Second, the form of artistic conception beauty in China's ancient poems.
(A) China's ancient literary theory on the beauty of poetic artistic conception.
What is the goal of China's creation of ancient poems? What is the ultimate goal? Literati and scholars in China have incisive and original expositions on this, such as, "The ultimate goal of poetry is to think about three meanings (poetry is better than fu), use them appropriately, and use them with grace, so that those who taste them are infinite and those who smell them are tempted." Zhong Rong's "Preface to Poetry" and other "(Poetry) Hey! Close but not floating, far and endless, and then you can say it beyond rhyme. " Si Kongtu's Talking about Poetry with Li Sheng, "Poet refers to new language skills, which are all good, such as being able to describe a scene that is difficult to write. For example, at the moment, there is infinite meaning, implication, and then it comes. " Ouyang Xiu's "Poems on June 1" "Poets are also lyrical, and all the people in the prosperous Tang Dynasty are only interested, and there is no trace to be found. So its beauty is thorough and exquisite, and it is impossible to pool together. Such as the voice in the air, the color in the phase, the moon in the water, and the image in the mirror are inexhaustible. " Yan Yu's Discrimination on Cang Lang's Poems: "Generally speaking, poetry is based on expertise, taking Rao Mei as a material, being a teacher, being a craftsman should be tall and knowledgeable." Wang Shizhen's Yi Yan Yuan and so on. We say that poetry has infinite charm, implication, implication, endless words and endless meanings, and so on, including Yuan Mei's theory of "soul", Wang Shizhen's theory of "rhyme" and Wang Guowei's theory of "realm", all of which refer to an aesthetic realm pursued by poetry creation. "Realm is not determined by size" [1]. The beauty of poetic artistic conception created by ancient Chinese poetry is colorful, or it is embodied in diluting the beautiful artistic conception of peace, beauty and refinement, elegance and implication, or in the lofty grandeur of being vigorous, broad-minded, calm, noble and generous
(2) The form of artistic conception beauty in China's ancient poems.