1. What does the poem about the longest hair mean?
What does the poem about the longest hair mean? 1. What does the poem about the longest hair mean?
< p> The white hair is three thousand feet, and the fate is as long as the worry.Explanation: The white hair is three thousand feet long, because the sorrow and thoughts are so long.
From "Qiupu Song" by Li Bai, a poet of the Tang Dynasty.
The full text of the ancient poem: The white hair is three thousand feet, and the fate is as long as the sorrow. I don’t know where to find the autumn frost in the bright mirror.
Explanation: The white hair is three thousand feet long because the sorrow and thoughts are so long. Looking into the clear bronze mirror and seeing his white hair, he couldn't figure out how his hair could become so white.
Extended information
Poetry appreciation:
This poem uses romantic and exaggerated techniques to express the poet's depression of not being able to appreciate his talent.
The first sentence "three thousand feet of white hair" is a wonderful exaggeration, which seems unreasonable. It is impossible for a person to have a body of seven feet and three thousand feet of hair. When I read the next sentence, "My sorrow seems to last forever," I suddenly understood, because my sorrow and thoughts last forever like this. White hair comes from sorrow and grows long from sorrow. These three thousand feet of white hair are a symbol of inner sadness.
In the poem, the tangible white hair is replaced by invisible sadness, so these three thousand feet of white hair are naturally understood as artistic exaggeration.
The last two sentences, "I don't know where to find the autumn frost in the bright mirror", further strengthen the portrayal of the word "sorrow" by asking questions to myself, and express the poet's troubles of being filled with worries and unable to solve himself. "Autumn frost" refers to white hair, with an emotional color of sadness and haggard.
Creation background:
This poem was probably written in the late Tianbao years of Tang Xuanzong Li Longji. At this time, the Tang Dynasty was politically corrupt, and the poet was deeply worried about the entire situation. At this time, Li Bai was already in his fifties. Not only was his ideal not realized, but he was suppressed and excluded. Therefore, the poet is worried about his gray hair and his temples stained by autumn frost.
Sogou Encyclopedia - Three thousand feet of white hair
2. Poems describing the longest hair
Qiupu Song of Tang·Li Bai has three thousand feet of white hair, and his fate is like a sorrow long.
I don’t know where to find the autumn frost in the bright mirror. The first sentence that came out of the sky: "The white hair is three thousand feet long" is a wonderful exaggeration, and it is simply unreasonable.
A person's hair rarely exceeds his own length. Li Bai's stature, according to his self-introduction in "The Book of Han Jingzhou", is: "less than seven feet long."
According to relevant historical records, he was of medium height at that time. It is impossible to have a body of seven feet and hair of three thousand feet.
If it is said to be the sum of each hair, there has never been such a description. This sentence alone is really incomprehensible, but how well he connected with the following sentence! Three thousand feet means very long.
The hair turns white because of sorrow. These three thousand feet of white hair are a symbol of inner sadness. "Fate", because.
"Ge Chang" is just that long. In some places, there are still colloquial expressions of "Ge Chang" and "Ge Da". Tangible white hair is replaced by invisible sadness, and concrete things are transformed into abstract things.
The focus of people's attention has shifted from "white hair" to the number "three thousand feet". Therefore, "the white hair is three thousand feet long" is naturally understood as an artistic exaggeration, and this poem becomes a wonderful romantic idea, which makes people feel full of interest.
However, if you want to know about gray hair, you must look in the mirror. Now the poet saw his white hair in the clear bronze mirror, and knew that it was caused by deep sorrow and anger.
At this time, I felt emotional. Then he entered into more bizarre fantasies and more ingenious ideas: My head of white hair, which is so much that it seems to be three thousand feet long, is caused by endless worries in my heart.
This bright mirror has no emotions, so it should have no melancholy. Why is it also filled with autumn frost? Autumn frost is white, and the poet here uses it to describe white hair, which adds to the cold feeling. This kind of language is not a pretense, but a deep emotional sigh.
Even the ruthless mirror is infected with melancholy and becomes desolate. As for the person facing the mirror, is there any need to talk about it? This poem was probably written in the "late years of Tianbao" by Li Longji, Emperor Xuanzong of the Tang Dynasty. At this time, the Tang Dynasty was experiencing political corruption and chaos, and the poet was deeply worried about the entire situation.
One's own ideals cannot be realized, and on the contrary, they are suppressed and excluded. However, a poet with integrity and ambition was unwilling to cater to the ruling class. He sighed angrily: "An Neng can bend his eyebrows and bend his waist to serve the powerful, which makes me unhappy" ("Sleepwalking Tianmu's Farewell").
This is probably the reason for his depression. There are other poems of the Tang and Song Dynasties. The fastest boat - the apes on both sides of the strait can't stop crying, and the light boat has passed the Ten Thousand Mountains.
(Li Bai's "Early Departure from Baidi City") The most worrying thing----How many worries can you have? Just like a river of spring water flowing eastward. (Li Yu's "Poppy Poppies") The thinnest person——The west wind blows behind the curtain, and the person is thinner than a yellow flower.
(Li Qingzhao's "Drunken Flower Yin") The most haggard person - the clothes are getting wider and wider, but they don't regret it, and they are haggard because of the beauty. (Liu Yong's "Butterfly Loves Flowers") The saddest person - cut off the water with a knife and the water will flow more, and raise a cup to relieve the sorrow and make it even more sorrowful.
(Li Bai's "Farewell to the School Secretary Shu Yun at Xie Tiao Tower in Xuanzhou") The person with the worst eyesight——looking for her thousands of times in the crowd, suddenly looking back, there was that person, in the dimly lit place. (Xin Qiji's "The Sapphire Case") The deepest love - the water in Peach Blossom Pond is a thousand feet deep, not as deep as Wang Lun's love for me.
(Li Bai's "To Wang Lun") The tallest building - the dangerous building is a hundred feet high, and you can pick the stars with your hands. Don't dare to speak loudly for fear of frightening the people in heaven.
(Li Bai's "Sleep in the Mountain Temple") The most beautiful smile - looking back, a smile that is full of beauty, the sixth palace has no color. (Bai Juyi's "Song of Everlasting Sorrow") The deepest snow - a foot of snow outside the city at night, driving a charcoal cart through the ice tracks at dawn.
(Bai Juyi's "The Charcoal Seller") The longest face in the world - a tear of lovesickness last year, just flowed to the cheek this year. (Su Xiaomei's play on Su Dongpo's sentence) The fastest white hair——You can't see the mirror in the high hall. My sad white hair looks like blue silk in the morning and turns into snow in the evening.
(Li Bai's "About to Enter the Wine") The longest hair - three thousand feet of white hair, as long as the fate is long. (Li Bai's "Qiupu Song") The highest waterfall - flying down three thousand feet, is suspected to be the Milky Way falling from the sky.
(Li Bai's "Looking at Lushan Waterfall") The largest snowflake - Yanshan snowflakes are as big as a mat, and they blow down Xuanyuan Terrace. (Li Bai's "Travel to the North Wind") The most spectacular climb to the top - Hui Dang Ling Jue Ding, with a panoramic view of the mountains.
(Du Fu's "Looking at the Mountains") The largest cypress tree - frost-skinned, forty-year-old, towering two thousand feet into the sky. (Du Fu's "A Journey to Ancient Cypresses") The most difficult person to invite is the person who comes out after being called out for a long time, still holding the pipa and half covering his face.
(Bai Juyi's "Pipa") The most difficult person to find - the poor blue sky and the yellow spring, missing in both places. (Bai Juyi's "Song of Everlasting Sorrow") The brightest lamp is the shadow of a lamp, which can illuminate thousands of miles.
(Qian Qi's "Send Off the Monk to Japan") The most touching music - today is the sound of the Qiang flute, which makes our three armies burst into tears. (Li Qi's "Ancient Meaning") The longest bridge is the Three Cities Garrisoned in Xishan Baixue and the Wanli Bridge on the Qingjiang River in Nanpu.
(Du Fu's "Ambition") The longest sleep - sleeping in the Yangzhou dream for ten years, winning the reputation of a brothel. (Du Mu's "Reminiscences") The person who has been on the war for the longest time - the bright moon of the Qin Dynasty and the Pass of the Han Dynasty. The people who have marched thousands of miles have not yet returned.
(Wang Changling's "Out of the Fortress") The most worthless poem - reciting poems and composing poems. In the north window, a glass of water cannot be expressed without words. (Li Bai's "Reply to the King Drinking Alone on Twelve Cold Nights") The most powerful sword - a sword that has fought for three thousand miles, and a sword that has served as a division for millions.
(Wang Wei's "Old General's Journey") The longest hatred--it will last forever, but this hatred lasts forever. (Bai Juyi's "Song of Everlasting Sorrow") The most expensive letter - the war rages on for three months, and a letter from home is worth ten thousand gold.
(Du Fu's "Spring Hope") Can it be adopted?
3. An ancient poem describing the longest hair
Poetry name: "Seventeen Songs of Qiupu·Fifteen"
Three thousand feet of white hair, sorrowful fate Like a long one.
I don’t know where to find the autumn frost in the bright mirror.
Translation:
The white hair is three thousand feet long. It grows so long because of sorrow.
I wonder where in the mirror the autumn frost fell on my head?
Notes:
Yuan: reason, because.
One: So, so.
Author: Li Bai, also known as Taibai, also known as Qinglian Jushi, a romantic poet of the Tang Dynasty, who was hailed as the "Immortal of Poetry" by later generations. Li Bai has more than a thousand poems and essays in existence, and the "Collection of Li Taibai" has been handed down to the world. He died of illness in 762 at the age of 61.
Extended information
These seventeen poems were probably written during the second trip to Qiupu in the thirteenth year of Tianbao's reign (754). At that time, Li Bai had been away from Chang'an for ten years due to slander and alienation. During these ten years, Li Bai traveled around the world, calling himself home all over the world, and enjoyed drinking and discussing poetry. When I traveled to Youji in the north, I saw with my own eyes that the power of Anlu Mountain had become stronger, and the king had become a man. At this time, he traveled to Jiangnan again with great sadness and indignation.
People see the gray hair on their heads and the length of the white hair because they look in the mirror. The first two sentences hide the meaning of looking in the mirror, but in the third or fourth sentence, it is clearly written: "I don't know where to find the autumn frost in the bright mirror!" The autumn frost is white in color, which refers to white hair. It seems to be repeated but not repeated. It also has the emotional color of sadness and haggard. The word "white" cannot be combined with white hair.
The "I don't know" in the previous sentence is not really not knowing, nor is it asking "where" because of "I don't know". These two sentences are not questions, but words of anger and pain. The poetic eye lies in the word "de" in the next sentence.
Where does such deep sorrow come from? The word "get" goes straight through the rejection and oppression that the poet suffered in half his life; his ambitions were not fulfilled, so he was worried about having gray hair and his temples stained with autumn frost. I have experienced it personally and I don't know why!
Li Bai had the ambition to "strive for his will and ability and be willing to serve as the Prime Minister" and the ideal of "making the whole region settled and all counties unified". Although he suffered many setbacks and failed to realize it, his ambition Ambition never fades away. When he wrote this poem, he was already over 50 years old. His ambitions had not yet been fulfilled, and he was already aging, so he had to suffer even more. Therefore, looking at himself in the mirror, he was shocked, and he chanted "three thousand feet white hair", which made future generations of the world aware of his grief and anger, and this fantasy sentence has been passed down through the ages.
4. Poems describing the longest hair
The white hair is three thousand feet long, and the fate is as long as it is.
I don’t know where to find the autumn frost in the bright mirror?
----Li Bai Qiupu Song
This is one of Li Bai's most famous poems.
The first sentence that came out of the sky: "The white hair is three thousand feet long" is a wonderful exaggeration, and it is simply not close to it.
It makes sense. A person's hair rarely exceeds his own length. Li Bai's stature, according to his self-introduction in "Han Jingzhou Book", is: "less than seven feet long." According to relevant historical records,
was of medium height at that time. It is impossible to have a body of seven feet and hair of three thousand feet. If it is the sum of each
hair, there has never been such a description. This sentence alone is really incomprehensible, but
How well he connected with the following sentence! Three thousand feet means very long. The hair turns white because of sorrow.
These three thousand feet of white hair are a symbol of inner sadness. "Fate", because. "Ge Chang" is just that
Long, and now in some places there are still colloquial expressions of "Ge Chang" and "Ge Da". Tangible white hair is replaced by invisible sadness, and concrete things are transformed into abstract things. The focus of people's attention shifted from "white hair"
to the number "three thousand feet". So "white hair three thousand feet" is naturally understood as an artistic exaggeration, and this poem becomes a wonderful romantic idea, which makes people feel full of interest.
However, if you want to know about gray hair, you must look in the mirror. Now the poet saw his own white hair in the clear bronze mirror, and knew that it was caused by deep sorrow and anger. At this time, I felt emotional. So I entered into more bizarre fantasies and more ingenious ideas: My head of white hair, so much that it seems to be three thousand feet long, is because of the infinite sorrow in my heart. caused by silk. This bright mirror has no emotions, so it should have no sadness.
How come it is also full of autumn frost? Autumn frost is white, and the poet here uses it to describe white hair, which adds to the cold feeling. This kind of language is not a pretense, but a deep emotional sigh. Even the ruthless Ming Jing is infected with melancholy and becomes desolate. As for the person facing the mirror, is there any need to talk about it?
This poem was probably written in the "late years of Tianbao" by Li Longji, Emperor Xuanzong of the Tang Dynasty. At this time,
the Tang Dynasty was experiencing political corruption and chaos, and the poet was deeply worried about the entire situation. One's own
ideals cannot be realized, and on the contrary, they are suppressed and excluded. However, the upright and ambitious poet
refused to cater to the ruling class. He sighed angrily: "An Neng can bend his eyebrows and bend his waist to serve the powerful, which makes me unhappy
Yan" ("Sleepwalking Tianmu sings farewell"). This was probably the reason for his depression.
5. The longest hair poem
The white hair is three thousand feet, and the fate is as long as the sorrow.
I don’t know where to find the autumn frost in the bright mirror?
----Li Bai Qiupu Song
This is one of Li Bai's most famous poems.
The first sentence that came out of the sky: "The white hair is three thousand feet long" is a wonderful exaggeration, and it is simply not close to it.
It makes sense. A person's hair rarely exceeds his own length. Li Bai's stature, according to his self-introduction in "Han Jingzhou Book", is: "less than seven feet long." According to relevant historical records,
was of medium height at that time. It is impossible to have a body of seven feet and hair of three thousand feet. If it is the sum of each
hair, there has never been such a description. This sentence alone is really incomprehensible, but
How well he connected with the following sentence! Three thousand feet means very long. The hair turns white because of sorrow.
These three thousand feet of white hair are a symbol of inner sorrow. "Fate", because. "Ge Chang" is just that
Long, and now in some places there are still colloquial expressions of "Ge Chang" and "Ge Da". Tangible white hair is replaced by invisible sadness, and concrete things are transformed into abstract things. The focus of people's attention shifted from "white hair"
to the number "three thousand feet".
So "white hair three thousand feet" is naturally understood as an artistic exaggeration, and this poem becomes a wonderful romantic idea, which makes people feel full of interest.
However, if you want to know about gray hair, you must look in the mirror. Now in the clear bronze mirror, the poet saw his own white hair, and knew that it was caused by deep sorrow and anger. At this time, I felt emotional. So I entered into more bizarre fantasies and more ingenious ideas: My head of white hair, so much that it seems to be three thousand feet long, is because of the infinite sorrow in my heart. caused by silk. This bright mirror has no emotions, so it should have no sadness.
Why is it also full of autumn frost? Autumn frost is white, and the poet here uses it to describe white hair, which adds to the cold feeling. This kind of language is not a pretense, but a deep emotional sigh. Even the ruthless Ming Jing is infected with melancholy and becomes desolate. As for the person facing the mirror, is there any need to talk about it?
This poem was probably written in the "late years of Tianbao" by Li Longji, Emperor Xuanzong of the Tang Dynasty. At this time,
the Tang Dynasty was experiencing political corruption and chaos, and the poet was deeply worried about the entire situation. One's own ideals cannot be realized; on the contrary, they are suppressed and excluded. However, the upright and ambitious poet
refused to cater to the ruling class. He sighed angrily: "An Neng can bend his eyebrows and bend his waist to serve the powerful, which makes me unhappy
Yan" ("Sleepwalking Tianmu sings farewell"). This was probably the reason for his depression.