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Why does symbolism think that art is comprehensive?
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Comparing this kind of poetry with China's ancient poetry, we can find that it is the one closest to China's poetry style, emphasizing emotion and rhetoric, rather than a large narrative story. Western poetry, like their novels, has a tradition of realism. From Homer's Iliad to Divine Comedy, from Faust to Shakespeare, whether fiction or fact, western poetry is inseparable from long stories, but it is rarely purely lyrical and emotional. Just as our narrative novels are underdeveloped, so are their main emotional poems. But the beauty gods of eastern and western literature will gradually patronize those barren areas. It is also a necessity for western poetry to break away from the realistic poetry pattern in the later period, and symbolism is a pure feat.
Answered on 20 17-05- 14.
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Why does symbolism think that art is comprehensive?
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In Introduction to Art, is it correct to say that expression is image? What are their meanings and differences?
Representation refers to an object. When we notice it and leave its impression in our mind, it will become a memory representation, generally called representation. Because it is located in the human brain, semi-objective and semi-subjective, people generally call it impression. Image means that when we apply image to artistic creation and give it a certain meaning, that is, after the subject's emotional infiltration and ideological intervention in image reach a certain level, it will become an image. The image contains the subject's more understanding and deeper understanding of the representation. Images also include subjective impressions, feelings, intuition, thoughts, understanding and emotions. The source of images is no longer the objective image world, but the subjective representation world. For example, the "fire" itself is an image, and our representation of it is velvet that can ignite the fire, but in the artistic creation of poetry, its image is the concretization of hope and seeds.
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Answered on 20 19- 12-09.
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What tendency does "expression" in western art pay more attention to?
The "expression" in western art focuses more on the tendency of "individualism". Therefore, the "expression" in western art focuses more on the tendency of "individualism" and tends to use abstract concepts. China people, who advocate the unity of man and nature, first see the images displayed by things, and regard images as the intermediary of understanding things and thinking. In fact, China's Confucianism, Buddhism and Taoism all attach great importance to the role of image. For example, although Taoist images transcend concrete appearances, they are not abstract concepts. Buddhism, especially the localized Zen Buddhism, even advocates that there is no writing, relying entirely on scenes and images. It can be seen that China people pay attention to thinking in images, while westerners pay attention to concepts. In fact, China's dance creation should also attach importance to and emphasize that "representation" includes "representation". We say that China's aesthetic thought of "expression" in art is really trying to express the knowledge, feelings and thoughts of the creator, but we attach great importance to the intermediary role of thinking in images and images. Our dance creation, if the "expression" contains elements of artistic reproduction, will make the work easy to be understood by the appreciator and easy to communicate with the audience, and at the same time make the dance "expression" more China-like. This feature includes China's philosophical thoughts, the thinking characteristics of knowing the world, and the aesthetic spirit of China's art. As far as the artistic conception in China's artistic aesthetic category is concerned, this artistic pursuit comes from the cultural tradition of "harmony between man and nature", which embodies the unique way of thinking of China people. Generally speaking, "artistic conception" has both lyrical and expressive characteristics. The main feature of artistic conception is that the image in its connotation is suggestive, which is expressed in art media language which is very concise, ingenious and poetic. It is necessary to create an aesthetic artistic conception that gives people unlimited imagination and let the appreciator know the truth of the world from it. China also attaches great importance to "artistic conception" in his dance creation. This kind of "artistic conception" not only has the beauty of cultivating interest, but also has the pleasure of imagining and appreciating the artistic ontology and philosophy of life. More importantly, it is full of poetry on the surface, but there is a meaningful "image" hidden inside. It can be said that the shaping of "image" in China's dance creation runs through the whole process of artistic expression, including both expression and artistic reproduction. Artistic reproduction is to better understand artistic expression, and it is a bridge to deeply understand the artistic pursuit and ideological expression of the creator. We know, Susan? Langer pointed out in her Art Criticism: "Metaphors widely used in art are actually comparing works of art to a' life form'. But how can a work of art gain these' life' and' vitality' and stimulate people's aesthetic feeling? It must be expressed in the form of emotion; In other words, it must present itself in the form of projection or symbol of life activities, and it must become a logical form similar to the basic form of life. " The above passage, Susan? Langer is actually explaining that a work of art, like a living organism in nature, all its components should be an organic whole, otherwise the whole "artistic image" will lose its integrity and vividness. Susan. Langer also stressed that the relationship between art form and life form is not completely equal. Art form, like projection, has its own law of expression, and its artistic composition is still illusory. For the dance image in our creation, the artistic image should not only have distinct life characteristics, but also show its own artistic laws, including the strength and beauty of dance and the expression of emotions. At the same time, it also hides the unique creative perspective and artistic interpretation of the director. It can be said that no matter what kind of art, the artistic image is actually a projection of the image of life, which is symbolic, and is by no means a simple copy and imitation of life things. It not only contains artistic representation to obtain the similar characteristics of living things, but also has artistic expression, which is expressed as works of art in aesthetic activities. This artistic expression also implies the feelings and emotions of the creator, making the image more vivid, while artistic reproduction makes the image not only come from the living world, but also appear in front of us in the artistic form of life, which will also bring us a lot of enlightenment and inspiration. In a word, the artistic image in China's dance creation should seek the unity of artistic representation and artistic expression. Arnheim once thought in Introduction to Art and Visual Perception that contemporary art is encountering two kinds of bad luck: one is the danger of being strangled by rampant short theory; Second, it was dissected into "small corpses" by a large number of eager "surgeons" and amateur "chemists". In the image-building of our dance creation, there are often problems such as the separation of artistic representation and artistic expression, or the separation of aesthetics and philosophical analysis of art itself, which makes the artistic image lack of organic artistic form. Some works, because they pay too much attention to self-expression, become only the mouthpiece of the creator's self. They no longer give people artistic aesthetic pleasure and learn the spirituality of life from nature, but present a conceptual and graphic image to the audience, just like arnheim's "surgeons" holding scalpels and a group of amateur "chemists" dissecting their works together on the stage. Of course, there is also an extreme expression in creation, that is, what is created is an image shell that lacks soul and mechanically imitates nature. There is no artistic creativity and novelty, and there is no unique life experience of the creator. Such an image shell can not become an artistic image with organic life as a whole. For our dance creation, it can be regarded as an organic whole dance art image, which should be both emotional and expressive, just like a poem. We strive to make the dance image not only a virtual life image, but also a poetic image of subjective feelings, even a performance image with a symbol of life, so that this image has artistic value and emotional value. In shaping the image of China's dance, we should have a deep cultivation of China's classical aesthetics. First of all, there is the concept of "internal listening" in China's classical aesthetics. The so-called "internal listening" refers to the unique grasp and understanding of the world through inner feelings in philosophy and aesthetics. Liu Wei in Wen Xin Diao Long? The melody says, "It's hard for a good man to listen from the inside. Therefore, it is easy to listen to the outside world, and the string is determined by hand. " It's ugly inside, and there is a dispute between the voice and the heart. "Listening internally" here refers to feeling with "heart", which is similar to Zong Bing's meaning of "understanding with eyes" in Preface to Painting Landscape. When shaping the image of dance art, we also need to grasp the understanding and thinking of life with "internal listening", and grasp the unique aesthetics of works of art with the creator's inner self-love and special state of mind. "Internal listening" is the core content of image-building artistic expression, which gives the image a new life interpretation and vitality. "Internal listening" is the practical significance and value of the existence of "image" and the image soul cast by artists with spirit and emotion. Secondly, an important concept that runs through the development of China's classical philosophy and aesthetics is "emptiness". Applied to artistic noumenon, artistic character, artistic creation, artistic aesthetics and other aspects, its related concepts are "emptiness" and "emptiness". In the Tang Dynasty, Si Kongtu once said in Ji Pu: "The poet's eyes, like the sunny sky in Lantian, are visible but not in front of him. "The so-called" can't be in front of us "is an accurate description and definition of the characteristics of aesthetic images in China's classical aesthetics. The artistic image in our dance creation is also illusory. Because the image created by the body media of dance is actually a combination of illusory power and hieroglyphics. This image has the characteristics of artistic reproduction and artistic illusion, and the basic feature of artistic illusion is "illusion" Susan. In her theory, Langer thinks: "Every real work of art has a tendency to leave the world. Its most direct effect is a feature that is divorced from reality, which is caused by the illusion that contains the factors of the work, such as things, actions, sentences, melodies and so on. Even where there is no factor to resort to expression, that is, where nothing is imitated or invented, such as lovely fabrics, trophies, buildings or sonatas, this illusion acts as the charm of pure images, and it still exists as strongly as in the most realistic paintings or the most beautiful narratives. "Susan? Langer's "Other" is actually an "illusion". As far as dance creation is concerned, the artistic expression in dance images has its illusory characteristics, which come from special body language media and emotional expression. At the same time, it is intuitive, that is to say, although it has illusory factors, it still has an organic, vivid and intuitive subject image. Here, we are still discussing the blending relationship between artistic representation and artistic expression in image-building.
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2020- 10- 18 answer.
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