Seven-law poems on Mount Lushan

Appreciation: The beauty of Lushan Mountain is famous all over the world. Famous works of singing Lushan Mountain have been handed down from generation to generation with flowing waterfalls, and the simple cultural atmosphere has added extraordinary splendour to the natural beauty of Lushan Mountain. One day at the end of June, 1959, Mao Zedong also climbed Lushan Mountain, standing at the peak of Lushan Mountain and a lake on Jinjiang River, with a panoramic view. How can such beautiful mountains and rivers not move people? Mao Zedong, a romantic poet, was fascinated by his eyes and palms and left a heroic song for Lushan Mountain. "A mountain flies to the river and leaps into a lush 400-spin", and the word "fly" is magnificent, which makes people appreciate the dynamic beauty brought by sports-charming power and flying spirit. Mao Zedong loves to use the word "flying" when writing poems, which is the artistic externalization of his transcending consciousness and the aesthetic materialization of his free spirit and free will. In his works, Lushan Mountain flies from the sky and stands tall on the banks of the great river, and still maintains its majestic posture of flying in the air. It seems to stay here for a while, take a break and show its grand plan again. Against the backdrop of the "great river" and "flying" Lushan Mountain, the majestic posture of Lushan Mountain is more distinct and prominent. The first couplet, the first sentence is about mountains, and the second sentence is about mountaineering. "Lush" refers to Lushan Mountain, which complements the lush mountains at the same time. Generally speaking, adjectives are poetic words, which can sweep away the rigidity of nouns serving sentences purely and have a strong emotional color. So it is more poetic to use adjectives instead of pronouns. "Four hundred spins" is the winding loop of Panshan Highway, which also shows the preciseness of Lushan Mountain. With the word "leaping", such a towering mountain peak was lightly and skillfully stepped on by the poet, revealing the poet's unique heroism between the lines. The sentence on the couplet has a word "cold", which is both calm and indifferent. As the leader of the Party and the country, the poet shoulders the heavy responsibility of leading the people of China to carry out socialist revolution and construction. At this moment, he stands at the "commanding height" where time and space are intertwined, calmly sizing up the situation, and at the same time coldly treating the clamour of anti-China forces. From here, we can see Lu Xun's lofty sentiments of "looking at a thousand fingers coldly". Mao Zedong respected Mr. Lu Xun very much and praised him in "On New Democracy": "Lu Xun's bones are the hardest, without servility and obsequiousness." The producers of China and the people of New China, headed by Mao Zedong, have the same hard bones. No matter how the world changes, I will "stand still" and rely on my own hands and wisdom to "dare to teach the sun and the moon to change into a new sky". The next sentence "hot air" is a pun, which is not only a description of natural phenomena, but also a metaphor for the vigorous "Great Leap Forward" at that time. Enemies at home and abroad predict that the * * * production party will be unable to cope with the problem of feeding 600 million people, because Chiang Kai-shek can't do it with the help of the United States, let alone the blocked new China? However, through the efforts of our party and people of all ethnic groups in the country for nearly ten years, this problem has not only been miraculously solved properly, but also a socialist industrial system has been initially established. Although history has proved that the Great Leap Forward violated the law of economic development and made a "Left" mistake, it is still touching to look back at the surging enthusiasm and sincere participation of the people at that time. The slow mouth and neck couplet, Li Bai's heroic poem rings in our ears: "I am at the top." I look at the world and the river is gone forever. " Huang Yun is full of wind and color, and a snowy mountain peak is surrounded by a vortex of nine streams. "Mao Zedong stands at the top of Lushan Mountain overlooking the great river. When its torrent rushes into the sea, it takes care of its spirit, just like Li Bai's poems. The word "cloud" is feminine and delicate, while the crown is decorated with "horizontal", which gives it strength and personality and presents a strong masculine beauty. " Nine schools refer to rivers, but Kyushu and Fiona Fang are also reflected in them. If the sentence "Yundu" is looking west at the upper reaches, the sentence "Under the waves" is sweeping east at the lower reaches of the Yangtze River. The surging river, with the noise of the times, disappeared in the fog at the end of the day-this is a rich Jiangnan region. These two sentences are magnificent, vague and poetic. They are both scenic and lyrical. Natural scenery blends with humanistic philosophy, with images outside and endless aftertaste. William skillfully used the allusions of Tao Yuanming, a famous historical and cultural figure closely related to Lushan Mountain. Comparing Tao Yuanming's utopia "Peach Blossom Garden" with today's new society, the poet asked humorously, "I don't know where Ling Tao is going, but can I farm in the Peach Blossom Garden? "The beauty of this book is that it is thought-provoking and gives readers full imagination. Throughout the whole article, this poem is magnificent and broad, vividly showing the poet's mind and grandeur. It is true that the "hot air" praised in the decoration is also a "Great Leap Forward", but it is the historical product of political and economic decision-making, which is undeniable. But poetry is indeed a poem with high artistic level and high aesthetic value.