Looking for Li Bai
——Drinking and singing in vain, flying and domineering to be the hero
That pair of arrogant boots are still on the ground
In Gao Lishi’s shameful and angry hands, the person disappeared
Refugees and wounded soldiers on the ground
The rhythm of Hu horses and Qiang flutes crossing each other
Leave it to Du Er to moan in detail
Ever since He Zhizhang’s eyesight
recognized you as an immortal, he has become even more crazy
Hit one with one The cursed little wine pot
Hide yourself, even your wife can’t find you
I blame the small city of Chang’an but the long sky in the pot
In all In the poem, you predicted that
there would be a sudden escape from the water, maybe tomorrow
A small boat breaking through the waves, with wild hair caught in the wind
Now, as expected, you are missing
You have enemies like a forest, everyone wants to kill you
How can cirrhosis of the liver kill you
Wine enters the intestines, and 70% turns into moonlight
The remaining three points roared into sword energy
As soon as the embroidered mouth spit out, half of the prosperous Tang Dynasty
From Kaiyuan to Tianbao, from Luoyang to Xianyang
< p>The hustle and bustle of riding on the road with crown coverNot as good as your song a thousand years later
The crystal quatrain taps my forehead
It was provoked by a local bomb Echo
It is enough to be destitute once you are relegated to the world
It would be too embarrassing to be let go again
It is your place of origin that remains a mystery
Longxi or Shandong, Qinglian Township or Suiye City
Why don't you go back to your hometown?
Everywhere you get drunk, you said, it is not a foreign land
Disappearance is the only fate for a genius
What happened after your death, where did you escape to?
The ape can't stop crying, and Du Er can't stop trying to persuade you
When you look back, your head is already white under the prison window
Seven Immortals and Five Friends cannot save you
Kuangshan Mountain is locked in fog and there is no way to enter
The fire is still not perfect, just half a grain of cinnabar
How to follow the flowing clouds in Ge Hong's sleeves
The moon shadow in the bottle, maybe that is your hometown
< p>I will always look up to you yearningly throughout my lifeNo matter I go out and cry to the east or west
Chang'an has already fallen
These two hundred and forty thousand people On the return journey
There is no need to alarm the roc, nor to attract the crane
Just throw the wine glass into the air
It will spin into a flying saucer< /p>
The strange green flash is getting faster and faster
Take you back to the legend
Yu Guangzhong (1928-), male, born in Nanjing in 1928, native of Fujian Yongchun. Because her mother's native place is Wujin, Jiangsu, she also calls herself "Jiangnan native". Yu Guangzhong has been engaged in poetry, prose, commentary, and translation all his life. He calls his writing space a "fourth-dimensional space." He has been in the literary world for more than half a century, covering a wide range of topics, and is known as an "artistic polygamist." His literary career is long, vast and profound. He is a master of contemporary poetry, an important prose writer, a famous critic and an excellent translator.
Poetry should pay attention to the management of beautiful structure. A good poem with a structure that does not have aesthetic value is inconceivable. The external structure of "Looking for Li Bai" is free and rigorous, with sentences, stanzas, and chapters relatively free and extended. It is a so-called free verse style. However, the first and third stanzas are fourteen lines each, and the second and fourth stanzas are Each stanza has ten lines, and the basic format is like an expanded pair of sentences in classical poetry. In this way, there is no lack of orderliness in the uneven freedom. In terms of internal structure, this poem is characterized by "circulation" and "three-dimensionality" as its frame. The poem begins with Li Bai's "disappearance". After narrating the poet's drinking and singing and ups and downs, it ends with Li Bai's return in the wind. It circles repeatedly, always twisting and turning around the word "find", and avoids making a straight line. style narrative. The "so far" in the poem's opening line "still falls" is a fantasy that transcends time and space. It combines ancient and modern times to form a three-dimensional sense of time and space. Others include the charm of Li Bai's "Thousands of Years Later" and the modern mystery of "Huo Huo's Flying Saucer". , are mutually reinforcing the ancient and the modern, and the technique of shifting time and place forms the inner three-dimensional structure of the whole poem. In this way, the whole poem does not stay on an insulated classical plane, but has a modern relief-like beautiful effect.