Department:
Jiangnan/Spring
Tang/Du Mu
Li Qian/Yingying/Green and Red, Shuicun/Guo Shan/Jiuqifeng.
Southern Dynasties /400/80 Temple, how many/balconies/misty rain.
Divide the rhythm:
Read the first four words of each sentence twice and the last three words once.
Pressure:
Key words such as "Ti Ying", "Green Reflects Red", "Guo Shan", "1997", "480 Temple", "Loutai" and "misty rain" can be highlighted.
Reading aloud in this way can better express the poet's feelings and describe the beautiful scenery of Jiangnan in spring.
Related content
The translation of Spring in the South of the Yangtze River is:
The vast south of the Yangtze River is full of singing and dancing, green trees and red flowers set each other off, and wine flags are flying everywhere at the foot of the water town. More than 480 ancient temples left over from the Southern Dynasties are now shrouded in this misty rain.
Brief introduction of the author
Du Mu (803- 852), a native of Fanchuan, Jingzhao Wannian (now Xi, Shaanxi), was of Han nationality. Du Mu was an outstanding poet and essayist in Tang Dynasty, the grandson of Du You, the prime minister, and the son of Du You.
He lived in South Fan Chuan Villa in Chang 'an in his later years, so later people called him "Du Fanchuan". He is as famous as Li Shangyin and is called "Little Du Li". His poems are famous for their seven-character quatrains, and the main content is to chant history and express emotion. Most of his poems are quatrains, with implicit content and delicate techniques.
His works are unique in the Tang Dynasty, with fresh and lively feelings and deep and rich colors. His prose is most famous for "Epang Palace Fu", which vividly shows the magnificence and historical vicissitudes of Epang Palace with gorgeous rhetoric and imaginative description.
Du Mu's poems are influenced by Confucianism and Buddhism. His poems are elegant and gentle, fresh and lively, while his prose is famous for its profound thoughts, fluent language and imaginative description. His works not only show the prosperity of Tang literature, but also reflect the social features and cultural spirit of that era.
Du Mu's life is full of ups and downs. Although he is brilliant, his career is not smooth. He was forced to leave the imperial court because he offended those in power, and held positions such as secretariat in the local government. Nevertheless, he persisted in his belief and pursuit, and constantly created excellent works.