Chuci rhymes with poetry.

The first time I saw Chu Feng, I imagined his outline from the self-portraits of his poems: "His forehead fell off into the valley hidden by the jungle, his face was wrinkled, his face was livid, his beard was long and his limbs were slender." Over the years, it was his elderly parents who used 1800 pairs of Chinese medicine to support his life and his poems. Since then, Chu Feng has always been a poetry friend I am looking forward to meeting.

The real understanding of Chu Feng was held at the Shaanxi Writers' Congress in Zhiyuan Hotel. At this time, his beard was shaved, his wrinkles were less and his illness was gone. At present, he is editing Chang 'an Wenyuan magazine, and he looks energetic. This is exactly what I expected. As soon as we met, he presented his poetry collection "Wandering Narcissus". Actually, I borrowed it from my poetry friend five years ago, and I wanted to have a sneak peek. Lying in a comfortable hotel and rereading Chu Feng's poems, I once again entered a fresh, pure and beautiful world as clean as daffodils, with a particularly refreshing pleasure. Chu Feng's poems are simple, profound and charming. Not empty, not distorted, not secular, not morbid; The wind is clear and the gas is positive, the bones are strange, the feelings are sincere, and the breath of escape attacks people. In particular, the transparent context exudes the pure fragrance of Huang Gui, which is a rare figure in the current poetry circle that repeats aristocratic and complicated language. At least as far as my personal poetic beauty is concerned, it is very pleasant to know Chu Feng.

Chu Feng loves poetry and regards poetry as an ingredient of life. He said, "To be a real poet, you must have an iron ambition as strong as steel, and you must be able to withstand secular prejudice and the loneliness of the soul. Even if you can't find a note to sing for a lifetime, you must travel hard without regrets. " I know that he worships Qu Yuan and likes to inherit the poetic style of Chu Ci since ancient times, so he began to write a pen named Chu Feng, looking for his favorite poems in the long road. Poetry gives him psychological balance. In life, he used obedience, opposition, joy and sadness to write poems, which made him realize the value of life from another field besides work. His poems have been published in many newspapers and won many awards, and his poems are being published one after another. His poems are full of the tide of life and the breath of youth. The wandering Narcissus recorded his life course and showed his inner world. In this secular world, sometimes life is like a blank sheet of paper, and ordinary people can only read the blank on this blank sheet of paper all the time, but Chu Feng folded this blank sheet of paper into a poetic paper boat and let it drift with elegant images. As a poet, Chu Feng always stood at the height of his own life, overlooking life, finding incisive philosophy from trivial things that others turned a blind eye to, and writing things that others found but could not express. In his poems, he wrote: "Guess a heart through the door", "Catch the reptile in the heart outside the clothes" and "Hang the seeds on the stone and wait for the harvest", all shining with the wisdom of the poet. He condensed family ties into a "lifelong theme". "It's as transparent as glass/bearing the grand life engraved with history books/a silent eulogy of life/pregnant land by literary generations/a banner to complete the career of life and the wish of parents/the brand of this family is the theme of my poem/life." Through the understanding, reflection and excavation of parents, history and life, Chu Feng wrote this seemingly bizarre poem with great emotional impact. It can be seen that Chu Feng is good at understanding the vicissitudes of the world and the essence of human nature from a glimpse of ordinary life. When it comes to black brushwork, it pays attention to keeping the brushwork of traditional Chinese painting simple, only showing the outline, starting from the specific situation and transferring from the ethereal meaning, which is quite similar to China's traditional Zen poetry. But on closer inspection, there are still differences. The key is that poets have different spiritual dimensions and deep modern consciousness.

In Wandering Narcissus, prose poems occupy half of the country. Prose poetry not only has the characteristics of casual agility of prose, but also has the exquisite connotation of poetry, which is the perfect combination of the two. Chu Feng is a cultivated poet. His prose poems are fresh without losing the quality of poetry, calm and generous, and have an essential sense of tranquility. In the prose poems, Chu Feng devoted a lot of effort to the catharsis of love, which was romantic and wild and unforgettable. True pure love begins to light the torch of love between the two sexes and ends in life, which is not only the need of life, but also the need of the soul. True love is the moon on 15. You are half me and half me, just like a ripe apple. You bit me. It is the trust that cannot be dispelled under the smoke of gossip. It is the sincerity that glib laser can't penetrate, and it is the fusion of spirit and spirit. I read such pure love from Chu Feng's prose poems. He is a "rebel who broke the rules like an iron fence/in order to defend the dignity of a person who is quite upright as the capital, he stood as deep as the day in all kinds of loneliness and wrote about the hardships of the night." He told his lover like this: "We live together for a song that permeates the soul/not just a patchwork of women and men/but your broad mind like the yellow earth." With pure and melancholy inner monologues and whispers of love, Chu Feng created a Platonic Rose Dream Garden, chewed "the troubled brain maintained by teenagers", and uttered some heartfelt nonsense: "No matter how much heat energy the sun volatilizes/there is always your warm love flowing in the sky in my heart/no matter how cold the night is/your love is the beacon of my soul". However, "don't turn around and stab my bleeding heart with pity eyes/don't cut my lonely soul with a gentle knife." (Back) "When the dazzling light of money dimmed the five-color aura of emotion and the sacred love was mercilessly affected by the" copper stink ",in such a situation, Chu Feng still pursued supreme true love in the poetic realm:" The water of true love is hard to drop on the thirsty land, but the pursuit always makes the branches and leaves reach the sky like seedlings in the rain, and the feelings are as strong as love. Dear, then I will choose suffering and death as for you. This group of love carols is like dew buds, fresh and tender, bright and beautiful, which makes people feel like eating honey and drinking fragrant tea. Only a pure poet can write such emotional poems.

The poet's spirituality is both innate and acquired. Ordinary people can explain life with words, while poets can only explain life with emotions. Eliot praised the excellent poet's words: "The ability to go to hell." In fact, the distance between hell and heaven is the height of a person. Using one person as a conductor can connect heaven and earth. The quality of the earth is growth, and only when the poet obtains the excellent quality of this origin, after induction and understanding, can he complete his spiritual attitude and soul concept with the help of the power of roots and realize his rooted poetry creation. Because, this secret passage full of sharp edges needs the piety of religion and slaves, just like a thousand people pulling a boat stranded on the beach, full of strength and courage, carrying a thousand spiritual ropes, and respecting poetry with their own lives.

Jia Chufeng is such a person, so I respect his poems and his character.