The image beauty of the word "Qinyuanchun Changsha" is highlighted in the choice of scenery. The author has a broad vision, and the selected scenery is either vast, magnificent or handsome. Take the word "look" as an example. There are "layers of forests" in the mountains, "hundred ge" in the river, eagles in the air and fish in the water. From the state of the scenery, there are static flaming maple forests, dynamic "rushing" and "hundred ge", etc. The author from a distance to a close view, from looking up to looking down, the sky is high and the clouds are wide, the mountains are red and green, and "the world is caged in shape and everything is frustrated in pen". (Lu Ji "Wen Fu")
The author's choice of scenery is largely limited by his conception. The ancient literati's poems such as "mourning for autumn", "hurting autumn" and "mourning autumn" are determined by their specific "meaning". For example, Ma Zhiyuan's "Tianjingsha Qiu Si" means "heartbroken people are at the end of the world", and the selected "images" are naturally "dead vines", "old trees", "faint crows" and "thin horses". Du Fu's "Climbing to the Top" bases his "meaning" on "Wan Li's mourning for autumn" and "suffering", and the selected "image" is naturally inseparable from "mourning for apes" and "falling trees". Mao Zedong's idea is positive and enterprising, and the "images" he shot are naturally those scenes that are actually upward and full of vitality, such as "Wanshan", "Layered Forest", "White Dove", "Eagle" and "Fish Swimming".
The image beauty of the word "Qinyuanchun Changsha" is also reflected in the expression of images. The choice of image is very important, but the expression of image should be more ingenious. The poet's description of Italy and Cambodia should not be an objective sketch, but an "image infused with life" (Kandi). In order to "inject" more life into the objective image selected in "Qinyuanchun Changsha", Mao Zedong attaches great importance to the despicable performance, such as a group of image group headed by the word "Kan" in the previous column, among which there are "Wan Shanhong School", "All the trees are dyed" and "and so on. The poet not only shows the beauty of static scenery of mountains, red, water and green, but also deliberately describes the dynamic magnificence of things. The word "struggle" in "Hundred Struggles" adds a high-spirited and enterprising atmosphere to the green and dust-free river surface, vividly showing the warm scene of Qian Fan's struggle for beauty. In The Eagle Hits the Sky and The Fish is Shallow, the vigorous posture of the eagle flying in the sky of Wan Li and the joy of the fish swimming in the crystal clear river are accurately and vividly portrayed by using two creative and powerful verbs: strike and Xiang. If "strike" and "Xiang" are replaced by "fly" and "swim", we can't express the vigorous posture of the eagle when it spreads its wings and flies, nor can we express the light and comfortable interest of the fish swimming in the water. The poet's use of the word "struggle" in "Ten Thousand Frosts Fight for Freedom" strongly highlights the vitality of everything in the cold autumn, making people feel the poet's infinite love for nature and sincere praise.
The image beauty of the word Qinyuanchun Changsha is manifested in the combination of images. The connotation of poetic artistic conception is not only contained in one image, but also reflected in the combination of images. When creating poems, poets often combine single images into organic, spatio-temporal and hierarchical pictures according to the law of beauty, so that they have the functions of coherence, contrast, contrast and suggestion, show readers colorful life pictures and convey colorful thoughts and feelings. Poets often use many methods to realize the combination of images. Mao Zedong mainly uses juxtaposition and radiation in "Qinyuanchun Changsha".
The juxtaposition of poetic images, like the combination of Meng Daqi in the focus plane, mainly juxtaposes individual images with each other in the form of juxtaposition, thus forming the "beauty of complex images" of the whole word, that is, the beauty of combination. On the whole, a group of image group always headed by the word "Kan" in the upper column is a parallel relationship. The poet deliberately juxtaposes and combines images, pays attention to the combination of motion and static, and combines far and near, forming a colorful "Xiangjiang Autumn Color Map". Another example is the past lives recalled in the second poem, which are also juxtaposed in pairs, highlighting the spirit of young revolutionaries to make progress and dare to do things, and depicting a lively "picture scroll of young students" for us.
The radiation of poetic images refers to "radiating" around one of the group images to form a image group. Take the seven sentences of the word "look" as an example. Under the radiation of the central image "all kinds of frosty days", images such as "Wanshan", "Layered Forest", "White Dove", "Eagle" and "Swimming Fish" are formed, and there are also two juxtaposed composite images of "pointing out the mountains and inspiring words". Judging from the whole word, the central meaning of Cambodia should be "I" of "independent and cold autumn", and other images are formed under the "radiation" of this central image. Here, people who look at the scenery with a broad mind will become "scenery" and a magnificent "great man map"!
In "Qinyuanchun Changsha", Mao Zedong created a lofty artistic conception and formed a magnificent picture through the selection of typical images, the expression of vivid images and the clever use of the combination of Italy and Cambodia, which made the word have a strong aesthetic effect.