The next sentence of "Going up alone to the small building to feel the twilight of spring": Looking sadly at the fragrant grass road in Yuguan. Poem title: "Magnolia". Real name: Wei Zhuang. Font size: Zi Duanji. Era: Tang Dynasty. Ethnic group: Han. Birthplace: Duling County, Jingzhao County (now Xi'an, Shaanxi). Date of birth: approximately 836. Time of death: 910. Main works: "Bodhisattva Man", "Shang Xi", "Ying Tianchang", "Ying Tianchang", "Sidi Xiang", etc. Main achievements: An important poet of the Huajian School; persuaded Wang Jian to proclaim himself emperor and established the founding system of the former Shu.
We provide you with a detailed introduction to "Spring Night Alone in a Small House" from the following aspects:
1. Click here to view the full text of "Magnolia" 》Details
I went up alone to the small building to feel the late spring, and looked sadly at the fragrant grass road in Yuguan.
No news, no one to meet,
But the eyebrows are narrowed and the embroidery is down. Sit and watch the falling flowers sigh in the sky,
Luo Bing is wet and stained with red tears. I have never traveled through thousands of mountains and rivers.
Where can I find the teachings of my dreams?
2. Notes
Yuguan: Yumenguan, here generally refers to the distant place where the conqueror is.
Sleeves: sleeves.
Red tears: Tears shed from the rouged face, hence the name "red tears". Another interpretation refers to blood and tears. In literary works, the tears of women crying are often called "red tears".
3. Other poems by Wei Zhuang
"Thinking of Return", "Night Thoughts of Zhangtai", "Picture of Jinling", "Bodhisattva Barbarian", "Qin Women's Song". 4. Appreciation
This poem describes the missing woman’s longing for Zheng Ren.
The first part is written about a little girl looking into the distance. The word "lone" indicates that she went upstairs not to enjoy the scenery, but to miss people far away; in the second sentence, the place she is looking at is "Yuguan" to show that the place where the conscripts are going is far away. "Fragrant grass road" is a mixture of reality and reality, with luxuriant grass and the sigh of the kings and grandchildren not returning. The three lines of "news" are the actions after "sorrow", expressing the helpless sadness.
The next part is about the empty boudoir sighing: looking at the falling flowers and thinking of my own destiny, I couldn't help but burst into tears, and my clothes were soaked. The last two sentences of the conclusion are the special psychological activities of the heroine: thousands of mountains and rivers separate her from Zheng Ren, but she has never been there. The beauty lies in the three words "never traveled". She complained that she had never traveled thousands of mountains and rivers, so the dream soul was hard to find. A stroke of tumbling, a sound of sorrow and bitterness.
A great feature of Wei Zhuang's Ci is its narrative, and the characteristic of narrative is its action. Take this word as an example to write about a young woman in her boudoir who misses her beloved far away. Instead of static descriptions of scenery to highlight her sadness and separation like other word writers do, she dynamically writes about her behavior at this moment. This shows the chaotic melancholy in her inner world: she walked up to the small building alone, looked at the road in the distance, saw no one, and returned to her boudoir sadly. She sat lonely and looked at the falling flowers in the courtyard, and her tears flowed down again, wetting her sleeves and dripping her clothes. What she saw here was not a static picture, but a series of constantly changing movements. If this is used as a script and an actor is asked to act, several consecutive skits will definitely be produced. This feature is relatively rare in other lyrics with similar themes.
Let’s further examine the characteristics of the action description in this poem in the order of the upper and lower columns: "Going up the small building alone" seems to see the tired steps of the hostess as she goes upstairs. At this time, spring is coming to an end and the willow catkins are fluttering. You can imagine the dazzling spring sorrow of the young woman who is alone in her empty boudoir. With her eyebrows furrowed, she gazed longingly at the winding path leading to Yuguan. The lush and fragrant grass on the roadside further aroused her longing for the distant future. An ancient poem goes like this: "The spring grass is luxuriant, and the king and grandson will not return"; "Departure and hatred are just like the spring grass, the farther you go, the more you will live." The end of the world is a symbol of separation and hatred and a catalyst for longing for return. However, there was not a soul to be seen on the road. The news from afar was still as dim as a yellow crane, so her hope came to naught. She had to frown and went downstairs to the house. Even with the brocade curtains, it was unbearable to live in. In this column, "Shanghai" was used together. With five action words such as "look", "meet", "collect" and "return", everyone not only saw her frowning frown, but also saw her coming and going. Through her appearance and figure, she had a glimpse of her lonely soul. .
The lower column describes her mood and thoughts after "returning to the embroidery household", and it still contains the characteristics of action. She sat and looked at the falling flowers, sighing in the air, covering her face with her sleeves, and tears were falling frequently. The four action words "sitting", "sigh", "wet" and "drop" are used here to describe her movements in silence. Everyone seems to hear her sighing voice and see her sedentary figure, the falling flowers, and the teardrops. of crystal clear. "Thousands of mountains and rivers have never been traveled, and where can I find my dreams?" Although it is written about the heroine's psychological activities when "sitting and watching the falling flowers", it is still full of action characteristics: from here to Yuguan, there are thousands of rivers and mountains. , I have never walked through it once. Even if the dream soul wants to look for him after falling asleep, I don’t know how to look for him because I don’t know the way. The words "Xing" and "Looking" are also used here, indicating that action characteristics also penetrate into the description of psychological activities. These last two sentences are wonderful words of wisdom: The road that has not been traveled during the day cannot be searched by the dream soul at night. This reasoning seems to be logically reasonable; however, even if it is something done during the day, how can it be repeated in the dream? , which again shows the taken-for-granted nature of this reasoning. The poet deliberately used this kind of reasoning with great or inevitability to express the helpless mood of the character Siyuan. She could not meet her lover in her dream, which further showed her loneliness and loneliness.
Poems of the same dynasty
"Sangu Stone", "Warm Cui", "Farewell to Xu Kan", "Poems of Hate", "Inscription on Jiadao Tomb", " "Tiantai Zenyuan Couplet", "Song of Everlasting Sorrow", "Recalling the South of the Yangtze River", "Spring Journey to Qiantang Lake", "Ode to the Dusk River".
Click here to view more detailed information about magnolia