Representative poets are Dai Wangshu, Bian, Shi Zhecun, He Qifang, Fei Minghe.
Xinyue school
An important school of poetry in the history of modern new poetry is generally divided into two periods by 1927. Cong Chun 1926, Zhu Xiang, Rao Mengkan, Sun Dayu, Liu, et al. They were dissatisfied with the style of "liberal poets" who ignored the art of poetry after the May 4th Movement, advocated new metrical poetry, advocated "rational restraint of emotions", and opposed the disorderly and prosaic tendency of poetry, and made a serious exploration of new metrical poetry from theory to practice.
Wen Yiduo put forward the famous thought of "three beauties" in "The Metre of Poetry", that is, "the beauty of music, the beauty of painting and the beauty of architecture". Therefore, the crescent school is also known as the "new metrical poetry school". The crescent school corrected the weakness of the early poetry creation that was too informal, and also made the new poetry enter the period of conscious creation. /kloc-in the spring of 0/927, Hu Shi, Xu Zhimo, Wen Yiduo, Liang Shiqiu and others founded Crescent Bookstore, and the monthly magazine Crescent was founded the following year. The main activities of the "Crescent School" moved to Shanghai, which was later the Crescent School. Its main positions are New Moon and Poetry, which were founded in 1930. The new members are Chen, Fang and Bian. In the later period, the Crescent School put forward the principles of "health" and "dignity", and still adhered to the position of "pure poetry" which was super-utilitarian, self-expression and aristocratic, emphasizing "purity in essence, thoroughness in technique and rigor in meter", but the artistic expression and lyric way of poetry approached the modernist school.
The beauty of music in the "three beauties" means that each section of the new moon poem is different, just like music. Architectural beauty means that the format of poetry is like architecture. The beauty of painting is that every paragraph of a crescent poem can be painted.
One of the characteristics of kuya School is that it pays attention to reality.
1948 The most important event was the official appearance of the Nine Leaves School. Due to the differences in artistic views between Cao Xinzhi and the "Stars" club, he and Xin Di, Chen, Tang Qi, Tang Shu and others founded the monthly magazine "China New Poetry", and got in touch with Mu Dan, Du Fu and Yuan Kejia who returned to Beijing and Tianjin from Kunming and The National SouthWest Associated University, forming a new poetry school "China New Poetry School" (later
Nine-leaf Poetry School is another group of poets (also known as "China New Poetry School") centered on China New Poetry and other publications in the 1940s. Representative poets include Xin Di, Mu Dan, Du Fu, Chen, Hang Youhe, Tang Qi, Tang Xie and Yuan Kejia. Among them, Mu Dan achieved the greatest success.
Historical characteristics and unique value of "Nine Leaves School" poetry.
In the 1980s, they published Nine Leaves Collection, a collection of poems by nine of them, hence the name Nine Leaves School. Most of them are campus poets, who perceive people's voices from the war and attach importance to the poet's unique experience of social and historical phenomena; Deeply influenced by western modernist poetry, they strive to break through the traditional way of subjective lyricism, pursue the combination of realism, symbolism and philosophy, and explore the "drama" of poetry expression (mainly referring to the contradictory tension in the emotional development and language expression of poetry, rather than directly expressing their hearts), so that poetry can further express the complexity of modern people's thinking mode and inner life. In the history of literature, it is generally believed that the artistic exploration of "Nine Leaves Poetry School" is very valuable, and a group of poets with high artistic level have made great breakthroughs in the expression of new poetry and poetic concepts.
Wudu school
Obscure Poetry School: A school of poetry that appeared in the late 1970s and early 1980s. Its representatives are Beidao, Shuting, Gucheng, He Jiang, Haizi and Yang Lian. As a creative group, "misty poetry" has not formed a unified organizational form, nor has it issued a declaration. But it has formed a "rising poetry group" with its own independent artistic thoughts and creative achievements. At that time, there was a debate about misty poetry in the literary world. The spiritual connotation of "misty poetry" has three levels: one is to expose darkness and social criticism; Second, seeking light in the dark, reflecting the sense of exploration and strong heroism; Third, based on humanitarianism's special concern for "people". "Misty poetry" rewrites the traditional model of describing "reality" and illustrating policies in the past, and regards poetry as an important way to explore life, which has reached an unprecedented height in philosophical significance. In a sense, the rise of "misty poetry" is also the rise of the life tree of China literature.
The poetry movement of the new poetry tide, which is dominated by obscure poetry, gradually entered a climax after the "ideological thawing" in the late 1970s, and its symbol was the publication of the short poem "Answer" from the North Island in the March issue of Poetry magazine (1979). With the publication of the poem "Answer", "misty poetry" began to enter the mass state from the underground state, and the poets of the new poetry tide not only quickly occupied all kinds of literature. They also founded their own folk poetry publication "Today" magazine, and published the works of a number of outstanding poets, such as Beidao, Yang Lian, Gu Cheng, He Jiang, Shu Ting, Munk and Yan Li. It has triggered a huge debate about "misty poetry" in the poetry world and even the whole literary world for several years.
This kind of poetry uses a lot of symbolic artistic expressions in its creative techniques, which makes the literary meaning of poetry full of diversity and fuzziness, so it is also called misty poetry. After self-reflection and realization of self-value, misty poets finally found their position as "historical witnesses", and the way to realize self-value is to provide historical witnesses for future generations. Therefore, "providing historical witness" has become the ultimate theme of misty poetry.
1985 165438 The Selected Poems published in October collected the works of these poets, which is also one of the sources of the term misty poetry school, and because quite a few hazy poets have published their works in Today, the misty poetry school is often called Today School.
Since 1980s, the school of misty poetry has been replaced by the school of modern poetry. Since 1984, the poetic movement of China's new poetry has entered the stage of "post-obscurity".
Modern poetry, also known as new poetry, refers to the poetry from the May 4th Movement to the founding of People's Republic of China (PRC). It is a new style poem that adapts to the requirements of the times, reflects real life with the vernacular close to the masses, expresses the revolutionary content of science and democracy, and breaks the shackles of old-style poems with metrical form as the main symbol. 1953 used the name "Modern Poetry Society" for the first time-it was established when Ji Xian founded the "Modern Poetry Society".