Writing two poems by Huang Tingjian in grass (calligraphy: Zhang Dejin)

Huang Tingjian (1045.8.9-1105.5.24), whose real name is Lu Zhi, a Taoist in the valley, was named Fuweng at night. Born in Hongzhou (now xiushui county, Jiujiang City, Jiangxi Province), Fenning was a famous writer and calligrapher in the Northern Song Dynasty. He is the founder of Jiangxi Poetry School, which is in its heyday. They, Chao and Qin Guan all studied under Su Shi, and they are collectively called "Su Men Four Bachelor". He was as famous as Su Shi before his death and was called "Su Huang" by the world. He is the author of Valley Ci, and Huang Tingjian's calligraphy is unique and is one of the "Song Sijia".

1 —— Huang Tingjian on Zi Zhan's writing style

Shu people can't write books, and Dongpo's calligraphy is unique and covers his talents. As a teenager, calligraphy and painting are dust-free, so it is necessary for the elderly not to make subtle things.

Huang Tingjian and the theory of these books are worth learning:

(1) I tried to comment on the unique achievements of Lu Gong's book Right Army Father and Son. Calligraphers may not say so, but Han Lin Su Gong sees Xu.

(2) Although Yan's calligraphy is self-contained, its twists and turns are all in line with the right army's father-son brushwork. There are not many calligraphers here, so Xu Hao and Shen Chuanshi are highly respected. The nine-square-high horse is a swift horse in the sand dunes, and all the workers are still laughing at it. Today, many scholars talk about books.

(3) Dongpo bamboo slips are warm and moist in shape, without any vulgarity. There are several people in this world who claim to be able to write. Although imitating the ancients, each has its own advantages. As for natural self-employment. The pen is round and rhyme wins, and the so-called four sons are easy to produce and do not follow.

Calligraphy emphasizes "vulgarity". What kind of realm should it achieve? Huang Tingjian thinks that the highest realm of calligraphy beauty is "rhyme wins" and "impossibility" (this impossibility is not that you don't obey the statutes, but that you forget the constraints of statutes when you create, so that you can truly express yourself. Only in this way can you show your brushwork better. As for the statutes of the basic structure, it has long been integrated into the skills of the past.

To achieve this state, we must first cultivate our minds. Secondly, we should try our best to embody people's "verve and spiritual temperament" in calligraphy, so that the book has a lasting appeal. Thirdly, we should be proficient in "extra-legal principle", make the method of combining "principle" closely cooperate with the expression of "rhyme", achieve the realm of "rhyme wins" and "impossible", and achieve the goal of "being unique" The way to realize "unique custom" is "mind-charm-extra-legal principle (that is, reasonable technical expression outside the statutory rules, not aimless graffiti)"

It's sunny everywhere, and the Jade Hall in the sky is a treasure.

From the Song Dynasty Huang Tingjian's "Double Wells Send Tea Son to Zhan"

It's sunny everywhere, and the Jade Hall in the sky is a treasure.

I want to see Dongpo lay man and spend a lot of time on beads.

My home in the south of the Yangtze River is better than gathering clouds and falling snow.

Arouse the public's dream of Huangzhou, and sail alone in five lakes.

translate

The place where the human wind can't blow and the sun can't shine is the Jade Hall in the sky, which contains precious books.

I want to see you, an old layman from Dongpo, writing like a flying bead.

This is a good tea from my hometown in the south of the Yangtze River. It is not as good as grinding snowflakes with a stone mill.

Arouse your old dream in Huangzhou and sail around the world alone like Fan Li.