Cold Spring is selected from Building a House. This poem was written in February of the third year of Emperor Gaozong Jianyan. It is windy and rainy almost every day in Baling in February. The chilly spring chill is not over yet, which has brought disaster to the flowers and trees in the garden, making people worry and fear. Delicate begonia, not sparing the bright red flowers, stands upright and blooms independently in the cold wind and rain. Baling: the name of an ancient county, now Yueyang City, Hunan Province. Duke of Garden: Poet's Note: I borrowed a small garden and became the Duke of Garden. Rouge: A red pigment. Also refers to red.
This quatrain is not so much about cold spring as about begonia. Speaking of chanting Haitang, I can't forget Su Shi's poem "Haitang": the east wind is full of glory, and the fragrant fog turns to the corridor. I was afraid that the flowers would fall asleep in the middle of the night, so I lit candles and put on red makeup. In fact, these two begonia poems are all about themselves through begonia. The holiness and loneliness of Haitang in Su Shi's works is a portrayal of his relegation to Huangzhou. Chen's Haitang is elegant and lofty, which is a portrayal of his exile life.
Chen, 1090 to 1139 65438+10/,from Luoyang, Henan. His ancestors lived in Jingzhao, now Xi City, Shaanxi Province, and his great-grandfather Chen Xiliang moved from Meizhou to Luoyang. Born in Yuan You, Song Zhezong for five years, 1 1 died in Shaoxing, Song Gaozong in the Southern Song Dynasty.
An outstanding poet at the end of the Northern Song Dynasty and the beginning of the Southern Song Dynasty, his poems respected Du Fu, which were fresh and bright in the early stage and vigorous and depressed in the later stage; At the same time, he is also good at lyrics. Although there are only more than ten surviving lyrics, they have a unique style. They are bold and unrestrained, especially close to Su Shi. Its meaning is superb, and its brushwork is bright, clear and natural. It is the author of Jian Zhai Ji.
His poetry creation can be divided into two periods: before and after the invasion of the Central Plains by Jin Bing. The lingering landscape works, which express personal life interest in the early stage, are beautiful and clear, with distinctive poetic style, few allusions, fresh and gratifying. Take Mo Mei as an example, it means nothing but color. Its predecessor, Xiangma Jiufang Cream, is appreciated.
After moving to the south, due to the country's demise and drift from place to place, he experienced similar experiences with Du Fu during the Anshi Rebellion, gained a deeper understanding of learning Du Fu, changed his poetic style and turned to learning Du Fu. Different from Jiangxi poets, he only started with words, but integrated his own experience with the destiny of the country. He wrote many poems with deep feelings, gloomy, tragic and generous, and became one of the most successful poets who studied Du Fu in the Southern Song Dynasty.