Yeshan temple
Author: Li Bai
Original text:
The tall buildings of the temple on the mountain are really high, like a hundred feet. People upstairs are like a hand that can pick off the stars in the sky.
Standing here, I dare not speak loudly for fear of disturbing the gods in the sky.
Precautions:
1. Accommodation: overnight.
2. Dangerous buildings: high-rise buildings refer to temples at the top of the mountain. Danger: high. 100 feet: Fictional, not real. The buildings here are very high.
3. Stars: Stars in the sky.
4. language: speaking.
5, fear: fear, fear. Surprise: Call the police.
Poetic:
The tall buildings in the temple on the mountain are really high.
It looks like a hundred feet,
People upstairs seem to be able to pick off the stars in the sky with one hand.
Standing here, I dare not speak loudly,
Afraid (afraid) of disturbing the gods in the sky.
Appreciate:
The poet spent the night in a temple in the deep mountains, and found a high Buddhist scripture-storing building behind the temple, so he climbed it. Looking at the distance from the railing, there are many stars. Li Bai wrote this short poem about a scenic trip full of poetry.
The first sentence depicts a steep, straight and towering temple building. Originated a dangerous word, eye-catching, eye-catching, and the clever combination of the high word in the same sentence accurately, vividly and vividly describes the extraordinary momentum of the mountain temple standing on the top of the mountain and dominating the world.
The second sentence uses extremely exaggerated techniques to set off towering peaks and temples. Every word leads the reader's aesthetic vision to the splendid night sky of Xinghan, instead of feeling that the height is too cold, it gives people a sense of openness and arouses people's yearning for the beauty of towering dangerous buildings and starry nights.
In a few words, I dare not write the writer's psychological state when he is in danger at night. From the poet's fear and fear, readers can completely imagine the distance between the mountain temple and the people in the sky, so the height of the mountain temple is self-evident. When the poet stands on the roof, he can pick off the stars in the sky with his hands. I dare not speak loudly here, for fear of disturbing the gods in the sky.
The language of this poem is natural and simple, but the image is realistic. There are no uncommon words in the whole poem, but the words are amazing, which is a peerless masterpiece. With the help of bold imagination, the poet exaggerates the extraordinary height of the mountain temple, vividly depicts the towering mountain temple and the fear at night, thus presenting an almost unimaginable grand building to the readers, giving people an immersive feeling. Picking stars and shocking the world, these seemingly naive ideas are used by poets and used in poetry, which makes people feel interesting and return to nature.
Li Bai's poetic style is bold and vigorous, his imagination is extremely rich, his language is naturally euphemistic, his temperament is changeable and harmonious, and he is full of romanticism. With only a few strokes, this poem vividly shows people's joy, boldness, loveliness and frankness at heights.
Meditation behind the poetics of Poshan Temple
Meditation behind the poetics of Poshan Temple
Buddhist retreat after the broken mountain temple.
Author: Chang Jian
Original text:
On a pure morning, near the ancient temple, the early sunshine points to the treetops.
A winding path leads to a hidden place, and the Buddhist temple is surrounded by branches and flowers.
Here, birds live in the mountain light, and people's hearts feel quiet in the pond.
A thousand sounds have disappeared, and I only hear the bell.
Precautions:
1, morning: morning
2. Enter: Enter.
3. Ancient Temple: This refers to the Broken Mountain Temple, which is located under the North Ridge of Yushan Mountain in Changshu City, Jiangsu Province. Ni Deguang, a resident of Yizhou in the Southern Dynasties, built a house in Chenzhou, and Tang Xiantong gave it to Xiaofu Temple for nine years.
4. The first day: the morning sun.
5, according to: luminous.
6. Gao Lin: A forest of tall trees.
7. Curves: bending and twisting. Also known as bamboo path.
8. Quiet: Quiet.
9. Zen room: the place where monks live and practice.
10, Yue: Xing Dong is used to make people happy here.
1 1, pool shadow: reflection in clear pool water.
12, empty: the shape is moving, here is the usage of moving, making empty.
13, and people's hearts touch peace in a pool: this sentence means that the pool is empty, taking pictures of the beach makes people's thoughts disappear. Refers to people's earthly heart. There is a hollow pavilion in the Broken Mountain Temple.
14, Wanlai (Li): Various voices. Lai, sound coming from the hole, generally refers to sound.
15, here: here. That is, in Houchan Temple.
16, Du: Du, Ju.
17, Dan Yu: Stop only. Do nothing but listen.
18, Qing (qng): an ancient musical instrument made of jade or metal.
19, Zhong Qing: a percussion instrument to summon monks in Buddhist temples.
20. My road twists and turns, through a valley covered by branches and flowers, to a Buddhist retreat: with land travel, there is no road of doubt, and there is another village. Have the same effect.
2 1. Here, birds are alive and mountains are bright, and people's hearts are quiet: these two sentences describe the quiet environment of the harem. Mountain light makes wild birds feel at ease, while pool shadow makes people's vulgar thoughts disappear. The human heart refers to the earthly heart of human beings. There is a hollow pavilion in the Broken Mountain Temple.
22. The characteristics of three or four sentences in the poem: pun technique. One layer of meaning expresses the tranquility and sublimity of Buddhism. The second meaning implies that Buddhist disciples have delusions on the spiritual level and realize the realm of sexual intercourse after their initial classes.
Poetic:
In the morning, I strolled to this ancient temple.
The rising sun shines on the jungle.
The winding path in the bamboo forest,
To a quiet place,
The monk's house is hidden between flowers and trees.
The clear mountain light makes the birds very happy.
The water in the pool is empty and clear, which makes people's vulgar thoughts disappear.
At this time, all the sounds of nature were silent.
Only Zhong Qing's voice echoed in the air.
Appreciate:
This poem is about Buddhist temples, expressing the author's seclusion of forgetting the secular world and expressing his feelings for mountains and rivers. The poet climbed the mountain in the morning and entered Xiaofu Temple. The rising sun shone on Shan Ye Woods. Buddhists call the gathering place of monks and nuns the jungle, so Gao Lin has the meaning of praising Buddhist temples, and shows the feeling of praising Buddhism and architecture in the scene of illuminating the forest. Then, the poet crossed the bamboo path in the temple and went deep into the backyard, and found that the meditation room for chanting and worshipping Buddha was deep in the flower forest in the backyard. Such a quiet and wonderful environment makes the poet amazed, intoxicated and ecstatic. He lifted up his eyes and saw the green hills behind the temple being illuminated by the sun, and the birds flying and singing freely; When I walked to the clear pool, I saw the world and my own figure shaking in the water. Zhan Ran was empty and bright, and the worldly distractions in my heart were suddenly washed away. Buddhism is an empty door. Buddhists say that although the monk resumed his diet after meditation, he took Zen as his taste ("Wei Convenient") and his spirit was extremely pure and pleasant. At this moment, the poet seemed to understand the mystery of Zen, get rid of all worldly troubles, and be as free and carefree as a bird. It seems that other sounds in nature and the world are silent, and only the sound of Zhong Qing is melodious and loud, bringing people into a pure and pleasant realm. Obviously, the poet appreciates the beautiful residence of this Buddhist temple, appreciates the artistic conception of this empty door, and places his feelings of seclusion.
This is a five-character poem, but it is archaic in style, simple in language and flexible in meter. Its first couplet is a flowing pair, and the second couplet is not matched because of the need of conception and cultivation. This poem has been highly appreciated since the Tang Dynasty, mainly because of its beautiful artistic conception and rich interest. The poem expresses seclusion and interest by chanting Buddhist temples, ends with the praise and detachment of the morning visit to the mountain temple, and simply writes scenery and expresses emotion, which is still unfinished. This euphemistic and implicit artistic conception, just as Yin Kun said when commenting on the artistic features of Chang Jian's poems in the Tang Dynasty: Poetry begins in the village, but it finds a wild path, and a hundred miles away, it will return to the main road. Therefore, its purpose is far-reaching, its popularity is different, and there are still many good sentences to come. He brilliantly pointed out that Chang Jian's poems are ingenious in conception, and he is good at introducing readers to their folk scenic spots and then understanding the main idea of the poems, instead of surprising them with descriptions and rhetoric. Therefore, good sentences in poetry often seem to suddenly appear in front of readers, which is amazing. And its beautiful sentences, like the conception of poetry, are ingenious and subtle. Ouyang Xiu loved Zhu Jing's two words in Song Dynasty. He said that he would have to combine words for a long time and his work would be very hard. Later, I stayed in a mountain village in Qingzhou and experienced the artistic conception and interest written by Zhu Jing. He wanted to write such a poem, but he still couldn't write a word (see Qingzhou Mountain Village). Ouyang Xiu's experience vividly illustrates the advantages of Zhu Jing's two sentences, which do not describe beautiful scenery and make people feel like they are in the environment, but arouse the cordial aftertaste of passers-by, so it is difficult to create a cloud. Similarly, the two sentences in Shan Guang, praised by Yin Kun as a warning strategy, not only create words to warn people, but also have a deeper meaning, aiming at thought-provoking. It is precisely because the poet focuses on conception and creation that the word-building does not seek similarity, but contains metaphors, focusing on expression, which is fascinating and intriguing.
Most of the landscape poems in the prosperous Tang Dynasty praised seclusion and interest, all of which had an artistic conception of leisure, but each had its own unique style and achievements. Chang Jian's poem, written in Jueyou, has the general artistic conception of landscape poetry in the prosperous Tang Dynasty, but its style is elegant, which is different from Wang Wei's loftiness and Meng Haoran's plainness in art and is really unique.
Peach Blossom Poems in Dalin Temple
Peach Blossom Poems in Dalin Temple
Peach blossom in Dalinsi
Author: Bai Juyi
Original text:
In the world of April, the flowers have withered, and the peach blossoms in the ancient temples have just bloomed.
I want to find a place where my life is dying, but I don't know that it has been moved here.
Precautions:
1. Dalin Temple: Located at Dalin Gate of Lushan Mountain, it is said that it was built by Tan E, a monk in Jin Dynasty, and it is one of the Buddhist resorts in China.
2. People: refers to the flat village under Lushan Mountain.
3, wheat straw: blooming flowers, can also refer to flowers, flowers and plants in spring.
4, exhaustion: refers to the flower withered.
5. Mountain Temple: refers to Dalin Temple.
6, the beginning: only; Just now.
7, long hate: often regret.
8. Return to Spring: Spring is back.
9. Hey: Looking for it.
10, I don't know: unexpected, unexpected.
1 1, turn: reverse.
12, here: in this temple in the deep mountains.
Poetic:
April is the time when spring returns to the earth and the wheat straw falls to the ground.
The peach blossoms in the ancient temple in the mountains have just bloomed.
I often feel sad for the passing of spring and its nowhere to be found.
At this time, I was overjoyed to meet the spring scenery again.
Suddenly wake up: I didn't expect spring to be in this deep forest temple.
Appreciate:
In just four sentences, this poem seems to have nothing profound or surprising in content and language. It is only a narrative and description of the season and climate, and it is a landscape with mountains and mountains and late seasons, which is different from the flat settlement. But if you read it carefully, you will find that this simple and natural poem is far-reaching and interesting.
At the beginning of the poem, flowers bloom in April on earth, and peach blossoms bloom in mountain temples. It's time for poets to climb mountains in Xia Meng, and it's time for spring to return to the earth and flowers to bloom and fall. However, to my surprise, in the alpine temple, I met an unexpected spring scene, a peach blossom that began to bloom. From the sentence "I hate that I can't find my place in spring", we can know that the poet is resentful, angry and disappointed at the hasty absence of spring before boarding the ship. Therefore, when this unexpected spring scene comes into view, it should make people feel how surprised and happy. The first sentence in the poem is full of flowers, and the second sentence is in full bloom, which sets each other off and echoes from afar. Literally, they wrote a chronicle of the scenery, but in fact, they also wrote a leap in feelings and thoughts, from sighing for the past to surprise, joy and even joy. Moreover, at the beginning of the first sentence, the poet deliberately used the word "person", which means that this adventure and this scenic spot have brought a special feeling to the poet, that is, it seems that he suddenly stepped into a fairyland from the real world of human beings and was in another non-human world.
It is under the trigger of this feeling that the wings of the poet's imagination soar. I want to find a place where my life is dying, but I don't know that it has been moved here. The poet thought that he hated the ruthlessness of spring because he cherished it and fell in love with it, but he was wrong. It turns out that spring didn't come back, but just sneaked into this place like children and people playing hide-and-seek.
In this poem, peach blossoms are used instead of abstract spring scenery to make spring scenery concrete and beautiful; Moreover, it personifies the spring scenery and writes it as if it really has feet, so you can hide it around. No, just feet. Look at it. It has a naughty and provocative character. In this short poem, the spring scenery in nature is so vivid and concrete, innocent and lovely, and it can't be written without infinite nostalgia and love for spring and the poet's childlike innocence. The beauty of this poem lies in its novel conception, ingenious conception, elegant and interesting playful language, which is also inspiring and pleasing to the eye. It can be described as another treasure in the quatrains of the Tang Dynasty.
In the world of April, the flowers have withered, and the peach blossoms in the ancient temples have just bloomed. I want to find a place where my life is dying, but I don't know that it has been moved here. The higher the altitude, the lower the temperature, so the season appears later than the land. Here is a question: Why do the peach blossoms in Dalin Temple bloom later than those in the mountains? From the meteorological point of view, there is only one answer, which is influenced by the vertical difference of temperature. In other words, the peach blossoms in Dalin Temple bloom late because of the mountainous climate here. Common sense tells us that in mountainous areas, the temperature decreases with the elevation of the terrain. Generally speaking, the temperature drops by 0.6℃ every time the height increases 100 m. When the mountains fluctuate vertically to a few dry meters, the vertical difference in temperature is more obvious. In addition, the adaptability of plants to temperature is different, so the plant landscape at different heights will inevitably be different. Lushan Mountain is about 1400 meters above sea level, and the temperature at the top of the mountain is generally 89℃ lower than that in Pingchuan area at the foot of the mountain. Dalin Temple is located in today's scenic spot of Lushan Mountain, which is more than 1 100 meters higher than the plain below the mountain, and the temperature is 67℃ lower than that in Jiujiang area below the mountain. In addition, Lushan Mountain is located between the Yangtze River and Yanghu Lake. The water vapor in rivers and lakes is stagnant, the clouds are diffuse and the sunshine is insufficient, which makes the temperature in the mountains lower, so spring naturally comes late. Bai Juyi, who lived more than a thousand years ago, naturally could not understand this truth. This is a passage written by him in the Preface to Youdalin Temple. The forest here is far away and the mountains are deep, and the season is never late. This is in Xia Meng (April), just like in April and February, pears and peaches begin to blossom, and people are different from flat settlements. It can be proved that when you first arrived, you were suddenly different from this world. In fact, the influence of vertical temperature change on plants is not only in Lushan Mountain, but also in other places. Take a section of the Himalayas in China as an example. It is located in Chayu and Medog in the southern valley of Shandong Province. Due to the low altitude, abundant sunshine and high temperature, high-temperature crops such as rice, corn and citrus can be planted. From this to an altitude of 3000 meters, the temperature drops and the rainfall decreases, so only crops such as green naked and wheat can be planted; Further up, there are alpine pastures with sparse vegetation; Above the snow line, nothing can grow except a few snow lotus trees because of the perennial snow and bad weather. It can be seen that in mountainous areas, the difference of vertical distribution of plants is inseparable from the vertical change of temperature and precipitation, a climatic factor in mountainous areas. Therefore, the climate in mountainous areas is characterized by four seasons in one mountain and different days in ten miles.
Stay in Nanliang Hall of Xianyou Temple in winter and be a humble Taoist.
Taiyi is too white, and two mountains know its weight.
The stone gate of the road is very narrow, and only one horse can pass through it.
The mountain temple falls to the west, and there are branches under the forest.
When the mountain was north last night, the stars heard the clock.
Qin's daughter has been gone for a long time, and Sendai is here.
The sound of the flute is inaudible, leaving a mark here.
Shitan is colorful and throws golden dragons every year.
Turbulence is fast and turbulent, bursting like thunder.
When the night smells clear, the bright moon rises in the sky.
The empty mountains are full of clear light and the water trees are exquisite.
The cloister reflects dense bamboo, and the autumn hall is secluded.
The shadow of the lamp fell on the front stream and stayed in the sound of water all night.
Short forests and mountains are good, and Jieyu flows to the east.
The monk who only knows the mountain is the fisherman next door.
Chestnuts in the late forest are torn down first, and the branches are pear-red.
Things are quiet and pleasant, and things are more interesting.
May you thank the central edge of the district and enter the palace forever.
It's a shame to give a newspaper a lift.