After the first four sentences of the poem give a general introduction to Qingxi, the poem goes on to describe the unique picture of the lower reaches of the stream with the writing method of "moving shape step by step" You see, when it passes through the rocks in the mountain, the water is rushing, and the gurgling sound of running water suddenly becomes noise. The word "noisy" creates a strong sense of sound and gives people the feeling of hearing its voice. When it flows through the flat land in the pine forest, the same Qingxi is so quiet and quiet that there is almost no sound. The clear stream contrasts with the lush pine colors on both sides, and the colors are particularly beautiful and harmonious. This couplet is suitable for both movements, sounds and sounds, and its artistic conception is very rich. Look again, when Qingxi slowly flows out of the pine forest and enters the open area, it is another scene: aquatic plants such as water chestnut leaves and shepherd's purse float on the water, green and green, and the water flows through, swaying and swaying; Further on, the water surface is as clear as a mirror, and the reeds and reeds in the shallow water on the shore are picturesque and natural in color. In this couplet, "Yangyang" painted a dynamic appearance of water, and "Cheng Cheng" shaped a static appearance of water, which is also very vivid. Qingxi, described by the poet, is noisy, quiet, lively, serene, profound and simple, showing a distinctive personality and rich business in constant flow and change. After reading it, people feel love and joy.
In fact, there is nothing strange about Qingxi. Why does its plain scenery have such charm in the poet's eyes and pen? As Wang Guowei said, "All scenery words are sentimental words." It is from the plain natural scenery of Qingxi that Wang Wei found a state of high harmony with his tranquil state of mind and leisurely taste. "In my heart, I have always been as pure as this clear water." It is the poet's original intention to describe himself with Qingxi and prove his wish with Qingchuan's indifference. His mood and physical environment have been integrated here. Finally, the poet secretly used the story of Yan Ziling fishing in Fuchun River in the Eastern Han Dynasty, and wanted to live in seclusion in Qingxi as his home. This certainly shows the poet's love for Qingxi, and also reflects his self-denial and indifference after his career was frustrated. This point, written without revealing, is intriguing.