The love between men and women is human nature and a symbol of human happy life. If you pour your true love and give your true feelings, the fruit of love will be sweet. From the poem, we can see that since the hero saw "My Fair Lady" picking vegetables by the river, he couldn't sleep at night. Every movement of the girl picking leeks is fixed in the hero's brain. When he couldn't sleep, he thought about the different movements of the girl picking leeks over and over again-in his mind, every movement of the lady was so beautiful and sweet. This man is deeply in love with this girl. what should he do ？ Friends of the harp. He wants to get close to the girl and win her heart by playing the piano and singing for her. Thinking like this, he seemed to see the dawn of hope, so he fell asleep sweetly in intoxication. Acacia for several days kept him awake, and he finally fell asleep tonight. After falling asleep, he had a sweet dream. In the dream, he rode a big horse, led the wedding procession, blew the beat and married the girl he missed day and night-"My Fair Lady, full of bells and drums".
From an artistic point of view. First of all, the first two sentences of the first chapter of the poem are inspired by what the poet saw. Compared with Guan Yu, a loyal and loving bird, it not only highlights the theme, but also enhances the artistic appeal of the poem. It is said that waterfowl are single-minded. If one of them dies, the other one will be worried and haggard, and deeply attached to the love of this couple. Poets use this to contrast and cheer up, to enhance the artistic effect, and at the same time express their praise for sincere love. The selection of materials can be described as quite ingenious. Secondly, the poem adopts the technique of rendering, which makes the scene of the protagonist tossing and turning and the graceful movements of the girl picking leeks appear alternately, showing the protagonist's unforgettable infatuation and true love for his wife. Thirdly, there are some skills in choosing words and making sentences, such as using different verbs such as "Liu", "Cai" and "Yan" to describe the girl's action of picking leeks, and using "Youyou, tossing and turning" to express the lingering love of acacia. , are used properly.
Cut sandalwood
This is one of the most familiar articles in the classics, and even middle school Chinese textbooks choose it as a teaching material. However, the differences in the theme and the identity of the author of this poem are amazing, not only for the ancients, but also for the present. The earliest Preface to Poetry was regarded as "stabbing greed". In office, greed is insatiable, but it is not rewarded. A gentleman cannot be an official. Zhu also believes that "this poem is dedicated to the gentleman's delicious meal." "Preface is greedy and loses its purpose" (Preface to Poetry); Liang Yin's Romance of Poetry is also called "the ambition of the beautiful monarch to live in seclusion"; Kai He's "Poem One" and "Poem One" are innovative, which are considered as "women's grievances in Wei Dynasty", while Zhu considers them as "words from fathers and brothers to exhort their children". There are many similar ones, so I won't list them one by one. Modern people have different views on the social nature of poetry, the mode of production, the class attribute of the author, and the living conditions of the era in which poetry belongs. Some people think that the poet is a farmer, which is an anti-feudal poem; Others think they are slaves, and this article is a white attack on slave owners and nobles; There are only poems that are generally said to be ancient laborers' resistance to exploiters. The other is in sharp opposition to the above opinions, or thinks that the slave owners and nobles "attack the emerging feudal exploitation from the standpoint of mineral rights"; Or it is considered as "a hymn of industrious people governing the people and promoting an idea of rational exploitation and legal vegetarianism". The latter view seems novel, but in fact it comes from the explanation of the ancients, and few people echo it.
This article is regarded as an anti-exploitation poem here. Due to the lack of historical materials, it is difficult to confirm the social nature and poet identity at that time. Let's keep the view of The Book of Songs and Selected Works, that is, this is the song of the woodcutter. When a group of loggers cut down sandalwood trees to make cars, they were very angry at the thought that the exploiters did not plant crops or hunt, but took the fruits of their labor. Every time you say something, you will make a reproachful sound. The three chapters overlap and have the same meaning. According to the context of the poet's emotional development, it can be divided into three layers: the first layer is about the hard work of cutting sandalwood to make cars. The first two sentences directly tell stories, and the third sentence turns to describe lyricism, which is rare in the Book of Songs. Loggers can't help admiring the rippling clear water when they transport their chopped sandalwood trees to the river. The beauty of nature is pleasing to the eye, and it also brings temporary relaxation and joy to these loggers, but this is only a momentary feeling. Because they are bound by heavy oppression and exploitation, they naturally flow freely from the river, thinking that they are engaged in heavy labor all day and have no freedom, which arouses their resentment. So, on the second floor, I thought I was going to plant crops and hunt for exploiters, but all these gains were taken away, and I had nothing. The more I think about it, the more I can't hold back my anger. I can't help but ask sternly, "There are not enough crops and food." No hunting, no hunting. Is there a county seat in Huzhaner Pavilion? The third layer further exposes the parasitic nature of the unearned exploiter, and skillfully uses irony to draw a conclusion: "He is a gentleman, but he is not a vegetarian", ridiculing the exploiter, pointing out the theme and expressing the rebellious anger hidden in his chest.
This article is repeated in three chapters, which not only expresses the resistance of loggers through repeated rhyme changes, but also plays a supplementary role in content. For example, in the second and third chapters, "cutting spokes" and "cutting wheels", it is pointed out that sandalwood is cut to make cars, which also implies that their labor is endless; Changes of prey names in other chapters. It shows that exploiters take their prey, whether it is animals or birds, big or small, for themselves, showing their greedy nature. The whole poem is straightforward, full of anger and emotion, without any exaggeration, which increases the sense of realism and exposure. In addition, the sentence patterns of the poem are flexible and changeable, with four, five, six, seven or even eight characters. They are patchwork, straightforward or ironic, and also make feelings freely and fully expressed, which can be called the earliest typical miscellaneous poems. Dai Junen's "reading poetry" means that he is "narrative, emotional and systematic, and there is no trace to be found", while Niu Yunzhen's "poetry" means that he is "the essence of this long tune with ups and downs, ups and downs, bold and proud shore, and close echo", and highly praised the artistry of this poem.