Talk about your views and comments on Lin Daiyu (and analyze her poems)

1. As a close relative of Guo Rong family, Lin Daiyu is no exception. Born as a hereditary marquis, she came from a poor family, which was the so-called "aristocratic family" envied by many people at that time. Bureaucratic father, because of the "sigh of desolation under his knees", raised his only daughter, taught her to read and write since childhood, and loved her like the apple of his eye. She seems to have a spoiled and unrestrained childhood. However, due to her delicate constitution and her mother's early death, we can see that there was a lingering melancholy in her childhood. This aristocratic bureaucratic family seems to have no time to give her more class education; It seems that she hasn't had time to bring her deep feelings about all the social regulations on women; But it only left an empty and warm memory for her life, which made her take the first step towards social life. In order to "relieve her father's domestic troubles and foreign invasion", she came to the newly "prosperous" Guo Rong Mansion. As soon as she stepped into the gate of Guo Rong Mansion, she was immediately wrapped by the "gentleness" in the feudal family. Jia Mu "cried in her arms"; Lady Wang took out satin to cut her clothes; Feng also took her hand and said, "Just tell me what you want to eat and what you are stubborn about. If the girl's wife is not well, just tell me ",and immediately ask someone to clean up the house for her. This grandson and daughter from afar were not only received so warmly as soon as they stepped into the threshold, but also her grandmother's "all-round love" not only left her three granddaughters Ying Chun, Tan Chun and Xi Chun behind, but also "ate and lived like Baoyu". Indeed, who once favored Fu so much? Love has reached the highest level. Who in Guo Rong Building doesn't give a respectful and warm look to this girl who is "well-behaved and well-spoken"? Not only that, the cousin who made her feel strange at first sight also "sat together for one day and stopped together for one night", and her intimacy was "different" ... or was it a prelude to that peerless tragedy? The complex phenomenon of life is to unfold such a "mystery of life" for us first. When we first arrived at Guo Rong Building, we saw Lin Daiyu observing everything carefully and answering everything politely. She seems to remember her mother's last words: "Grandma's house is different from other homes", so "pay attention step by step, always care, don't say a word, don't walk much" ... Perhaps this cautious life has its own advantages? However, we saw that she didn't seem to do it seriously. She soon left an impression of "aloof" on the people in Guo Rong Building. It turned out that the kind of "attention" and "concern" when she first arrived here was only based on such a motive: "I am afraid of being laughed at." No wonder she didn't leave too much impression on others, just let us know that this is a girl with strong self-esteem. However, fate seemed to play with her maliciously, and soon her father died again. When she returned to her hometown to take care of her affairs, and then returned to Guo Rongfu, she was no longer Miss Master Lin of Yangzhou Salt Class, but a homeless relative who came to vote for Jia Fu. Under such circumstances, self-esteem has obviously lost its place, and her "self-restraint" is even more out of place. However, this change did not change the girl's attitude towards life. On the contrary, it seemed to arouse her pride and make her stare around suspiciously for fear that someone would discriminate and despise her. Zhou Rui's wife gave two palace flowers, and her first concern was not its "Wei Miaoxin Qiao", but whether "others didn't pick the rest". When Yuan Chun returned to this province, everyone wrote poems and had a good time. She could have sung a hymn to her voice, but all she wanted to do was "show her talent to be overwhelming". Later, because he could not "violate many lines", he "made a five-character law at random." Grandmother Jia was unhappy for Xue Baochai's birthday. This was not suitable for words, but she just showed her "resentment". Shi Xiangyun said that she was like Xiao Dan on the stage, and everyone smiled and echoed. She could have laughed it off, but she sensitively felt that comparing her with a "player" was a kind of "teasing" with contempt, so she was greatly dissatisfied and could not help but get angry ... It seems that this girl has too much sensitivity and self-esteem. Her temperament seems so narrow. But all this always stems from a hidden pain in her heart, that is, her fate of relying on others to live. She is uneasy about this fate, but she can't get rid of it. This kind of contradiction often distorts her feelings and psychology, so her mood will never be calm and will provoke a lot of seemingly unnecessary troubles and pains. Once, she knocked on the door of Yikangyuan. Qingwen mistook it for a girl and refused to open the door. This pure misunderstanding actually hurt her so deeply. If she really "asks her loudly" outside the door, things will be solved. However, this dependence on others did not make her think much, but immediately aroused her feelings: "Now his parents are dead and helpless, and now the family is dependent on each other, and now he is seriously disgusted and bored." Really, nothing hurts this girl more than hurting her self-esteem, and hurting her by the fate of living. That night, she "leaned against the railing of the bed, with her knees in her hands and tears in her eyes. Like a woodcarving clay sculpture, she sat straight for more than 20 days before falling asleep." The next day, she saw falling flowers all over the floor and wrote the famous Flower Burial with emotion. The fallen petal awakens the fate that women can only be trampled on by others in her heart and cannot be dominated by themselves. However, the girl can't know more, and she blames this fate on her lack of a home. As a result, she suffered from homesickness anxiety. The noise in the Grand View Garden, the laughter and warmth of other people's homes, and even the fallen flowers in nature, autumn wind and autumn rain, etc. , has caused her heart homeless. In front of her, the whole world seems to be the raw material for tears and sadness. It seems that this grandmother's family didn't show any kindness to her, and everything treated her like a lady. She seems to torture herself with too much doubt and intolerance. She didn't seem to see that the lavish Jia family would care about the granddaughter's food and clothing expenses? At the same time, did you show any "petty" in front of her? What's more, Jia, who is too authoritative in feudal families, loves her so much; Losing parents not only did not cause discrimination, but aroused the warmth and love of the old lady. Indeed, living under the door of such a good relative, what is the need to be so obsessed with your own pain? Wouldn't it be lucky to be someone else? However, it is here that we find the very subtle charm of Lin Daiyu. It turns out that this is a person who never needs other people's clothes to forget his cold. This is a person who never regards the pity and charity of others as his own happiness. At the same time, this is another person who insists on personal dignity the more resigned he is. Such a character, living in that era, became the source of all pain. As Chernyshevski said: "What a person can enjoy and bear can only be given to him by society." Therefore, Lin Daiyu's pain is not because of her sensitivity and paranoia, not because of her self-esteem, but because of the private system that causes this sensitivity and paranoia and oppresses this self-esteem. Private ownership, which is the total root of all pain and evil. In all feudal family societies in China, the value, dignity, status and so on of a person are calculated by furniture. The so-called "a daughter's son can't sit in the hall", "a rich family, a rich body" and so on just illustrate this situation. Therefore, a person who has no home is equal to losing all social status, and the whole world seems to stand up in front of him, and there is no place of his own. Lin Daiyu, who lost her home, found a place to live in Jiafu, but many mental obstacles such as boundaries and concepts caused by the private ownership social system have not been eliminated in her mind. At the same time, it has not been eliminated in the hearts of people around. Moreover, private ownership has caused a lot of hatred, struggle, competition, fraud and so on between people, which happens every day in the walls of Guo Rongfu and beside Lin Daiyu. Faced with this situation, even the maid Jiahui, who is still not sensible, lamented: "This place is really unbearable!" Is it true that under those snobbish eyes, Lin Daiyu, who has nothing but a suit, can settle down? Not only that, but how can even the formal members of this family settle down? Miss Tanchun put it well: "We are a family of flesh and blood. We are all like black-eyed chickens. I hope you eat me and I will eat you. " This feeling naturally deepened in Lin Daiyu, an outsider. To tell the truth, people respect her only because they respect Jia, which is too authoritative. At the same time, since others can generously give her this kind of love, of course, it can also be taken back reasonably. It turned out that it wasn't? Yes, this is the "character" that almost everyone can achieve until others show their faces. It can be seen that Lin Daiyu's paranoia and sensitivity are not unfounded pains that she found herself. It is through her paranoia and sensitivity that we see what magic that society has! It can torture a person secretly and tortuous, and even make you feel that it is entirely his own fault after hurting a person.