Does "Huayang" often symbolize the meaning of dispersion and wandering in old-style poems?

"Huayang" often symbolizes dispersion and drift in old-style poems. The first sentence of this poem, through various images, renders a sad and melancholy atmosphere in late spring. The author captures the scenes of "all the flowers have fallen" and "all the children are crying", which contains the feeling of falling flowers and the idea of leaving.

The first sentence describes the depression when spring is fading, and renders the environment gloomy and sad. The second sentence is a description of Wang Changling's "left shift" to his post, which shows Li Bai's concern and sympathy for his poetry friends. Three or four sentences are sent to the scene to sincerely encourage and comfort poetry friends.

The whole poem chooses flowers, rules, bright moon, wind and other images, and weaves a hazy dream with strange imagination.

Extended data:

Creation background

This poem was written in the eighth year of Emperor Xuanzong of Tang Dynasty (749) and the twelfth year of Emperor Xuanzong of Tang Dynasty (753). At that time, Wang Changling was demoted from Jiangningcheng to the county commandant of Longbiao (now Hongjiang, Hunan).

Wang Changling was deeply moved by Long Biao in A Biography of Literature and Art in the New Tang Dynasty because he was "careless", that is to say, he offended an official and demoted him, not because there was any big problem, but because of his disorderly life.

When leaving Xin Qiji in Furong Building, Wang Changling also said to his good friend: "Luoyang's relatives and friends are like asking each other, and a piece of ice is in the jade pot." That is to say, Bao Zhao's innocence is expressed by the metaphor of "as clear as a jade pot and ice" in "The Ballad of the White Head".