Every image needs to be endowed with a unique landscape, so it is very important to describe the landscape in modern poetry. Everything in the world, whatever exists is a scene and can be written. Flowers, birds, fish and insects, plants, fruits and vegetables, the sun, the moon and stars, rivers, lakes and seas, and flowers are all landscapes. However, as a writing subject, we should choose it reasonably, aim at it, and not scribble at will.
In actual writing, landscapes can usually be divided into three categories from the perspective of writing:
The first category: objectively existing scenes.
This kind of scenery, whether you see it or feel it, is objective. Sun, moon and stars, rivers, lakes and oceans, sky and earth, etc. This kind of scenery is often used to express grand, magnificent and immortal images because of its great potential and good shape.
For example, Wang Wei's "Lonely Smoke in the Desert, Changhong Falling in Yen"
For example, in Wang Zhihuan, "the mountains cover the day, and the sea drains the golden river."
For example, Wang Bo's "autumn water * * * sky is one color, sunset glow is lonely in Qi Fei"
For example, Zhang Jiuling's "The sea gives birth to the bright moon, and at this time the sky is * * *".
The second category: the scene seen by the eyes.
This kind of scenery is everywhere, and you can see it everywhere. This kind of scene is usually divided into dynamic and static. Flowers, birds, fish, insects, plants, fruits, rivers, lakes and seas, lighting images and so on. Even plants are dynamic, so-called trees want to be quiet but the wind will not stop. There are countless poems and essays about this kind of scenery.
Wang Yue
. Tang. Du Fu
What a magnificent scenery Mount Tai is! Endless green spans Qilu and Qilu. ..
The magical nature brings together thousands of beautiful mountains in the south and the separation between morning and dusk in the north.
Layers of white clouds, cleaning the gully on the chest; The flat bird flew into the eye socket.
Try to climb to the top of the mountain: it dwarfs all the peaks under our feet.
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Du Fu (7 12-770), a great realistic poet in the Tang Dynasty, traveled to the north in his youth and worked for Zhao Shizhou. The poet enthusiastically praised the tall and magical scene of Mount Tai, showing his exuberant vitality and lofty ambition. This poem can be said that the whole poem is a sight seen by the eyes. From beginning to end, there is only the last sentence, "All other mountains look short under the sky." It is still a sight to see, but it gives the poet emotional color in it.
Throughout the whole article, the poet of "Hope" wrote the verdant Cangshan Mountain, which extended from Qi to Lu, and wrote the majestic momentum of Mount Tai across Qilu and into the sky. It's really amazing. It is worth noting that the use of verbs in the poem is precisely the combination of dynamic and static, which turns the tangible into the intangible. "Swinging the chest", "settling", "living" and "entering" vividly describe the poet's ecstasy of looking up to Mount Tai for a long time, bring in the poet's subjective feelings, and contain the poet's admiration and love for Mount Tai.
The last two sentences: "once you climb to the top of the mountain, you will see that other mountains are dwarfed under the sky." In his imagination, the poet climbed to the top of Mount Tai and looked around, only to see the mountains lying down.