Cao Zhi's Seven Wounded Poems (Cao Zhi's Seven Wounded Poems)

Hello, I'm here to answer your question about Cao Zhi's seven wounded poems, which I believe many friends still don't know. Now let's have a look! 1, Cao Zhi (192-232) The moon is shining high. ...

Hello, I'm here to answer your question about Cao Zhi's seven wounded poems, which I believe many friends still don't know. Now let's have a look!

1, Cao Zhi (192-232) The bright moon shines on tall buildings and the time is wandering.

2. A woman who has worries in the world has more worries than worries.

3. Who is the signer? The answer is a wife in another place.

You have been in business for more than ten years and often live alone.

5. If you remove the road dust, if you make the cement muddy; The ups and downs are mixed, when will they meet in harmony? Yes, I want to turn into a southwest wind and disappear into my husband's arms!

6, you can't open your arms, what should you do! Cao Zhi's poems are generally divided into two periods with Jian 'an as the boundary.

7. In the early stage, Cao Zhi was in his prime, outstanding in talent and deeply loved by his father.

8. Cao Cao is "particularly fond of" this son and "answers every question".

9. Therefore, Cao Zhi lived a rich and carefree life during this period, and his poems were full of young people's ambitions and arrogance. White horse is a representative.

10, and originally has excellent talent and talent, Cao Zhi is likely to inherit his father's footsteps and be king. It's a pity that he "acted willfully, didn't encourage himself, and drank improperly", which finally gradually made Cao Cao lose confidence in him.

1 1. On the contrary, Cao Pi, Cao Zhi's half-brother, is self-respecting. Although his talent and talent are slightly inferior to his younger brother, Cao Cao appointed him as his successor considering that "Emperor Wen used his skills to make himself pretentious, and the court spoke for him" (The History of the Three Kingdoms).

12, the death of Cao Cao is the end of a generation and a turning point in Cao Zhi's life.

13. After Cao Pi succeeded to the throne, he was very wary of this younger brother who was once the heir to the quasi-throne.

14, he not only blocked Cao Zhi from the capital and kept him away from the political center, but even set up a "prison army" to prevent his brother from plotting and threatening his position.

15, people are familiar with: "Boil beans and burn bean baskets, and beans cry in the kettle.

16, originally from the same root, why rush to fry? ",is a poem written by Cao Zhi under the coercion of Cao Pi, lamenting the cannibalism of flesh and blood.

17, the true origin of this poem is not elegant, and different versions are circulating, and the possibility that it was written by Cao Zhi is also very low. However, judging from this poem, it is true that Cao Pi's brothers are fighting with each other.

18, Cao Zhi is full of ambition and has nowhere to display, but his brothers and sisters are wary of themselves everywhere, which does not prohibit Cao Zhi from being disheartened.

19 Because of being suppressed and monitored, his later poems are often sentimental and sad, and comparing himself with his wife is one of the characteristics of his poems.

20. Apart from the Seven Sorrow, other works such as Duckweed and Miscellaneous Poems all use the image of dissatisfied women.

2 1. The application of the image of dissatisfied wife can be traced back to the Book of Songs.

22. There are two female images in The Book of Songs. One is a gentle and graceful beauty like Guan Luo. The other is the abandoned wife in reality, such as Meng.

23. When it comes to Chu Ci, women are often a beautiful symbol, used to refer to a beautiful figure, or as a metaphor for a monarch.

24. In the later Nineteen Ancient Poems, the images of dissatisfied women were widely used, such as Walking and Walking, Grass on the Green Edge, etc., but most of them were realistic.

25. In the Jian 'an period, the female images in poems were not only the real images of abandoned wives, but also metaphors used as excuses.

26. Use the metaphor of the abandoned wife in Cao Zhi's "Seven Sorrow".

27. Cao Zhi has always had political ambitions and looks forward to great achievements. He said in "Letter to Yang Dezu": "Although I am a noble and a vassal, I should spare no effort to make contributions to the country and the people and make a lasting legacy. Do you think calligraphy is a merit and a gentleman? " 」。

28. This ideal of serving the country is not only Cao Zhi's personal ambition, but also a reflection of the atmosphere of the whole era at that time.

29. The Jian 'an era was turbulent, and Cao Cao's heroic talent and heroic momentum had a great influence on Jian 'an scholars at that time, which set off a wave of achievements.

30. Cao Zhi was deeply influenced by his father and the whole trend of the times, and longed for "a strong man to break his wrist" and "to die in a national disaster" ().

3 1. However, if the courtiers who hope for success and fame are not appreciated and appointed by the monarch, they will have no chance to display their talents and ambitions, and there is no way to realize their self-worth.

32. This kind of relationship between monarch and minister is like a woman who relied on men wholeheartedly at that time. Once abandoned by her husband, she lost the value of existence and the focus of life.

At this time, Cao Zhi knew that fame and fortune were hopeless, so he pinned his sorrow on the sorrow of a dissatisfied wife who shared his joys and sorrows.

34. Liu Lv commented on "Seven Wounded Poems" and said: "Zijian and Wendi are of the same mother's flesh and blood, but now they are ups and downs and don't know each other. Therefore, it is a metaphor for loneliness and I am deeply concerned. "

35. This sentence really sums up the content and idea of the poem "Seven Injuries".

36, seven emotions, Ye Li's "Ancient and Modern Notes" said that people have seven emotions. Today's sadness is too strong, and there is no joy, anger, joy, sorrow, evil and desire. There is only one kind of sorrow, so it is called seven sorrows.

37. It can be said that it is very accurate and appropriate to explain the intention of the theme of the Seven Mournings in this way.

38. Seven emotions have lost their sixth kind, leaving only one kind of sadness. This sadness pervades the whole. It should have been the difference of seven emotions, but now it is the same sadness, which highlights the heaviness of sadness.

39. The Selected Works classifies this article as a kind of sadness, and this poem is really shrouded in deep sadness and pain.

40. The first two sentences of "Seven Sorrow" use the method of holding things to cheer up.

4 1. In China's poetic tradition, the bright moon often plays the role of causing homesickness, such as Li Bai's "Looking up, I found it was moonlight, and then sinking back, I suddenly remembered home".

Moonlight and moonlit nights often arouse the poet's endless thoughts and remind him of the people or things he cares about.

43. Therefore, when the bright moon shines on the high-rise building, the clear moonlight gently shakes like lingering running water, standing on the high-rise building and overlooking the homesick woman in the distance, bathed in moonlight, with endless sadness and sigh.

44. Cao Zhi then used the form of self-questioning and self-answering, which led the disgruntled woman to tell her sad life story lightly, which also affected Cao Zhi's feelings about her rough situation.

45. From the bright moon stirring her heart to quoting her inner anguish, Cao Zhi writes smoothly and naturally, leaving no trace. No wonder she can be a "Jian 'an swan song".

46. The husband has been away from home for more than ten years, and the wife is often alone.

47. In the past, husband and wife were like dust and mud, but now the husband is like light dust on the road and has become mud in the water.

48. Light dust floats in the air, and muddy mud is deeper than the bottom of the water. When can we make up? Cao Zhi compares himself to the abandoned wife of "mud cement", so "sweeping the road dust" naturally refers to Cao Pirui.

49. After Cao Pi succeeded to the throne, he no longer cared about brotherhood, alienated and even guarded his own brother.

50. When Cao Rui became king, Cao Zhi tried several times on the above list, but failed to get the appointment.

5 1, so the distance between Cao Zhi's muddy mud and cleaning dust set off each other, setting off the distant distance between his brother and nephew.

52. How much Cao Zhi looks forward to the harmony of flesh and blood, and how much he looks forward to serving Cao Pi and Cao Rui.

So he said that he hoped to turn into a southwest wind and return to her husband, that is, her brother and nephew.

54. But if my husband's arms don't come out, Cao Pi and Cao Rui will always stop me from doubting me, so who should I rely on as a wife? How is Cao Can's ambition of "serving the country and benefiting the people, building a lasting foundation and giving full play to people's talents" realized? People can often be embarrassed by the oppression of the external environment and stimulate potential power, Cao Zhi is.

55. When he is high-spirited, cheerful and carefree, he can only write some poems that ride horses and shoot arrows, and the mountains and rivers are beautiful and can't touch the skin. Most of them have no profound connotation and have little influence on later generations.

56. What is really commendable is the spark from generate when Generate was down and out.

57. When political frustration brought Cao Zhi the sorrow of being killed and wandering, Cao Zhi, who had nothing to do, poured out all his energy and all the indignation he had accumulated in his heart.

58. This is why Liu Xie wants to pay a premium to "think of the king with potential embarrassment", and Sima Qian thinks that a good article "is largely based on what the sages did when they were angry".

59. From the viewpoint of Aristotle's Poetics, tragedy can often wash people's spirit, so it can give the audience spiritual pleasure and satisfaction.

60, so Cao Zhi's father and son had the deepest influence on later generations, not Cao Pi, the king who led the world, but Cao Zhi, who was lonely and frustrated.

6 1, because many scholars in ancient and modern times are conceited of Wang Zuocai's ability, but often times are bad and life experiences are lost, but the result is a natural gift.

62. The fate of these people is very similar to that of Cao Zhi, so they have sympathy and recognition for Cao Zhiduo.

63. This is also the reason why Cao Zhi is highly respected.

64. Wang Fuzhi thinks that Cao Zhi's poems are "keeping pace with people", while Cao Pi's poems are "peerless" (Jiang Zhai's poetry talk), which is also the same reason.

65. The sadness in Cao Zhi's poems is universal and a life experience that most people have, so it can arouse people's * * *.

66. Wei, Jin, Southern and Northern Dynasties was an era of conscious literati. Cao Pi's introspection lies in the analysis of literary style, while Cao Zhi's awakening is manifested in his introspection and grasp of the characteristics of China's language and writing.

67. In Cao Zhi's poems, people pay more and more attention to the duality, hierarchy and carving of poems.

68. Seven Sorrow uses rhyme and harmony, and occasionally uses clear dust and muddy mud as the contrast of ups and downs, which makes the emotion of the whole poem more tortuous, sad and implicit.

69. There is both the elegancy of "The Book of Songs" which is sad but not harmful, and the gentle, sad and beautiful mood of "Nineteen Ancient Poems" which is why Zhong Rong called it "elegance and resentment" in "Poetry".

70. bibliography: 1. Cao Zhishu and Zhao Youwen's proofreading: Cao Zhiji's proofreading (Beijing: People's Literature Publishing House, 1998) 2. Fang Beichen's Annotation and Translation: Annotation and Translation of Three Kingdoms (Shaanxi: Shaanxi People's Publishing House, 1995) 3. 1999) 4. Huang Ming, Zheng Mai, Yang Tongfu, Wu Ping. Poetry of Wei, Jin, Southern and Northern Dynasties (Shanghai: Shanghai Academy of Sciences Press, 1995) 5. Ye Jiaying: Poems of the Han, Wei and Six Dynasties (Part I) (Taipei: Guiguan Book Co., Ltd., 2000) Author: