In China's ancient poems, when I miss my relatives and friends far away, I don't write how I think hard and how I lose my mind. But writing from the other side, imagining what my relatives and friends will look like in this situation, and writing loved one on the other side is really touching and reflects the depth of my thoughts. This technique is called "correct writing". This kind of poetry often gives people a sense of twists and turns and long feelings.
Specific examples:
Wang Wei's "Mountain Holiday Thinking of Shandong Brothers" also used this brushwork. "You know where brothers climb from afar, and there is a lack of one person everywhere." This poem was written on the Double Ninth Festival for relatives who missed home, but the poet thought that all the brothers in his hometown were wearing dogwood when climbing the mountain today, but found that one brother was missing-he was not among them. This is more affectionate and innovative than thinking about how brothers climb mountains and wear dogwood on the Double Ninth Festival, but they can't attend.
Bai Juyi's Night Thoughts on the Winter Solstice in Handan: "Every winter solstice in Handan, there is a shadow in front of the lamp. Sit at home late at night and talk about travelers. " This poem shows the homesickness of wanderers on holiday nights. One or two sentences are true, three or four are false. Different from ordinary people, the poet does not directly write how he misses his family, but rewrites how his family misses himself from another angle.
Du Fu's Moonlit Night is a typical example of this kind of writing: "She watched the moonlight in Fuzhou, far away, and watched it alone from the window of her room. For our boys and girls, poor little baby, too young to know where the capital is. Her cloudy hair is sweet with mist, and her jade-white shoulders are cold in the moonlight. When can we lie on the screen again and look at the bright light and stop crying? ? "This poem" A Wife "embodies the poet's sincere and profound feelings.