The Shanxi-Chahar-Hebei Poetry School is named after the region. During the Anti-Japanese War, the Communist Party of China established the Shanxi-Chahar-Hebei anti-Japanese base area in the border areas of Shanxi, Chahar, Hebei, Rehe and Liaoning provinces. At the end of 1938, the "Anti-Japanese War Literary and Art Troupe", graduates of Yan'an Anti-Japanese Military and Political University, and the Northwest Field Service Corps came here successively from Yan'an. The Battlefield Society of Tian Jian, Shao Zinan, Shi Lun, Man Qing, Fang Bing and others of the Western Battle Group founded the poetry magazine "Poetry Construction" in January 1939. Anti-Japanese University student Dan Hui and others established the "Tieliu Society" in 1939 In March of this year, he founded the poetry magazine "Poetry Front". Centered on Zhanjishe and Tieliushe, the Shanxi-Chahar-Hebei Poetry School was formed. On July 3, 1941, the Shanxi-Chahar-Hebei Poetry Society was established, with Tian Jian as chairman and Shao Zinan, Wei Wei and Chen Hui as executive committee members. There are more than 30 members including Shakov, Yang Shuo, Fang Bing, Wang Wei, etc.
Nine Leaves School of Poetry is a modern school of poetry in the 1940s. There are nine main members of this school (Xin Di, Chen Jingrong, Tang Qi, Tang Shi, Mu Dan, Du Yunxie, Yuan Kejia, Zheng Min, Hang Yohe). They formed a group centered on "Poetry Creation" and "Chinese New Poetry". A school of poetry characterized by modernism. In 1981, Jiangsu People's Publishing House published the anthology "Nine Leaves Collection" of these nine poets. Since then, people have called them the "Nine Leaves School of Poetry". His representative works include "Cuckoo" (Xin Di), "On the Bridge at Dusk in Winter" (Chen Jingrong), "Coal Diggers" (Tang Qi), "Nightmare" (Hang Yohe), and "Spring" (Zheng Min).
The trend of folk song narrative poetry. In the 1940s, a number of long narrative poems in folk song style appeared in the liberated areas. There are Li Ji's "Wang Gui and Li Xiangxiang", Ruan Zhangjing's "Zhanghe Water" and "The Trap", Zhang Zhimin's "Wang Jiu's Complaints", "Can't Die" and "Wild Daughter", Tian Jian's "The Story of Chariot", Li Bing's "Zhao Qiao'er" "wait. The emergence of these poems reflects the literary trend formed after the Yan'an Rectification Movement in which literature and art serve the workers, peasants and soldiers.