Poetry about Huaiyuan 1. 2~3 poems about homesickness and nostalgia, classic.
Sauvignon Blanc's Qing Na Lan Xing De
A ride on the mountain, a ride on the water, and a trip to Guan Yu, with thousands of lights at night.
When the wind changes and the snow changes, it is impossible to break the dream of hometown, and there is no such sound in the garden.
Bai Juyi in Wang Du Yitai Tang Dynasty
Jing' an mansion, facing the willow in front of the window every day, is far away at this moment; At the station, the spring is fading and flowers are everywhere.
Two beautiful springs, on the same day; At this time, family members miss their relatives outside, and people outside miss their families.
Qiu Si Tang Zhangji
The annual autumn wind blows to Luoyang city, and my wandering son doesn't know how his relatives in his hometown are; Writing a letter to peace has too much to say and I don't know where to start.
When the letter is written, I am worried that I have not finished what I want to say; When the messenger started, he opened the envelope and gave it to him.
Li Bai of the Tang Dynasty heard the flute in Luocheng on a spring night.
Yu Di's dark flying sound scattered into the spring breeze in Los Angeles.
In this nocturne, the willow is broken, and no one can afford to be homesick.
Tang meets in the capital.
The distance from the east home is very long, and the tears are wet and the sleeves are still flowing.
I'll meet you immediately, without paper and pen. Please tell my family that I'm safe.
People miss Xue Daoheng every day.
It's only seven days in spring and two years away from home.
The day of returning home is behind the bird's return to the earth, but the idea of returning home has existed before the spring flowers bloom.
Klang Ganzhou Song Liu Yong
Facing the rain from the sky, a piece of washed autumn scenery on the river is particularly cold.
The bleak frost wind is tight, the river surface of the mountains and rivers is deserted, and the setting sun shines on the tall buildings.
Red flowers wither everywhere, and all the beautiful scenery gradually disappears.
Only the gushing water of the Yangtze river flows eastward without sound.
Without the heart to climb the distance and overlook the distant home, it is difficult to gather the desire to go home.
Sighing where these years have gone, why do you have to stay in a strange land for a long time?
If you want to be beautiful,
How many mistakes do you make?
Are you worried about knowing me and leaning on the dry place?
Fisherman Aosong Fan Zhongyan
The scenery in Qiu Lai is different, and Hengyang Goose is unknown.
The four sides are connected with each other. Thousands of miles away, the long smoke closes.
A glass of turbid wine is Wan Li's home, but Ran Yan hasn't come home yet.
The pipe strength is covered with frost. People don't sleep, and the general has white hair and tears.
Yi Tang Jiangnan Bai Juyi
The scenery in Jiangnan is very beautiful, and the picturesque scenery has long been familiar. When spring comes, the sun rises from the river, the flowers on the river are brighter than red, and the green river is greener than the blue grass. How can we make people not miss Jiangnan?
Jiang Nanyi, the most memorable is Hangzhou. Looking for laurel trees in Zhongshan Temple in the month, watching the tide on the pillow in the county pavilion. When will you revisit?
Jiang Nanyi, followed by Wu Gong. Wu drinks a cup of spring bamboo leaves, and Wu Wa dances and gets drunk with hibiscus. Will we meet again sooner or later?
2. Looking at the moon reminds me of a distant poem
Zhang Jiuling, full moon Philip Burkart one.
The moon, at this time is at sea, over the end of the world.
People who love hate long nights and sleepless nights and miss their loved ones.
Put out the candle to love this moonlit room, and I wander in the deep night dew in my clothes.
You can't have beautiful moonlight, just want to meet you in your dreams.
Looking at the Moon and Thinking about the Distance is the work of Zhang Jiuling, a poet in the Tang Dynasty. This poem is a masterpiece of longing for the moon. Close to the beginning of the topic, the first sentence is "looking at the moon" and the second sentence is "Huaiyuan"; Then express the feelings of missing distant relatives; Five or six sentences and three or four sentences, specifically describing the situation of sleepless nights; The last two sentences further expressed deep affection for distant relatives. The language of the whole poem is natural and muddy, with no trace, lingering but not sad, beautiful artistic conception, ingenious conception, scene blending, nuanced and touching.
3. Looking for the moon and thinking about a distant ancient poem and its explanation.
Looking at the moon, thinking of a distant one.
The moon, at this time is at sea, over the end of the world.
People who love hate long nights and sleepless nights and miss their loved ones.
Put out the candle to love this moonlit room, and I wander in the deep night dew in my clothes.
You can't have beautiful moonlight, just want to meet you in your dreams.
translate
A bright moon rises from the sea. At this time, my relatives in the distant horizon and I are also watching the moon. Affectionate people hate that the night is too long. After a whole night, the feeling of missing becomes stronger. When I put out the candle, I felt the moonlight was bright and lovely. I put on my clothes and went outside to see the moon for a long time, feeling the coolness of dew infiltration in the middle of the night. Although the moonlight is lovely, it can't be held in your hand and given to distant relatives. You might as well go back to sleep and meet your relatives in your dreams.
To annotate ...
(1) The first two sentences: A bright moon rises in the vast sea, reminding people of relatives and friends far away. At this moment, it's time to see the same bright moon. Xie Zhuang's Yuefu: "There is a bright moon in a thousand miles".
⑵ Lover: a sentient person refers to the author himself. Remote night: a long night. Complaining about the long night: complaining about insomnia due to parting, and even complaining about the long night. Night: The whole night is the whole night.
(3) pity: love. Zi: Moisturize. Full of pity: cherish the moonlight in the room. Although I blew out the candle here, it was not dark. Obviously, according to the context, it should be a moonlit night, and it should be around the first15th day of the lunar calendar. At this time, the moonlight is bright. Even today, when you put out the oil lamp, you can still feel the beauty of the moonlight. When a person quietly enjoys the moonlight in the room, there is a feeling of "pity", just a feeling from the heart. When reading poetry, we must understand the poet's psychology at that time, so as to understand poetry. Sufficient light is naturally full of moonlight, describing a state, which should be that moonlight shines directly into the room.
(4) The last two sentences: Although the moonlight is lovely, I can't catch my hand: I have to go back to my room to sleep, and I hope to have a good dream. Lu Ji "When is the bright moon? : "There is afterglow in it, but it is not enough." Full hand: full hand means full hand. Surplus: full (refers to the state of fullness).
4. Are there 2~3 classic homesick poems?
Spring disability
Li Qingzhao
Why do you miss your hometown in spring? Combing your hair is the most annoying thing when you are sick.
The language of Liang Yan is always there, and the wind of roses is thin and fragrant.
a dirty night
Yong Zhang
Curtains rustling bamboo courtyard deep, guests alone with lights.
A rain in the night sky for no reason broke the heart of homesick Wan Li.
Chuguan road
Bai Juyi
Mountains and rivers, Hangu Road, dust wandering on the face.
If you go to the countryside in depression, the autumn wind will breed old customs.
Writing a midnight story on the boat in Banan.
Cen Can
When the ferry is dying, people will fight for it.
It's near Zhong Temple and far from Jiangcun.
Seeing the homesickness of geese and smelling the tears of apes.
Lonely boat Wan Li night, the autumn moon is unbearable!
5. Some questions about the ancient poem "Looking at the Moon and Thinking Far away"?
Looking at the full moon and cherishing people is a common theme in ancient poetry, but it is rare to see Zhang Jiuling writing so quietly, lightly and deeply.
Poetry expresses the poet's yearning for people far away through the description of the ups and downs of the protagonist's thoughts when he looks at the moon. "The bright moon is in the sky, and the horizon * * * crosses the sea at this time." In two sentences, one sentence writes the scene, and one sentence enters the artistic conception from the scene.
The poet painted a picture for us in simple and natural language: a bright moon rises from the East China Sea, showing an infinitely vast and magnificent moving scene. The moon is deep and unpredictable, which naturally evokes the endless yearning of the people in the poem. He imagined that people far away from the horizon might be thinking about the moon at this time.
In the poem, people don't write about missing each other at the full moon, but imagine that they miss themselves at the full moon. The conception is ingenious and meaningful, which vividly reflects the profound sustenance in the poem.
The word "sheng" in the sentence is very vivid, which is similar to the word "sheng" in Zhang Shi's "the bright moon on the sea is born with the tide" The phrase "At this time, the horizon is * * *" comes from Xie Zhuang's "Yuefu", "A thousand miles away from the bright moon".
The poet skillfully combined scenery description with lyricism, and wrote each other's bright moon, which also contained homesickness. The first couplet captures this problem, from which all subsequent sentences come.
The words "bring a separated heart, and the night is long and considerate" are written about the anger of many lovers on this long night, who are sleepless all night because of their love for the moon. This is to express the ambivalence of people in the poem from imagination to reality, and from looking at the moon to sleeping.
Here, I wrote a lot of lovers' actions, from longing to thinking, from thinking to sleeping, from sleeping to complaining for a long night, which included lovers' subjective feelings. What deep feelings this "long night of resentment" contains! According to the requirements of rhyme, couplets should be neat antitheses, but this poem adopts the format of flowing pairs. This is because there was no strict requirement for phonology in the early Tang Dynasty, and the style of ancient poetry was retained to some extent. On the other hand, this couplet is in the form of flowing couplets, which is closer to the first couplet in content, flowing naturally and giving people a pure sense of charm.
"It's not dark to blow out the candle, and it's not warm to put on your coat." Write a poem because people are far away in Philip Burkart. After blowing out the candle, they feel that the moonlight is full of lovely light, so they put on their clothes, go out of the house, look up at the moon alone, and meditate until the dew wets their clothes. This is an image suffering from lovesickness.
This couplet seems to be about enjoying the moon, but in fact it contains profound thoughts. The brightness of the moon is the most attractive. The poet leaps forward in thinking, imagining that the moonlight can become the embodiment of the person he misses, and the body can rely on it as a companion.
"Stuff out the candle" is just to follow the moonlight: "Put on clothes" is to spend more time with Yuehua. In this scene, it means "I don't know each other at this time, and I hope flowers shine on you every month" (Zhang's "Moonlit Night on the Spring River"). Poetry not only expresses the loveliness of moonlight, but also expresses the poet's profound meaning.
This correlation is neat and depressing. The two verbs "pity" and "feeling" in the sentence fully express the feelings of people in the poem who miss people far away. This is a way of writing that people are pregnant with the moon because they look at it, and people look at the moon because they are pregnant with it. Draw a picture of the bright moon, thinking about one side's artistic conception, the moon is bright and people are dark, many people are exposed, and people are single-minded and bitter.
"So I left my message to the moon and went to my bed, hoping to have a dream", which means that we can't meet each other because we miss people far away, so we can't help but have the idea of giving the moon to people far away. There is a sentence in the ancient poem "The Bright Moon is He Jiaojiao" copied by Lu Ji in Jin Dynasty, which means "I leave a message with the bright moon".
What follows is the pursuit of dreams, which is a helpless delusion, but it further sets off the poet's deep feelings of missing distant people and makes the poem more concrete and meaningful. Poetry comes to an abrupt end in the interweaving of disappointment and hope, which is particularly meaningful to read.
The title of this poem is "Looking at the Moon and Thinking about the Distance". The whole poem centers on "hope" and "bosom" and takes "moon" and "far" as lyric objects. Therefore, the poem never leaves the bright moon, and every sentence is far from the bosom. It writes the moon so gently and expresses feelings so calmly. The poem is full of affection and sadness, and the language naturally becomes muddy and does not show traces.
This style has a far-reaching influence on later poets such as Meng Haoran and Wang Wei. The bright moon is a common technique in ancient poetry. Du Fu's poem "Hate Farewell": "I miss home, but I miss my brother watching the clouds sleep during the day."
These two sentences are also based on the bright moon, pinning the memory of friends. Liu Changqing's Death of a Wandering Fairy: "White clouds are thousands of miles away in Wan Li, and the moon flows before and after."
Goodbye after writing, I am far away from you and miss you deeply. I hope the long white clouds will bring my missing feelings to friends thousands of miles away. As for the moon, more people miss it. Moon: the fulfillment of life, the regret of homesickness, "looking at the moon for a long time", "hurting spring and sorrowing autumn", "watching flowing water makes me miss life" and "the drizzle of phoenix tree makes me sad". Other names of the moon are: Moon, Pan Yu, Sewer, Chanjuan and Guigong; "Jade Plate", "Jade Wheel", "Jade Ring", "Jade Hook", "Jade Bow", "Jade Mirror", "Jade Rabbit", "Chang 'e" and "Toad" Moon: In China's ancient poems, it is common to use the moon to set off feelings.
Generally speaking, the moon in ancient poems is synonymous with homesickness. Li Bai's Thoughts on a Quiet Night: "The foot of the bed is bright, is there frost?" Looking up, I found that it was moonlight, sinking again, and I suddenly thought of home. "
This poem shows Li Bai's homesickness. The moon in the poem is no longer a purely objective image, but an image full of poet's feelings.
In the Tang Dynasty, Wang Jian wrote "Looking at Du Langzhong at Fifteen Nights": "Tonight, the moon is full, and I don't know whose house Qiu Si will fall." The poem points out the universal human feelings of this full moon night with euphemistic questions, and implicitly shows the poet's deep yearning for his hometown friends.
In addition, "Moon" has the following images (1). The bright moon contains the sadness of border people. Such as: "the sand is like snow before returning to Yuefeng, and the moon outside the city is like frost"; "The bright moon in Qin Dynasty, the retreat in Han Dynasty, and the Long March people did not return" is tragic.
2) The bright moon contains emotional helplessness. For example, Xie Zhuang said, "Beauty walks in the dust, and there is a bright moon thousands of miles away."
Prayer and blessing; Zhang Jiuling "The moon is in the sky, and the horizon is * * * at this time." Hope and desire.
(3) The bright moon symbolizes eternity in time and space. "If the ancients were running water today, they would look at the bright moon."
The plundering of life by time and the helplessness of life in front of time are all vividly demonstrated. For example, Xie Zhuang's Yuefu: "There is a bright moon in a thousand miles."
Zhang Jiuling: "Four Kings.
6. Looking at the moon and thinking about the meaning of a distant poem.
Pity (full of moon), satiety (full of wet clothes) and going to bed (back to bed), this poem expresses feelings (the moon) through things. A bright moon rises in the sea, and you and I live far apart, enjoying the moon at sea. Relatives hate the night and miss you all night. The candle lights go out, and the moonlight is full of pity; Put on your clothes, and the dew will wet your clothes. I can't give you the silver light in my hand. I'd better go back to bed and fall asleep. Maybe I can meet you in my dream. This poem is a masterpiece of yearning for the moon, writing lyrical scenery and blending scenes at the same time. When the poet saw the bright moon, he immediately thought of his distant relatives. At the moment, he was watching with me. People who love the past will inevitably miss them all night and stay awake all night. Living indoors, putting out the candles to look at the moon and cleaning up the house is even more lovely; When you wear clothes and go out, the dew will moisten you, and practicing moonlight will make you more intoxicated. In this situation, it suddenly occurred to me that although the moonlight is beautiful, it can't be picked and given to distant relatives. Why don't you go back indoors and find a dream or date that you can look forward to?
The artistic conception of the poem is beautiful and sincere. The level is thorough and orderly, the language is bright and sonorous, and you can savor it carefully, such as olives, which are infinitely sweet. "The moon is now full of the sea. At this time, Tianya * * * is an eternal proverb, and its artistic conception is bold and open-minded.