1. Poems about Li Shangyin in junior high school
Poems about Li Shangyin in junior high school 1. What poems by Li Shangyin have I learned from primary school to junior high school?
There are two.
The night rain is sent to the north
Author: Li Shangyin
When you asked about the return date, the night rain in Bashan filled the autumn pond.
Why should I cut off the candles from the west window and talk about the rainy night in Bashan?
Untitled
Li Shangyin
It is difficult to say goodbye when we meet, the east wind is powerless and the flowers are withered.
The spring silkworms will not run out until they die, and the wax torch will not dry until it turns to ashes.
When I look into the mirror at dawn, I am worried about the clouds on my temples. When I sing at night, I should feel the cold moonlight.
There is not much way to get to Pengshan, and the blue bird is diligent in visiting.
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In terms of creative style, Li Shangyin strived to overcome the shortcomings of previous generations of poets who were too straight, not concise enough, and lacked artistic charm. He deliberately pursued the hazy and implicit aesthetic taste of poetry, formed a unique artistic conception, and improved the artistic charm of poetry. In specific poems, the artistic conception is often tortuous and unrevealed. For example, the poem "Jin Se" I just learned is one of his poems with very obscure content, especially "The moon in the sea has tears, The poem "Lantian is warm and the jade is filled with smoke" uses two allusions to express the poet's sadness, loneliness and disillusionment of his ideals through implicit and suggestive strokes. Lu Ji, a famous writer in the Western Jin Dynasty, read this When writing a poem, he also commented: The mountains are shining with rocks and jade, and the rivers are beautiful with pearls in the water.
Another example is Li Shangyin's eternal famous saying, "The spring silkworms will die when they die, and the wax torches will turn to ashes before their tears dry up." The words "the silk ends" and "the tears begin to dry" in the sentence both imply a melancholic emotional tone, adding a confusing and far-reaching theme to the whole poem, and pushing this hazy beauty to the extreme.
Li Shangyin’s poetry is a wonderful flower in the field of classical literature, and his ups and downs in life gave him a strong sentimental mood. He showed it with the deep elegance of artistic conception and the elegant precision of his words. The realm of hazy beauty in poetry. Li Shangyin is the pioneer of the hazy beauty in ancient Chinese poetry. He used his rich imagination and full of deep feelings to create a new style and new realm of poetry.
2. What he learned in junior high school Poems about Li Bai, Li Yu, Li Shangyin, and Li Qingzhao with the word "sorrow"
Li Qingzhao:
Drunk flower shade
The mist is thick and the clouds are sad forever,
Rui Nao eliminates the gold beast.
The Double Ninth Festival is here again,
Jade pillow and gauze cabinet,
The coolness starts to shine through in the middle of the night.
After dusk when I was drinking wine in Dongli,
there was a faint fragrance filling my sleeves.
There is no way to lose one's soul,
The west wind blows behind the curtain,
People are thinner than yellow flowers.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
The sound is slow
Searching,
deserted,
miserable.
It is most difficult to take a breath when it is warm and then cold.
Three cups and two glasses of light wine,
How can I defeat him and the wind comes late?
The wild geese are passing by,
I am sad,
But we are old acquaintances.
The ground is covered with yellow flowers.
haggard and damaged,
Who is worthy of being picked off now?
Guarding the window,
How can one be dark alone?
The phoenix trees also drizzle,
At dusk, it rains bit by bit.
This time,
How can the word "sorrow" be so great!
3. Those poems in "Untitled" by "Li Shangyin" that I have studied from junior high school to high school
Last night's stars and last night's wind,
The west bank of the painting building Gui Tangdong.
I don’t have the wings of a colorful phoenix,
I have a clear mind.
Gouchun wine is given to every other seat to warm it up,
The cao is covered with wax and the lamp is red.
I listened to the drum and went to the official meeting,
I walked around Malantai and turned around.
The east wind blows and the drizzle comes,
There is light thunder outside Furong Pond.
The golden toad gnaws at the lock and burns incense,
The jade tiger pulls the thread back to the well.
The Jia family peeked behind the curtain to see Young Master Han,
Concubine Mi stayed with King Cai of Wei as a pillow.
In the heart of spring, don’t let the flowers bloom,
One inch of lovesickness and one inch of gray.
It is hard to say goodbye when we meet,
The east wind is powerless and the flowers are withered.
The spring silkworms will not run out of silk until they die,
The wax torch will turn to ashes and the tears will not dry up.
The mirror is dawning, but the clouds on the temples have changed.
The moonlight is cold when singing at night.
There is not much way to go to Pengshan.
The blue bird is diligent in visiting.
There are fifty strings of brocade strings for no reason,
Each string and one pillar reminds me of the past.
Zhuang Sheng was fascinated by butterflies in his dream,
The Emperor's spring heart is entrusted with cuckoos.
The bright moon in the sea has tears,
The sun in Lantian is warm and jade produces smoke.
This feeling can be recalled later,
But it was already at a loss.