Present flowers to Du Fu in Qing Dynasty (Tang Dynasty)
Gift Qing (1)
Du fu in Tang dynasty
Jincheng ② Silk Tube ③ Day after day ④,
Half into the river, half into the clouds.
This song should only exist in the sky.
How many times can the world smell?
Explanation:
① Huaqing: Chengdu Yin Cui Guang Yuan will set flowers.
② Jincheng: namely Jinguan City, which refers to Chengdu.
③ Silk tube: stringed instruments and wind instruments, which generally refer to music here. This sentence says that in Chengdu after the demarcation of the war, the Lord of the country will feast and enjoy himself.
4 one after another: describe the softness and beautiful melody of music.
⑤ Heaven: Pun, ostensibly refers to the Heavenly Palace, but actually refers to the Imperial Palace.
This poem was written in the second year of Shang Dynasty (76 1). Huaqing refers to Ding Jing. "Qing" is a polite address for people with lower status and qualifications. Hua was the Ministry of Yin Cui Guangyuan in Chengdu at that time, and made great contributions to pacify the chaos of Zizhou secretariat section. This poem may have been improvised at a banquet in China.
There are different opinions about the meaning of this poem. Say it as irony. Yang Shen's Poems on Sheng 'an says: (Hua Qing) A brave general in Shu is arrogant as well as arrogant. Duke Du's poems refer to his abuse of the rites and music of the son of heaven. However, it is implicit. Those who have the wind are not guilty, and those who smell it are enough to quit. There are more than 100 public quatrains, which is the highest. Du Shi Jing Quan: It seems ironic that the so-called speaker is innocent, and the listener is enough to quit.
It's not irony, but a gift for geisha. "Tang Fenghuai" cloud: Nancun cloud: Shao Ling's poems are full of feelings, but not all of them refer to something. Yang Yongxiu respects Hua Qing, which is quite like Fu Hui. It is reasonable or possible that Yuan Duanyun is a geisha. Notes on Tang Poems in Master Garden: No need for irony, with endless implications.
There are people who don't care about intentions. A detailed explanation of Du Fu's poetic remarks: This poem is gorgeous in style and ups and downs, although it is too white and rare.
Make an appreciative comment
This four-line poem is literally as clear as words, but there have been many objections to its theme. Some people think that it is just a hymn without any implication; However, Yang Shen's Poem of Sheng 'an said: "Hua Qing used imperial rites and music in Shu, mocking it, but his meaning was beyond words, and he got the poet's meaning." Shen Deqian's "On Poetry" also said: "Poetry is expensive and intentional, and words are here. Du Shaoling stole thorns flower and wanted to compose a new song in the sky. " Yang and Shen's theory is preferable.
In the feudal society of China, the etiquette system was extremely strict, and even music had an unusually clear hierarchy. According to the book of the Old Tang Dynasty, after the establishment of the Tang Dynasty, the great-grandfather Li Yuan ordered the great-grandfather to research the elegant music of the Tang Dynasty, "The emperor is in the Xuan, playing Taihe; The princes went in and out, playing books and; The crown prince announced that he would hang out and play; ..... "These fragmentary music systems are all established laws of the dynasty, and a slight violation is chaos and rebellion.
Hua Qing, whose real name is Ding Jing, is Cui Guangyuan of Yinbu, Chengdu, who has made great contributions to the counter-insurgency. But he was arrogant, defiant, broke the law and discipline, and allowed the foot soldiers to plunder East Shu. And beyond the court, arrogating the joy of the son of heaven. Du Fu's poems are euphemistic satire.
Intriguingly, the author did not explicitly criticize Hua Qing, but adopted a clever pun. Literally, this is an excellent musical hymn. "Chengdu has more silk management days", which means Chengdu; Silk tubes refer to stringed and wind instruments; Succession, which originally meant that things were numerous and chaotic, was usually used to describe concrete things that could be seen and touched, but here it was used as a metaphor for abstract music that could not be seen and touched, which turned the invisible into visible from the synaesthesia of human hearing and vision, and accurately and vividly described the light, soft, mixed and harmonious musical effect of the stringed instrument. "Half into the river, half into the clouds" is also written like this: melodious music flies out from the banquet of Huaqing's family, rippling in the Jinjiang River with the wind, and Ran Ran floats to the blue sky and white clouds. These two poems let us truly feel the beauty of music. The word "half" is ethereal and clever, which adds a lot of interest to the whole poem.
The music is so beautiful that the author can't help but sigh: "This song should only be available in the sky and can be heard several times on earth." Fairy music in the sky, of course, is rare in the world, and it is even more wonderful to smell it.
There are four sentences in the whole poem. The first two sentences describe music with concrete images, which are real words; The last two sentences boasting about Yue Xian in the sky are daydreams. Because of reality and emptiness, the reality and reality are born together, and the beauty of music is praised to the extreme.
However, this is only a literal meaning, and the implication is meaningful. This can be from "day? The words "in" and "on earth" show clues. Those who are in heaven are also in the palace where the son of heaven lives ... >>
Question 2: What does this ancient poem mean? Most scholars like bamboo, and Liu Yanshi is no exception. He likes bamboo, so he also likes to draw bamboo. He wrote a poem "Mo Zhu" himself. "I love this gentleman's heart and often point my pen and ink at the truth." Liu Yanshi likes the modesty of bamboo best (bamboo is hollow in the middle, so it is called modesty), so he often paints with ink, which makes the image of bamboo jump from the paper. "Although holding a light spirit, it is difficult to write a light spirit." That is to say, although the image of bamboo is depicted with a brush, it is difficult to depict the dignity and integrity of bamboo. It shows that he thinks the integrity of bamboo is understandable and difficult to sketch. The whole poem expresses Liu Yanshi's love for bamboo, his love for painting bamboo and his humble and upright appreciation of bamboo.
Question 3: What is the meaning of a poem on this mountain? Northern Song Dynasty? Su Shi
About the author:
Su Shi (1037 ~110/) was born in Meishan, Northern Song Dynasty. He is a famous writer, one of the eight masters in Tang and Song Dynasties. He is knowledgeable and versatile, and has high attainments in calligraphy, painting, poetry and prose. His calligraphy is called "Song Sijia" with Cai Xiang, Huang Tingjian and Mi Fei; He is good at painting bamboo and strange stones, and also has outstanding opinions on painting theory and calligraphy theory. He is a literary leader after Ouyang Xiu in the Northern Song Dynasty, and his prose is as famous as Ouyang Xiu. Poetry is like the name of Huang Tingjian; His writing is magnificent, bold and unconstrained, and graceful. Known as "Su Xin" with Xin Qiji in the Southern Song Dynasty, * * * is an uninhibited poet.
original text
Looking at Lushan Mountain from the front and side of peaks and valleys, from far, near, high and low places, Lushan Mountain presents various faces.
I can't recognize the true face of Lushan Mountain because I am there.
Question 4: What does this poem mean? This poem named "Ode to Zhuluoshan" was written by Li Bai, a poet in the Tang Dynasty, to praise the valuable contribution of the stone.
In 494 BC, in the Battle of Pepper in Wuyue Prefecture (now Xing Wu, Jiangsu Province), the Vietnamese army was defeated and retreated to Huiji. Gou Jian, the King of Yue, adopted the doctor Fan Li's plan and made peace with Wu temporarily. After wuyue made peace, Gou Jian was determined to revenge and rejuvenate the country. Every day when he eats, he has to have a taste of bitterness. In the evening, he lay on a pile of firewood, thinking hard and not forgetting the national humiliation. This is the famous story of "sleeping for a living". Gou Jian also sent Fan Li to the folk to find beautiful women, and sent them to the Wu Palace to kill the prince's mind. After visiting Vietnam, I finally found a beautiful and patriotic stone on the Puyang River. After three years of training, I came to Wu with a special mission. Fu Cha, the prince of Wu, loved Shi, but Shi never forgot the shame of national subjugation. She carefully observed the terrain and military facilities of Gusu City, drew a map and sent people back to Yue. After the King of Yue received the map, he immediately made a battle plan, divided his troops into two ways, conquered Gusu and destroyed Wu in one fell swoop.
For more than 2000 years, people have commemorated this woman in various ways. Her body is almost all over the five mountains. Xiaoshan once belonged to the western border of Vietnam, and there are many historical sites related to history, most of which are distributed in the Tongji area of Linpu today, mainly including: Zhuluoshan: located in the northeast of Linpu town, with an altitude of 127 meters, it used to be the hometown of Zhuluoshan in history, and it is said to be the birthplace of history. There is a pink stone on the mountain. According to legend, after applying makeup, smoke and fat water are poured on the stone. As time went on, the stone turned red.
Huanshaxi: Next to Zhuluo Mountain, it belongs to Xixiaojiang Ancient Road. According to legend, my father lived by selling firewood, and his family was poor. Shi has been industrious and good at weaving since childhood, and often helps his mother wash yarn by the stream. When Fan Li visited the beautiful scenery of Vietnam and China, it was through this stream that she discovered the beauty of Huansha. In the Tang Dynasty, Fan Duo's "Friends of Cloud Creek" contained: Wang Xuan traveled to the Xijiang River and moored in Zhoushan, feeling the national color and burying dust. He lamented the title of the poem: "The mountains and rivers are beautiful and the grass is green; I didn't see anyone washing yarn today. "
Xishi Temple: located in Shijiadu Village on the west bank of the Shahe River, facing Zhuluo Mountain from west to east. According to legend, this temple was originally the residence of Zhu Luo village, but later it was changed to a temple by the villagers as a memorial. During the Southern Song Dynasty, Shi was named the land god of forty-eight villages in Zhuluo Township and renamed Niangniang Temple. The main building of Xishi Temple has been demolished and built into Tongji Central School in Linpu Town, leaving only a few houses. The stone carving on the forehead of Xishi Temple is a relic of the temple rebuilt in April of the second year of Guangxu in Qing Dynasty, and it still exists today.
Xi Shi's footbath: at the west foot of Zhuluo Mountain. According to legend, when I was still in my hometown, I often washed my feet and bathed here. Now I have silted up and become a field.
Fan Li 'an: commonly known as "Ri Si 'an", it is located by the Huansha Stream in Chai Wan, Shijiadu Village, Linpu Town. According to legend, when the doctor visited here, the local villagers built it to commemorate the incident. The original ancient ferry nearby is said to have entered Wu's port of disembarkation.
Houjiang Temple: Also known as Qibu Temple, it is located in the south of Xishi Temple and backed by Huanshaxi. According to legend, after the downfall of Wu, Heshi returned to Yue to live in seclusion and landed here, which still exists today.
Question 5: What does this poem mean? "Climbing Yueyang Tower" Li Dongyang, Ming
Sudden high-rise buildings lean against the city, and Dongting spring water sits in the afterlife.
Sanjiang to the sea breeze is strong and the island is light.
Wu Chu Gankun's world sentences, the feelings of the ancient rivers and lakes galleries and temples.
There may be a dragon cave in the middle stream, lying down and listening to the flute of Junshan.
Author Li Dongyang, a famous poet in Ming Dynasty and the pioneer of Chaling Poetry School, is by no means unknown. Finally, it is a master. This poem is steady, quoting nature. The antithesis of jaw and neck couplets is extremely neat. The couplets translated into Du Fu's "Wu Chu is the best place in the world, and I can see the endless drifting of heaven and earth" and Fan Zhongyan's "Ju Lang Temple worries about the people, while the rivers and lakes worry about the husband" quote Liu Yi's biography and Lv Dongbin's legend, so as to imply their transcendental thoughts. In fact, this is mostly just an empty talk style of literati. These literate literati began to be conceited and arrogant, boasting of their ability to bring peace and stability to the country. In fact, literary talent and practical ability are irrelevant. As far as poetry is concerned, although the artistic conception and momentum of this poem are excellent, what profound thoughts are there? A work without thoughts, no matter how artistic, has no practical significance.
Question 6: What does this poem mean? Titu chengnan Zhuang
On this day last year, in this door,
Peach blossoms set each other off in red.
People don't know where to go,
Peach blossoms are still smiling in the spring breeze.
Source:
China's Poetry-Tang and Five Dynasties-Cuihu
Precautions:
This is a lyric poem with sincere feelings. At the end of Cuihu Jinshi, Tomb-Sweeping Day traveled alone in Nanzhuang, a suburb of Chang 'an, and walked to the front of a farmer's house with peach blossoms. A beautiful girl came out and received him warmly, leaving an unforgettable impression on the other side. When Tomb-Sweeping Day came back the next year, the door was closed and the girl didn't know where she was. Only peach blossoms are still in full bloom against the spring breeze, which makes people feel melancholy.
There is a legendary skill in this poem: "Cuihu ... promoted the scholar to the next position. During the Qingming Festival, he traveled to the south of the city alone, and he got a house full of people and an acre of palace. The flowers and trees were crowded and lonely. After a long time, a woman peeked through the door and asked, "Who is it? "I follow my surname, I said," I am looking for spring and walking alone, and I want to drink. " The woman arrived with a glass of water, opened the door, made a bed and sat down, leaning against Momo Xie Ke, standing alone, but with a strong meaning, coquetry and coquetry. Cui used words to pick, wrong, and it took a long time to notice. Cui resigned and delivered it to the door. If overwhelmed, Cui also hopes to return. Never come back again. And next year's Qingming, suddenly remembered, can't help but look for it. The door wall is the same, but it is locked, because the poem is written on the left door ... "(Dong Jiu rate? Emotion ").
It is doubtful whether you really have this "skill". Perhaps it is to have a poem first and then apply it to the above "skills". But two things seem to be certain: first, this poem has a plot; Second, the above "skills" help to understand this poem.
There are two scenes in the four poems that are the same and reflect each other. Scene 1: Looking for Spring and Meeting Beauty ―― On this day last year, in this door, peach blossoms with human faces set each other off in red. If we really believe in this kind of thing, we should admit that the poet really grasped the most beautiful and moving scene "Peach Blossoms set each other off in red" in the whole process of "seeking beauty in spring", which not only set a beautiful background for the "peach blossom-like" face, but also set off the radiant face of the girl, implicitly showing the poet's infatuation and emotion, as well as the situation that the two sides were affectionate but did not communicate. Through this most touching scene, readers can be inspired to imagine many beautiful things before and after. This, stupid.
The second scene: find again. It is also the season of spring, and it is also the gateway for flowers and trees to bloom and peach blossoms to hide. However, the "human face" that adds luster to all this has gone nowhere, and only a peach blossom in front of the door is still smiling in the spring breeze. The association of spring breeze peach blossom laughter originally originated from "peach blossom and human face reflect red" Today last year, the girl I met unexpectedly under Taoke must be smiling and affectionate; Today's peach blossom, with a sad face and the same smile, can evoke better memories of the past and the feeling that the good times are not always there. What else can it do? The word "return" contains infinite disappointment.
In fact, the whole poem takes "human face" and "peach blossom" as the main lines, and through the comparison between "last year" and "today", it expresses the poet's feelings caused by these two different experiences tactfully. Contrast and thinking play an extremely important role in this poem. Because the lost beauty is written in the memory, the memory is particularly precious, beautiful and full of emotion, which is a vivid description of "peach blossoms set each other off"; It is precisely because of such beautiful memories that I am particularly disappointed with the loss of beautiful things, and therefore I have the feeling that "people don't know where to go, but peach blossoms are still smiling in the spring breeze"
Although this poem has some plots, legendary techniques and even drama, it is not a narrative poem, but a lyric poem. "Skill" may contribute to its wide spread, but its typical significance lies in describing a certain life experience, rather than telling a story that people are interested in. Readers may not have met stories in similar skill poems, but they may have had such a life experience: they accidentally and inadvertently met something beautiful, but when they deliberately pursued it, they could never get it back. This may be one of the reasons why this poem has maintained its enduring artistic vitality.
"Seeking Beauty in Spring" and "Seeking Nothing Again" can be written as narrative poems. The author didn't write it like this, but it just shows that Tang people are more accustomed to feeling the events in life with the eyes and feelings of lyric poets. ...& gt& gt
Question 7: What does this poem mean? The universe is hidden in a pot, and spring and autumn are told in a cup.
Heaven and earth are in one pot, and everything has spirit.
Ancient and modern treasures, the essence of the world.
Nothing special, is it? Just an alcoholic's statement!
Question 8: What does the ancient poem "Moonlit Night" mean? The night is getting deeper. Moonlight only illuminates half of people's houses, and the other half is hidden in the darkness.
The Big Dipper is tilted, so is Nandou.
I didn't know that spring was coming until tonight, because you heard the insects chirping outside the screen window reflected by leaves, and it was the first time to reach home.
Question 9: What does this ancient poem "Looking at Twenty-three Li" mean?
(Song) Shao Kangjie
Two or three miles a trip,
There are four or five smoke villages.
There are six or seven pavilions,
Eighty or ninety flowers.
It means: two or three miles away, there are four or five families with cooking smoke. Passing through six or seven pavilions, there are more than a dozen flowers around.