yang Lun commented: "Qi language makes people want to die, and love stories are well written" (Volume 8 of Du Shi Jing Quan), which can be described as Ken. You Zhong, the founder of Ming Dynasty, also said: "Fifth,' spring is lazy and tired of the breeze' seems insoluble, but it is wonderful to have a taste other than worry and fear. Peach blossom without owner, lovely crimson? Light red? Let anyone choose. " ("Du Yi" Volume 4) If the first four of the seven quatrains describe the feelings of being tired of flowers, fearing spring, announcing spring and cherishing flowers respectively, then this one (the fifth one) expresses the joy of loving flowers and Shang Huashi. This description from sadness to joy has caused the ups and downs of rhythm and given people a novel aesthetic feeling. This kind of happiness did not end suddenly, but naturally extended backwards; In the next song, it reached its climax. Without it, there is a necessary emotional transition, which is a fly in the ointment. [2]
[Edit this paragraph] Author introduction
Du Fuxiang Du Fu [3] (7 12-770) is beautiful, whose real name is Shaoling Yelao, and he is called Du Shaoling. Born in Gongxian County, Henan Province (now gongyi city, Henan Province). When I arrived in Chang 'an, I couldn't enter the army at all. It took me ten years to get a small position where the right-back led Cao to join the army. At the beginning of An Shi Rebellion, he was exiled and captured by the rebels. After escaping from danger, the official was granted a left post. After abandoning his official position, he went to the west and settled in Chengdu. He once served as a foreign minister of the Ministry of Industry in Jiannan, also known as Du Shiyi and Du Gongbu. In his later years, his family moved eastward, stayed in Kuizhou for two years, left the Three Gorges, moved to Hubei and Hunan, and died of poverty and illness. Du Fu lived in the historical period from prosperity to decline in the Tang Dynasty, and his poems were mostly about social unrest, political darkness and people's sufferings, which was called "the history of poetry". He cares about the country and the people, has a noble personality and exquisite poetic skills, and is known as the "poet saint". He is good at using many systems of classical poetry and creatively developing them. He is the pioneer of the new Yuefu poetry style. His Yuefu poems contributed to the development of the new Yuefu movement in the middle Tang Dynasty. His "May 7th" ancient novel, which is also a history of poetry, begins to narrate and focus on the whole story, marking the high achievement of poetry art. He also showed extraordinary creativity in the May 7th law, and accumulated complete artistic experience in melody, antithesis, diction and sentence making, which made this genre reach a fully mature stage. Du Fu is the greatest realistic poet in the Tang Dynasty, and he is also called "Da Du Li" with Li Bai. There are more than 400 poems/kloc-0, and The Collection of Du Gongbu has been handed down from generation to generation. [4]