Appreciation of Ouyang Xiu's Poem Yu Lou Chun

Yulouchun Ouyang Xiu Luoyang was at the Fangfei Festival, and it was fragrant. The gossamer is deliberately bitter, and the weeping willows fight for no reason. The apricot blossoms are red and the green hills are scarce, and the pedestrians on the hillside rest under the mountain. Who wants to walk with you tonight, only the lonely moon. Ouyang Xiu's "Spring in the Jade Building" is a farewell poem, which is profound and profound, implicit and full of * * *, and it can be called a masterpiece with infinite meaning. With the opening of "Luoyang coincides with Fangfei Festival", readers are taken to places where people are far away from their hometown in spring. However, the author is not satisfied with this. He further exaggerates the "Fang Fei Festival" with "beautiful and fragrant hair", which makes the spring scenery in Luoyang more concrete and tangible. The word "beautiful" not only makes people want to see the lush and colorful scenery, but also makes people feel the fragrance of flowers blown by the spring breeze. The next two sentences, "The gossamer is deliberately bitter, and the weeping willows fight for farewell for no reason", not only write about the scenery, but also imply the affection for farewell. "gossamer" is the silk spit out by spiders, which floats in the air in spring and can be seen everywhere. Yu Xin's Ode to Spring once used "a clump of grass is enough to hinder people, and a few feet of gossamer can't cross the road" to touch the spring scenery. It used to be a heartless thing, but in the eyes of farewell, it seems to have become a sentient being. Here, the author uses anthropomorphic techniques to say that Gossamer is struggling to keep people from leaving, and complains that Liu Yang is struggling to send people away for no reason, expressing his feelings at the scene and turning to express his farewell. The next film continues to write about the spring scenery and sadness of the journey, which makes people feel that spring scenery is endless and sad, and they are always worried about leaving people. The author only writes a glimpse of the journey and depicts it with distinctive images to produce an artistic effect with twice the effort. "Apricot blossoms are red and green hills are scarce, and pedestrians on the hillside rest under the mountain" is the vivid pen of the whole word. The last sentence describes the spring mountain on the journey: I saw red apricots driving along the road at the mountain pass, and the red apricot forest covered a large green hill. The next sentence describes the activities of the man who left: he walked around the mountain, and the mountain was continuous and the road was long. Before he reached his destination, he stopped in front of a post office with apricot blossoms. There are few people here, which is in sharp contrast with the bustling Luoyang. He felt lonely. He stayed up all night thinking about the moon. Finally, Cheng sighed, "Who wants to go with you tonight, only loneliness and loneliness?" , so that the feelings to be expressed in his works gushed out. The word came to an abrupt end. Yulouchun Ouyang Xiuzun intends to talk about the previous return date. He wants to talk about spring first. Ah, there is love in life, and love is in the depths of madness. This is not irrelevant to hate-the wind overhead, the moon in the sky. Before the farewell party, Mo sang a new tie. This song has a sad feeling. It's easy to see all the flowers in Los Angeles at first. The first two sentences of this poem, "I plan to return to my hometown before the bottle, and I want to talk about spring before I swallow it", are a direct description of the present situation, and at the same time, between the wording and structure, the poem shows a unique artistic conception. In front of the bottle, what a happy occasion it should have been, what a beautiful figure it should have been, but in front of the bottle, it was about the return of parting, so the joy in front of the bottle and the beauty of spring turned into sadness. In this transformation and contrast, we can see the tension between Ou Gong's love for beautiful things and his sorrow for the impermanence of the world, and the contrast between them. Before the regression theory, the word "quasi-ba" was used; But before "Chunrong" and "miserable swallow", the word "desire language" was used. Although the word appears to be repetitive on the surface, it actually contains two different levels. "quasi-ba" is still just what I think, and "I want to talk about it" is the time to speak. On the contrary, I can see how much I can't bear to recall and express my deep affection for the "return date" that points to parting. As for the following two sentences, "life is infatuated, and this resentment has nothing to do with romantic feelings", it is a kind of ideological reflection and reflection on the status quo, and thus extends the feeling of the status quo to the cognition of the whole world. The so-called "life is born with infatuation", the ancients said "too forgetful, but not as good as love, love is in me." Therefore, Kuang Zhouyi once said in his "HSBC Thorn", "I look at the wind and rain, I look at the mountains and rivers, and I often feel that there are people who touch my heart besides the wind and rain." This is life's own infatuation, which has nothing to do with romance, so it is said that "life has its own infatuation, and this hatred has nothing to do with romance." Although these two sentences are conceptual thinking and reflection, they are actually more difficult to understand through concepts. And this kind of infatuation is just echoing the sad and embarrassing parting secret feelings written in the first two sentences. Therefore, the beginning of the next movie is to say that "a song can teach the intestines without renovation", and then return to the farewell event in the last movie from the infatuation in the concept. A "farewell song" refers to a farewell song sung in front of a bottle. The so-called "renovation" is almost like Bai Juyi's saying, "Don't listen to the old songs, listen to the new ones". It is the same as Liu Yuxi's and Bai's poems, saying, "Please don't play the previous songs, listen to the new ones". Before the words "picking mulberry seeds", Ouyang Xiu's Reading the West Lake also said "turn over the old words and write them in a new style". The cover of the old song "Yangguan" is already unbearable to listen to, and it is also "a song can teach the intestines to tie knots." The dissuasion of the word "end of qi" in the previous sentence is written so earnestly that it is enough to contrast the sadness of the "intestinal knot" in the latter sentence. The last two sentences suddenly rose, writing the pride of "seeing all the flowers in Los Angeles, it is easy to bid farewell to the original spring breeze". Ouyang Xiu's poem "Spring on the Jade Tower" clearly contains deep sadness of parting and melancholy of returning to spring, but it happened that such a bold sentence was written at the end. In these two sentences, he not only "read" the "Flower of Los Angeles" completely, but also showed a sense of ridicule, and his tone of "straight beard" and "beginning * * *" was also extremely heroic and powerful. However, the "flower of Los Angeles" is "tired" after all, and the "spring breeze" is "farewell" after all, so there is a heavy sadness in luxury. Therefore, when Wang Guowei talked about these sentences of European words in "Words on Earth", he said that they were "calm in bold and unrestrained, so they were particularly high". Yulouchun Ouyang Xiuzun intends to talk about the previous return date. He wants to talk about spring first. Ah, there is love in life, and love is in the depths of madness. This is not irrelevant to hate-the wind overhead, the moon in the sky. Before the farewell party, Mo sang a new tie. This song has a sad feeling. It's easy to see all the flowers in Los Angeles at first. Appreciate the author staying in Xijing, pushing the official to fill the position, leaving Luoyang, saying goodbye to relatives and friends, and my heart is bleak. At the parting party, I was going to say I would return, but I swallowed it first. The words "Zhunba" and "Yu Yu" contain many feelings of farewell that I can't bear to say. But as a rational poet, although parting is inevitable, he is not addicted to his own parting, and he can't get rid of it himself. On the contrary, he pushed the parting to others on the same theme of the whole world. The author clearly realizes: "Leaving love without hating is an emotion that people are afraid of, and it has nothing to do with romance." So, don't reinvent the farewell song, because it is heartbreaking. Ci is remarkable in expressing the theme of parting, with sadness and lofty sentiments, which embodies the poet's love for beautiful things and his understanding of the impermanence of life. The first two sentences of this poem, "I plan to return to my hometown before the bottle, and I want to talk about spring before I swallow it", are a direct description of the present situation, and at the same time, between the wording and structure, the poem shows a unique artistic conception. In front of the bottle, what a happy occasion it should have been, what a beautiful figure it should have been, but in front of the bottle, it was about the return of parting, so the joy in front of the bottle and the beauty of spring turned into sadness. In this transformation and contrast, we can see the tension between Ou Gong's love for beautiful things and his sorrow for the impermanence of the world, and the contrast between them. Before the regression theory, the word "quasi-ba" was used; But before "Chunrong" and "miserable swallow", the word "desire language" was used. Although the word appears to be repetitive on the surface, it actually contains two different levels. "quasi-ba" is still just what I think, and "I want to talk about it" is the time to speak. On the contrary, I can see how much I can't bear to recall and express my deep affection for the "return date" that points to parting. As for the following two sentences, "life is infatuated, and this resentment has nothing to do with romantic feelings", it is a kind of ideological reflection and reflection on the status quo, and thus extends the feeling of the status quo to the cognition of the whole world. The so-called "life is born with infatuation", the ancients said that "love is too forgetful, not as good as love, and love lies in me." Therefore, Kuang Zhouyi once said in his "HSBC Thorn", "I look at the wind and rain, I look at the mountains and rivers, and I often feel that there are people who touch my heart besides the wind and rain." This is life's own infatuation, which has nothing to do with romance, so it is said that "life has its own infatuation, and this hatred has nothing to do with romance." Although these two sentences are conceptual thinking and reflection, they are actually more difficult to understand through concepts. And this kind of infatuation is just echoing the sad and embarrassing parting secret feelings written in the first two sentences. Therefore, the beginning of the next movie is to say that "a song can teach the intestines without renovation", and then return to the farewell event in the last movie from the infatuation in the concept. A "farewell song" refers to a farewell song sung in front of a bottle. The so-called "renovation" is almost like Bai Juyi's saying, "Don't listen to the old songs, listen to the new ones". It is the same as Liu Yuxi's and Bai's poems, saying, "Please don't play the previous songs, listen to the new ones". Before the words "picking mulberry seeds", Ouyang Xiu's Reading the West Lake also said "turn over the old words and write them in a new style". Covered as the old song "Yangguan", it is already unbearable to listen to, and it is also a "song that can teach intestines to tie knots." The dissuasion of the word "end of qi" in the previous sentence is written so earnestly that it is enough to contrast the sadness of the "intestinal knot" in the latter sentence. The last two sentences suddenly rose, writing the pride of "seeing all the flowers in Los Angeles, it is easy to bid farewell to the original spring breeze". Ouyang Xiu's poem "Spring on the Jade Tower" clearly contains deep sadness of parting and melancholy of returning to spring, but it happened that such a bold sentence was written at the end. In these two sentences, he not only "read" the "Flower of Los Angeles" completely, but also showed a sense of ridicule, and his tone of "straight beard" and "beginning * * *" was also extremely heroic and powerful. However, the "flower of Los Angeles" is "tired" after all, and the "spring breeze" is "farewell" after all, so there is a heavy sadness in luxury. Therefore, when Wang Guowei talked about these sentences of European words in "Words on Earth", he said that they were "calm in bold and unrestrained, so they were particularly high". //Weihe xiaosheng. Blogchina/4986928 "What is ecstasy?" The word has not jumped out of the circle of ecstasy. The so-called bold, but also never give up ... Don't poem anything else. Personally, I think Cen Can's poem is the boldest, perhaps because he is far away from the frontier, and his "Send the doctor to the Western Heaven", which is very open-minded every time, has changed its previous style and greatly exaggerated the sinister and courageous courage of "Han Jiang" when marching. "Send the Judge to Beijing" is a well-known poem, with great brushwork that renders the beautiful scenery beyond the Great Wall and organically combines parting with the scenery beyond the Great Wall. Although leaving, there is the momentum of "Mochow has a vast road ahead, and no one in the world knows a gentleman", which is the only way to be strong. Cui is basically the same as the first one, but it is even more reluctant to go. I prefer "Tianshan Guo farewell drunk, watching the sunset by the sea". Although it is parting, I won't talk about the scene of "* * * touching the towel". It goes without saying that watching the sunset fall from the hot sea. Hehe, maybe it's because I'm from the western regions. I prefer this magnificent parting work, all for attracting jade. Really make everyone smile.