Zhou Yu's Train: Where is a woman's spiritual habitat?
-Watch the movie Zhou Yu's Train again. In the reassuring blue background light, bright and bright women, long skirts flying, speeding trains, swaying carriages, exquisite and fragile porcelain ... These natural flowing, ethereal and elegant consciousness, tearing-like blooming magnificent emotions, have become beautiful beings that inspire viewers' infinite reverie; The viewer's mood swings gently with the rhythm of the train, and beyond the noise of the city, there are several gentle paradise: poetic alleys with winding paths leading to secluded places, huge lonely old houses, ancient wooden doors, flower walls wrapped with green vines, the last afterglow of the sunset is falling on the sunny verandah, the lens is bright and dark, and strong men and beautiful women are passionately lingering ... The plot of the movie Zhou Yu's Train is actually simple, and the characters are also extremely simple. However, the film language, jumping story lines and surreal lifestyle similar to talking in a dream still have a certain degree of renovation and subversion of the audience's usual thinking. "The past is like the wind along the way, and who will be around for half a life (Anita Mui's Daughter Red)." The greatest joy in human nature comes from between the sexes, but the greatest pain also comes from this; The greatest pain in life comes from farewell and separation, always with pain and sadness. Zhou Yu's story happened on the train. On the road, she walked through the world of strangers with tenacious and stubborn steps. Zhou Yu's feelings are pinned in other places, in the distance, always in a state of rapid rotation, towards the unknown future. "When I set foot on a car bound for the south, my bag was a letter (Chyi Chin's" Train Leaving ")." The train is the emotional channel connecting Zhou Yu and the poet Chen Qing. Zhou Yu trudged between Chongyang and Sanming, seemingly relaxed and free, but in fact, she was confused, sad and confused at the same time with unreasonable persistence, enthusiasm and madness, and her heart was always contradictory and uneasy, full of curiosity and hallucinations, and she had nowhere to settle down. Perhaps, this is the confused emotional experience, anxious life predicament and spiritual crisis that modern people face together. The train is Zhou Yu's way of walking and her way of life. Her heart is full of love and tenderness for Chen Qing. Together, they experience joy, joy and impulse, and she is more determined to help him realize his dream of poetry. Chen Qing, though elegant in image, is melancholy and pale. A pair of affectionate eyes can't hide the pain in his heart, and the heavy eyebrows with micro locks can't tell the endless inner contradictions and struggles ... Strong, passionate and suffocating love will eventually make people tired and vulnerable. The train is a kind of adventure mileage, and the encounter between Zhou Yu and Zhang Qiang is also on the road, but it is more pure and ambiguous. If there is love, it is actually just an accident in the dilemma between approaching reality and escaping from dreams. No one can escape the gentle and charming amorous feelings and wild and sexy overflowing from the quiet and plump posture. This gentle lingering is a kind of cross-border flight, and it is also Zhou Yu's breakthrough in the thorns of life and spare no effort to redeem himself. Wandering in the very different living conditions of two extremely different men, weak and rigid, heavy and relaxed, is that feeling intoxicating or sinking? Is it catharsis or depression? Is it a struggle or a rise? Two hungry and burning souls merged at that moment ... and the subtle emotions drifted away gradually with the awakening of the skylight, falling from unmeasurable dreams to untraceable reality, Zhou Yu's eyes reappeared blurred and wandering, and his brow floated faintly with melancholy and helplessness ... The simple country town, the wisps of sunshine on the veranda, those rough but simple men, Zhang Qiang's free and easy life, warm and solid arms, right. Is Zhou Yu's dream a fairy lake written by a melancholy poet? "I saw you in my dream. You are like a flowing water vapor. Your casual dance gradually flooded me, flooded the night and flooded yourself." Dream-like poems and dense breath haunt Zhou Yu, and since then, he has broken his life to seek complete love. Zhang Qiang, a poet in action, took Zhou Yu to find Xianhu: in the drizzle, in the lush greenery, a lake with still water ripples, clear blue waves, distant green hills, layered clouds, a natural ink painting, "There is no heaven and earth"; The night is filled with stars, the lights are flashing, and the lake is rippling and fluttering by flashing water waves. In the movie, these two scenes are tender and romantic, music and pictures are integrated with emotions, the world is long, the lake is boundless and ethereal ... Beautiful scenes, clear mind and love, sentimental viewers can't help but be moved, it seems that everyone has their own fairy lake. However, Zhou Yu turned a blind eye to this precious gift, with a cold and sad expression and blurred eyes. This is a paradox from emotion and mind, and it is also the beginning of spiritual contradiction and the way to conflict. That is to say, wandering and escaping have not yet succeeded, but anxiety and confusion have begun. Zhou Yu's free exile of her body is also a cruel exile of her soul. A woman with only missing emotions and no complete life, she stares sadly and struggles to find another kind of feelings. When the poet has left, she is still shuttling in the train and on the road, not only looking for the poet's life breath and emotional comfort, but also looking for her lonely soul left in the past years ... A smooth and white porcelain vase with exquisite craftsmanship indicates that these relationships are fragile? In other words, the pure but lonely woman herself is fragile and fragile, suggesting that Zhou Yu's life finally disappeared cruelly and mysteriously. The fantasy and magnificence of the film language, the inner gloom and dignity constitute a huge artistic space for this film, from which viewers can feel its interpretation and thinking of human nature. The scene of passionate sex in the film presents a kind of aesthetic feeling in the scale that China's films can have. Sex is usually the way to express the spiritual experience of characters and the way to express the will to life in movies. The looming carcass, wantonly snuggling and lingering, restless wildness, delicate body and posture achieve extremely vivid light and shadow effects and elegant and moderate angles. Focus plane constantly crosses and overlaps, as if he is repeatedly questioning and excavating the characters' hearts, releasing and expanding the hopeless inner state to the maximum extent, finding the gap of the soul in sensitive poetic emotions, and exploring the proposition of a woman's fate and doom, past and future, a woman's life dilemma and emotional crisis, which is actually the fate and dilemma of the whole human race. But the deeper meaning of the film explores that Zhou Yu is not so much looking for an ex-lover, but rather looking for a kind of spiritual light, which will never stop until the end of his life. For Zhang Qiang, who has bronzed skin, handsome and capable, and full of male vitality, this relationship with Zhou Yu is like the water of Xianhu, and it is like a dream. His surging life had a secret past, or a little surprise, or a shock, which immediately vanished. She stirred him up and then calmed down. He can't control this wildness, and he may not understand her sadness and pain. He will still be busy at both ends of the train, living a dull and peaceful life in front of the village farmhouse. Watching this movie again and again is naturally because of Sun Honglei. His performance is close to and compatible with the soul of the characters. He is not a symbol, but a living man with thickness and tension, relaxed and natural in performance. Clear and bright voice, humorous talk, Sun Honglei's talent and temperament, extraordinary talent, destined to become the most outstanding figure in the entertainment industry of an era in the future. People who watch movies are actually watching themselves. Are you and I somewhat like Zhou Yu? Want to escape from their dull life, the fragile soul longs for redemption; Have you and I ever run on an emotional train? I don't know where you are. I don't know who you are. But I know that in a corner of a city, after the anxiety and confusion of life, we, ordinary women, finally gave up the struggle and alienation, and with a little regret and satisfaction, devoted ourselves to a normal life ... The years are quiet and my heart is safe. When the movie "Zhou Yu's Train" was released, I once passed it, just like missing a strange train. When you like Sun Honglei, of course, you won't miss this movie, which was produced in 22 but will never be out of date. In the early summer and midsummer afternoon of 29, during the "Eleventh" period, I played the disc of this movie at home several times. It was like a dream ... At that time, Sun Honglei was so young (3 years old), so sunny, and everything was so beautiful ... Of course, now is his best time. I believe there are better movies that reflect the charm of Sun Honglei. This is not a real film review, nor is it a post-review. It just rewrites the story of one or some women like Zhou Yu through the shell of the film Zhou Yu's Train.