As follows:
1. There is a beautiful woman in the north, peerless and independent. Look at the Qingren city once, and then look at the Qingren country.
2. The clouds think of clothes, the flowers think of face, and the spring breeze blows the threshold and the dew is thick. If we hadn't seen him at the top of Qunyu Mountain, he would have met at Yaotai under the moon.
3. Who is similar to the Han Palace? Poor Feiyan relies on her new makeup.
4. Famous beauties love each other and the king often makes them smile. To explain the infinite hatred of the spring breeze, the agarwood pavilion leans against the railing in the north.
5. The beauty rolled up the beaded curtain and sat deeply with her eyebrows furrowed, but when she saw wet tears, she didn’t know who she hated.
From Li Yannian's "Beauty Song", original text:
Beauty Song?
There is a beautiful woman in the north, peerless and independent.
Look at the Qingren city, then look at the Qingren country.
I would rather not know a beautiful city or a beautiful country. Beautiful women are hard to come by!
"There is a beautiful girl in the north, peerless and independent. She looks at the charming city, and then looks at the charming country."
Interpretation: There is a beautiful girl in the north, independent from the world, she is She glanced at the soldiers guarding the city, and the soldiers abandoned their weapons, and the wall fell; she glanced at the emperor who ruled the world, and the emperor fell in love, but the country was defeated! Beautiful girls often bring about disasters that "capture the city and the country".
2. ?Note: Qingcheng, Qingguo: originally refers to the subjugation of the country due to the lust of women, but later it is often used to describe women with extremely beautiful appearance. Tao Yuanming's "Xianqing Fu": "To express the beauty of a charming city, one must be virtuous in the rumors."
Original text from "Qingping Diao·Part 1" written by Li Bai in the Tang Dynasty:
Qingping Tiao? (Li Bai)
Clouds think of clothes, flowers think of face, and the spring breeze blows on the threshold and the dew is strong.
If we hadn’t met at the top of the jade mountain, we would have met under the moonlight at Yaotai.
Explanation of poems
Your appearance and clothes are so beautiful that even the white clouds and peonies come to dress you up. The spring breeze blows on the railings, and the beautiful The peonies look even more beautiful in the crystal dew. Your beauty is really like that of a fairy. If I had not seen you in the Fairyland Qunyu Mountain, then I could only appreciate your appearance at the Yaotai of the Queen Mother of the West.
Writing background:
Three Qingping tunes are new movements written by Li Bai in response to the imperial edict. Although the song is about white peonies, it is actually comparing flowers to people. The beautiful face of a flower, such an extraordinary beauty can probably only be seen in the fairyland of heaven. Concubine Yang is compared to a delicate peony, but also like a goddess descending to earth. This poem was written by Li Bai when he was a Hanlin scholar in Chang'an. Once, Emperor Ming of Tang Dynasty and Concubine Yang Guifei were watching peonies in Chenxiang Pavilion, and ordered Li Bai to compose a new movement. Li Bai complied this chapter according to the order.
Original text:
"Qing Ping Diao·A branch of red dew condenses the fragrance" by Li Bai
A branch of red dew condenses the fragrance, the clouds and rain in Wushan are in vain.
May I ask who is more like it in the Han Palace? Poor Fei Yan, who relies on her new makeup.
"I wonder who in the palace of the Han Dynasty can be similar to her, pity Feiyan Yi Xinzhuang."
Interpretation: I want to ask who in the palace of the Han Dynasty can be similar to her, but it is a pity that Feiyan still has Use makeup.
Appreciation: The first sentence describes flowers receiving fragrant dew, which sets off the favor of the imperial concubine; the second sentence describes the illusion of the King of Chu meeting the goddess, which sets off the benefits of the royal concubine's shower; the third and fourth sentences describe Zhao Feiyan, who is a peerless beauty, but she is She relies on new makeup to complement her natural beauty. The poet uses circumflex to restrain the goddess and the flying swallows, and to exalt the beauty of Yang Guifei.
Explanation: The spring breeze is infinitely hateful, and the agarwood pavilion leans against the railing in the north.
Interpretation: The peerless beauty and the red peony complement each other, and the beauty and the famous flower make the king smile. The moving beauty is like the spring breeze that can dispel infinite resentment. In the north of Agarwood Pavilion, the king and the noble concubine are leaning on the railing.
Appreciation: The fairyland returns from ancient times to reality. The first two lines of famous flowers fall in love with each other. The king smiles and looks at the beauty. It refers to Yang Fei’s poem. Zai Tong made the trinity of Peony, Concubine Yang and Xuanzong merge. Because the second sentence made people laugh and make them laugh, the third sentence explained that the spring breeze limits hatred. The two words "spring breeze" are the pronouns for kings. Peony is beautiful and colorful, written with full of interest. The flower viewing spot of Concubine Yang of Emperor Xuanzong of the Ming Dynasty was the flower viewing spot of Agarwood Pavilion.
Original text:
Resentment
The beauty rolled up the beaded curtain and sat deeply with her eyebrows furrowed,
But when she saw wet tears, I don’t know who I hate.
Interpretation:
The beauty rolled up the bead curtain and waited, sitting with her eyebrows tightly closed. I saw her cheeks wet with tears, and I didn't know whether she hated others or herself.
Appreciation: This is a poem about the resentment of an abandoned wife. If we say it has some sustenance, that's fine. The poem uses concise language to depict the resentful mood of the lady. Focus on writing the word "resentment". "Resentment" leads to sitting and waiting, "resentment" leads to frowning, "resentment" leads to tears, "resentment" leads to hatred, and the theme is deepened layer by layer. As for whom to blame? Who do you hate? The author has laid out infinite space, and the poet can explain himself.