Weeds grow into a meadow.
Weed tendrils, dew shining on the grass. A beautiful woman is walking on the road, very beautiful. It's perfect for me to meet a real coincidence.
Wild weeds grow in rows, and dew is round and round on the grass. A beautiful woman is walking on the road, with clear facial features and beautiful and moving. I didn't expect to meet the real Joe, and she was both happy.
Distinguish and appreciate
This poem is about very romantic and free love: its beautiful moment, meeting a beautiful woman; Love at first sight, and then hand in hand into the depths of Fanglin. Just like a pair of free and happy birds, as long as they are harmonious, they are both fly with me.
Frank love, pastoral style, beautiful words, picturesque. This poem is divided into two chapters and repeated. Six sentences in each chapter, two sentences in one layer; It can be divided into three levels: scenery writing, character writing and lyric writing. Typical environment, typical characters and typical feelings can be described as unintentional and natural cooperation.
A girl with beautiful environment and beautiful eyes, from the young man's point of view, is very delicate and particularly touching. "There are creeping weeds in the wild, and there is no dew." Spring morning in the countryside, lush spring grass, branches and leaves stretch, full of green; The bright green spring grass is covered with dew, and Ming Che is crystal clear under the light of the first day. In this beautiful and quiet spring morning country, "there is a beautiful person, young and graceful"; A beautiful girl came up without saying a word, and her beautiful eyes, clear as dew, looked around, charming and moving. Write the scenery first, then the people. There is a picture in the poem, and there is someone in the picture. Four poems are like a picture of a beautiful woman in the spring suburbs. However, there are subtle metaphors between slender creeping weeds, crystal dew and the image of girls, which can trigger rich associations. The finishing touch of Yang Qingwan Xi shows the amazing beauty of the girl. When young people see all this, how can love and joy not gush out? "When we meet, it suits me." Here, there are surprises for girls, unexpected surprises, and the happiness and satisfaction of Cupid's sudden arrival.
The gap between the first chapter and the second chapter can be understood as that when girls and boys stare at each other, more static fields are told in silence than in sound; The overlapping of the first five sentences in the second chapter can be understood as the love and affection that young men confide to girls after their emotions are slightly settled. However, in this era of simple human nature, and on the occasion of the Spring Festival, there is no need to make a long speech, let alone red tape. "I met each other late, with my son." As long as two feelings are willing, they will be good for a hundred years; Without parents' orders and matchmakers' words, we can always be soul mates.
Hegel, a German aesthete, said: "Where does the whole soul appear as a soul in a special organ? We can immediately answer: in the eyes; Because the soul is concentrated in the eyes, the soul should not only see things through the eyes, but also be seen through the eyes "(the first volume of aesthetics). In fact, this aesthetic principle of artistic description was mastered by China folk poets more than 2,000 years ago. From "Qiao Xiao Qian Xi, beautiful eyes look forward to Xi" in Shuo Ren to "Yang Qing Wan Xi" and "Wan Ru Qing Yang" in Weeds, the beauty of girls is written by looking forward to beautiful eyes. In short lyric chapters, it is possible to write vivid characters only through vivid "finishing touch" pen; When strangers meet, it is also the most natural expression to look at each other. Therefore, the "finishing touch" pen here, although focused, can be said to be very natural.
This idyllic love for freedom is a poetic imagination of good wishes and a true portrayal of our ancestors' marriage and love. Mao Xu thinks it is the former, saying that "there are creeping weeds in the wild", and it is time to think about it. Junze is not dirty, the people are poor in the military revolution, and men and women think unexpectedly when they lose time. "The so-called" thinking about time "and" thinking about meeting unexpectedly "means that real men and women in the war are divorced from time and can only express their wishes through poetry; Behind the poetic satisfaction is the defect of reality. In the Ming Dynasty, Gibbon thought it was the latter. In his poem "Shi Shuo Jie Yi", he said: "When a man meets a woman, he will gladly give this poem. "Now many people say that this is a love poem and a song. Judging from the artistic conception of poetry, Weeds is indeed an ode to the free marriage and love of ancestors. However, Mao's background analysis of this poem cannot be regarded as pure speculation.
However, whether it is poetic imagination or true portrayal, it is primitive simplicity and frankness, which is different from the poems that show the encounter between men and women in later generations. In the Tang Dynasty, Cui Hu also wrote "encounter" in "Titu South Village"; But love at first sight turned into regret. "People don't know where to go, but peach blossoms are still smiling in the spring breeze." Sigh, don't give up for a thousand years; Feudal ethics caused many human tragedies. As a hymn to the sacred and free love of China ancestors, Wild Soldiers will have eternal charm.
Appreciation of Feng's Wild Creep