Author: gray baby
Why am I this year?
So melancholy
Viola in the field
Thanks already.
Cuckoo can sing.
Bright song
From our roof
Sweep back and forth
Lovely viola
Open every year
The cuckoo's voice from the clouds.
Shake down, ripple
Shannaobian
"Estimated clothes!"
Sales voice
Who stays here?
Ku Jing Yi kou
Why am I this year?
So melancholy
Withered viola yedoensis
Silent shadow
The cuckoo has sung.
Bright song
From our roof
Sweep back and forth
No roses.
No roses, no sacrifice.
My grave, ivy tears day and night.
On a clear morning, Spring was called to sing a leopard in a low voice.
Take a lamp.
Come and settle down in a hurry.
I meditate in my own cemetery.
Look back at the footprints
A foot deep and a foot shallow.
Want to know what I left there
Light, shadow, clear water and wind at the edge of the cliff
Wander around
Always looking for something
I have bid farewell to the suffering world.
It's far from the bustling world.
I hear crickets during the day.
In the dark, I heard the mountains and rivers whimpering and running.
I have a heart that goes with the scenery.
I'm afraid the scenery will never look back.
Qixing yo
Please shine clear light in the wind and dew.
Do not ask the soul.
How can I listen to it again?
When the poet Greva was studying in Yan 'an Children's Art College because of the war in her childhood, Zhang Ding was hired as their artistic tutor, and they met each other from then on. 1985, Zhang Ding's wife who lived together for 50 years died unfortunately, and Zhang Ding's life suddenly lost balance. 1986, Zhang Ding, who has always regarded art as his life, began to yearn for a spiritual life partner, while Greeva was living alone at this time, and they got married in this year. The period from 1986 to 1997 was the peak of Zhang Ding's artistic career. At this time, his Jiao Mo landscape reached the artistic realm with ease. From the artistic conception of Jiao Mo Landscape Painting by Zhang Ding, we can clearly feel the imagination and charm of the poet Grey Baby. Similarly, this is also the high-yield period of Huiwa's poetry creation, and nearly half of the works in Shan Gui's hometown were created during this period.