Now listen to the rain monk Lu. The temple is full of stars. Sorrow and joy are always ruthless. Before the next step, drop by drop until dawn. 300 Song Ci poems, selected Song Ci poems, graceful and restrained, rain and dew, elegy, time-honored brand translation, annotation translation.
When I was young, I listened to the rain on the rostrum, lit red candles, and in the dim light, there were lights in my account. Middle-aged people, on a boat in a foreign country, are watching the drizzle, the vast river, the water and the sky, the west wind, and a lonely goose that has lost its flock moans.
Now, people are old, with white hair on their temples, and they are alone at the monk's house, listening to the drizzle. The experience of life's joys and sorrows is ruthless, so let the rain drop by drop on the steps until dawn.
Appreciating the works of poets of past dynasties, the drizzle is always inextricably linked with "melancholy", such as: "The phoenix tree is raining and the dusk is dripping. How can it be a sad word this time?" "In the evening, the rain hits pear blossoms and closes the door." However, in Jie Jiang's ci, both of them are "listening to the rain", but they have completely different feelings due to different time, region and environment. From the unique perspective of "listening to the rain", the poet introduced three pictures of "listening to the rain" in turn through the leap of time and space, which infiltrated and integrated the joys and sorrows of his life.
The first picture: "Young people listen to the rain song upstairs, and the red candle is faint." Although it only shows a fragment of a time and a place, it has great artistic capacity. Colorful images such as "Song Lou", "Red Candle" and "Luo Zhang" are intertwined, conveying the happy feelings of the spring breeze. When I was a teenager, I was drunk and dreamy, spending money like water, singing and dancing lightly in the noise and sinking into my own life. The word "faint" tells the extravagant life of "bagpipes blowing off water, Yun Jian, and the song of dresses comes back". At this time, listening to the rain was on the balcony, and the sound of the rain he heard added meaning to the balcony, red candles and Luo Zhang. Although this belongs to the life of laughing and laughing, it has nothing to do with bitterness after all. The author focuses on the youth and elegance of "I don't know the taste of bitterness". The impression of this stage in the poet's mind is eternal and short-lived. Such a cheerful picture of youth contrasts with the bleak situation behind it.
The second picture: "The wind is in full bloom, the boat is listening to the rain, the river is wide and the clouds are low, and the broken geese are called the west wind." A picture of a passenger ship listening to the rain, a picture of a wide river with low winds and light clouds, and a wild goose flying alone. The "passenger ship" here is not a passenger ship in a night berth near Fengqiao, nor a cruise ship in Startup a Seagull, but a lonely journey to the end of the world, lonely, sad and nostalgic for in my heart forever. At this time, the sound of rain was accompanied by the sound of broken geese. The word "broken" is associated with many artistic conceptions, heartbroken, the breakdown of family ties, and an unspeakable loneliness and regret in life. The images of "guest boat" and its surrounding "wide river", "low cloud", "broken goose" and "west wind" reflect the rough experience and sad mood of being displaced in stormy weather. After the prime of life, when the war is raging, poets often wander alone on the vast land of life, often wandering around and wandering around. The hatred of a wanderer and all kinds of parting sorrows are contained in this painting of Jiang.
The picture of "now listening to the rain" is a self-portrait showing his present situation. A white-haired old man listened to the rain at night alone under a monk's house. The bleak situation and gloomy mood can be seen in more than a dozen words. The mountains and rivers change hands, the sadness and resentment when they are in their prime, and the joy when they are young, have been like storms. Here and now, I hear the rain, but I am indifferent. "Sadness is greater than death in the heart" is a conclusion drawn from the pursuit of life experience, which contains infinite sadness and endless sadness. It seems that "the morning before the next step" has been very quiet and there is no wave. However, after listening to the rain all night, it shows that he has not really entered the realm of detachment and silence, but has experienced hardships and has the ability to control his emotions.
The first two scenes listening to the rain in the original artistic conception are the memories of the same person (author). The red candle is faint, and the word "faint" well shows a blurred feeling, a vague atmosphere, like a feeling of memory. The feeling that geese are called the west wind is also a grand scene with strong personal sadness. But in the final analysis, it is a realistic description that monks listen to the rain. The word "now" well illustrates the current situation-a feeling of returning to reality from memories, which has increased the perception of the years!
Creation background: 1267, the Yuan Dynasty destroyed the Southern Song Dynasty. Poets in the Song and Yuan Dynasties have experienced this kind of vicissitudes, and the pain of the country's destruction and the hatred of the family's death are all shown in their works. Jie Jiang used words to express his parting feelings, the stinging feeling of a bronze camel, and his personal joys and sorrows, among which Beauty Listening to the Rain was the representative work of this period.
Jie Jiang (date of birth and death unknown) was born in Zhushan (now Yixing, Jiangsu) at the end of the Southern Song Dynasty. His predecessor was Yixing Giants, and he was a scholar in the tenth year of Xianchun (1274). When he died in the Southern Song Dynasty, he deeply felt the pain of national subjugation and lived in seclusion. He was called "Mr. Zhushan" and "Cherry Jinshi", and his integrity was valued by people at that time. He is good at ci, and he is also known as "the four masters in the late Song Dynasty" with Wang, Zhang Yan. His poems mostly express the thoughts of the old country, the sadness of mountains and rivers, and have various styles, but they are mainly sad and handsome, and Xiao Liao is relaxed. In particular, his clever diction is unique in the Song Dynasty, among which Zhushan Ci (1) is included in Jin Mao's Sixty Famous Song Ci Writers and Jiangcun Series. There are also two volumes of Zhushan Ci, which are included in the part involving mountains and rivers in Song, Yuan and Ming Ci. Jie Jiang
A rising tide lifts all boats, and the willow bridge flies fish. Cloud pigeons dragged the rain across the river. Depressed courtyard, oblique wind and drizzle, heavy doors must be closed. Warm rain, sunny wind, the beginning of breaking ice, the eyes of willow leaves and the cheeks of plum all feel the heart of spring. It's still cold after the rain. Spring sorrow and wine become sorrow. The green maple whispers about the rain, and the autumn scenery is fascinating. The yellow leaf ancestral temple is cold and rainy, and there are many white clouds in the green hills and wasteland. Autumn is cold, the wind is cold, and the north wind is bleak and refreshing. The mountains and plains are all green, and the sound of Zigui is raining like smoke. As soon as the rain falls, it can't fly to the sky, and it's hard to take back the water. Nu Wa makes up the sky by refining stones, and the stones break the ground to stir up the autumn rain. After the shower, pearls were scattered all over the floor and hit the new lotus. The world is thin, human feelings are evil, and it is easy to fall when the rain is sent late. Desolate and rustling, fragrant frozen pear flower rain. Yunshan is harmonious, and the storm is prosperous in the Mid-Autumn Festival. The stagnant rain clears up overnight, and all troubles are like grass rain.