Garden spring, water tune songs and so on.
The so-called epigraph refers to the original name of a roughly fixed part of the music commonly used to write lyrics in the Tang and Song Dynasties. This is an adaptation to culture.
The need of life, a popular word combined with the development of music and poetry at that time, used to be a folk tune. The number of epigrams is about eight.
A total of 170 words, including a small number of Jin and Yuan tunes, most of which have nothing to do with the meaning of the epigraph. In fact, since the Northern Song Dynasty, poets often add titles or preface to explain the meaning of words. As for the origin of each epigraph, only a few can be verified.
Yes, most of them can't be traced back.
1, remembering Jiangnan. Originally named Tang, it was later used as a epigraph name. Also known as Looking South of the Yangtze River, Dreaming South of the Yangtze River, Looking South of the Yangtze River, Wangjiang Plum, Going to Spring, Sleepwalking Fairy, Good Anyang, Good Tiger Mountain, Looking Penglai and Willow in the South of the Yangtze River.
2, like a dream. Also known as "Remembering the Fairy Pose", "Feast in Heaven" and "No Dream Order". Taking Li's Yi Xian Zi Zeng Yuan Dong as the main body, it is monotonous with 33 words, seven sentences and five rhymes.
There are also 33 words in six rhymes, 33 words in four rhymes, 33 words in five rhymes and 66 words in five rhymes. Representative works include Li Qingzhao's Dream, Always Remember the Sunset in Xiting, and Li Qingzhao's two Xixi poems.
3. Nian Nujiao. Also known as Baiziling, Yongjiang Moon, No Return to the River and Meeting, it was named after a geisha named Niangniu in Tianbao period of Tang Dynasty. This song is based on Su Shi's Niannujiao Mid-Autumn Festival, with 100 words in two tones, the first 49 words and the last 5 1 word, each with ten sentences and four rhymes.