Like glass, Yu Xin once did it proudly.
Boiling heart, dry but restless, where is your future?
The world was confused and silent. Have you heard about my past?
I have tasted mountains and seas and experienced human vicissitudes;
I've tasted everything, and it's fleeting and I'm at a loss.
The rear knows that prosperity is the moon in the water, the flowers in the mirror, and the ordinary is true.
However, the person in charge of you tomorrow is still worried.
Will the child be beautiful? Or worse? It doesn't matter to me.
I have given up everything, but I hope to go here forever;
I have fallen into endless darkness and tried my best not to take it off.
I taste like you. He is like dust. Cry when you are thirsty, and be ordinary when you are happy.
Do this and walk the line if you have income;
Do this, walk the line, if you lose something;
Do this and walk the line if you don't meet anything;
Do this, walk the line, if …
I have tasted mountains and seas and experienced human vicissitudes;
I've tasted everything, and it's fleeting and I'm at a loss.
The rear knows that prosperity is the moon in the water, the flowers in the mirror, and the ordinary is true.
I have given up everything, but I hope to go here forever;
I have fallen into endless darkness and tried my best not to take it off.
I taste like you. He is like dust. Cry when you are thirsty, and be ordinary when you are happy.
I have tasted mountains and seas and experienced human vicissitudes;
I tried to find heaven and earth, but I never got anything.
I'm just like you, he's like dirt, the world is big, and this is the only way for me.
The years are so silent that the Ming dynasty is coming;
Where the wind crosses the border, it is a long way.
Where's your language?
2. Translate Modern Chinese into Ancient Chinese Translator: Ordinary Road is Road-Theme Song of See You Later.
Lyrics: Han Han, Pu Shu
Du Qu: Pu Shu
Song: Pu Shu.
Wandering in the painting
What do you do?
Fragile and arrogant
It also smells like a minister.
Feel uneasy about boiling.
Where are you going now?
Modesty is silence.
Are you really listening?
I have tasted salty dishes that span mountains and seas.
I tried to catch it for a while, and it disappeared.
I was disappointed and lost everything.
Only one sees mediocrity.
While still thinking
Junzhiming
Can it be good or bad?
"Yu Yan, one day."
I ruined everything, but I left forever.
I have tasted endless darkness and I want to win it.
I taste grass and wild flowers if it looks like it.
Look at it in distress situation.
Before this behavior, you have done something for yourself.
What did you get from this behavior before?
What should I lose before this trip?
Before this trip, although when.
I have tasted salty dishes that span mountains and seas.
I tried to catch it for a while, and it disappeared.
I was disappointed and lost everything.
Only one sees mediocrity.
I ruined everything, but I left forever.
I have tasted endless darkness and I want to win it.
I taste grass and wild flowers if it looks like it.
Look at it in distress situation.
I have tasted salty dishes that span mountains and seas.
I tried to ask Zhou, this is not in the world.
I'm not as good as you, that's all, grass and wild flowers.
So that's what I would like to do.
When you are silent.
Tomorrow is already ahead.
The wind has a long way to go.
What's the point of your words?
Bilingual control
3. Describe the song "Ordinary Road" written by Pu Shu in Chinese, describing 150 words. I crossed the mountains and seas and crossed the sea of people.
Everything I once owned, suddenly gone.
I was once confused, disappointed and lost in all directions.
Until you see that ordinary is the only answer.
I once ruined everything, and I just want to leave forever.
I once fell into endless darkness and struggled hard.
It's all the shadow of Han Han
Wandering on the road, are you leaving via via?
Are you really listening to The Mysterious Story of Silence?
I once asked the whole world and never got an answer.
Time is silent and so on.
Tomorrow is in sight.
Wind energy still has a long way to go.
Where did your story go?
4. The dialect of the lyrics of "Ordinary Road" can't give you the original for the time being ~
Ordinary road
"Goodbye" theme song
Singing: Pu Shu Ci: Han Han Pu Shu Qu: Pu Shu
Wandering on the road
Are you leaving?
Fragile self-esteem
That used to be me, too.
Boiling and uneasy
Where are you going?
Mysteriously silent
Are you really listening to the story?
I crossed mountains and oceans.
Also through the sea of people
I used to have everything.
Blink of an eye, just like smoke.
I was once confused, disappointed and lost in all directions.
Until you see that ordinary is the only answer.
When you are still dreaming.
Your tomorrow
Will she get better or worse?
It's another day for me
I once ruined everything for me.
Just want to leave forever
I once fell into endless darkness.
Want to struggle, can't extricate oneself.
I used to be like you, like him, like that wild grass and wild flowers.
Despair, longing, crying, laughing, ordinary.
Go ahead, let's go.
Even if you've got something.
Go ahead, let's go.
Even if you are deprived of something.
Go ahead, let's go.
Even if I miss something
Go ahead, let's go.
Even if it will
I crossed mountains and oceans.
Also through the sea of people
I used to have everything.
Blink of an eye, just like smoke.
I was once confused, disappointed and lost in all directions.
Until you see that ordinary is the only answer.
I once ruined everything for me.
Just want to leave forever
I once fell into endless darkness.
Want to struggle, can't extricate oneself.
I used to be like you, like him, like that wild grass and wild flowers.
Despair, longing, crying, laughing, ordinary.
I crossed mountains and oceans.
Also through the sea of people
I asked all over the world.
Never got the answer.
I'm like you, like him, like that wild flower.
Somehow, this is the only way I have to go.
Time is so speechless.
Tomorrow is in sight.
Wind energy still has a long way to go.
Where did your story go?
5. The Ordinary Road of Modern Poetry Ten modern poems worth reading-in front of these works, I realized what it means to stop at the top of the mountain.
Whether you like poetry or not, as long as you speak Chinese as your mother tongue, these works are worth reading carefully. Any wonderful language will turn pale in front of these works, and I can only strongly recommend them: the first and tenth songs, Waiting for You in the Rain by Yu Guangzhong: Waiting for you, in the rain, in the rainbow-making rain, cicadas sink and fall, frogs raise a pool of red lotus like red flames, and it doesn't matter whether you come or not in the rain. I think every lotus is like you, especially through the dusk, through this drizzle forever, instantly, instantly. Outside of time, in time, waiting for you, in an instant, in eternity, if your hand is in my hand, at this moment, if your fragrance is in my nostrils, I will say, little lover, this hand should pick lotus flowers. In the martial arts palace, this hand should shake the cinnamon pulp. In the Mulan boat, there is a star hanging on the cornice of the science museum, like a Swiss watch. You came out of a love story. You have read a lot of comments about this poem from Jiang Baishi's words. What impressed me the most was a wonderful passage about the Science Museum and the Swiss Watch, saying that it was a combination of classical and modern. However, personally, the appearance of these two images may be the only failure of this poem. The combination of a suit and a melon hat makes people feel uncomfortable.
Second, the ninth song, Lin's "Laughter": Laughter is the whirlpool of her eyes, lips and lips. Beauty is like dew, and the smile is hidden in the flash of shellfish teeth.
That is laughter-God's smile, beautiful smile: the reflection of water, the light song of the wind. Laughing is her loose curly hair, scattered in the ear.
Soft as a flower shadow, itchy sweetness pours into your heart. That's a smile-a smile in a poem, a smile in a painting: traces of clouds, soft waves of waves.
It is said that Xu Zhimo began to write poems because he admired this talented woman. However, Lin finally chose Liang Sicheng, and later many people knew the name because of this allusion. I don't think a name that can write such a work needs to be recited by allusions.
Third, the eighth song, Fei Ming's "Star": The stars in the sky are said to be eternal spring flowers. There is a shadow of begonia flowers on the east wall, which is said to be the eternal autumn moon.
Waking up in the morning is a winter night dream. Last night, the stars in the middle of the night were as clean as a net, and so were the spring flowers and the autumn moon.
Feng Wenbing incorporated his beloved Lao Zi and Zhuang Zi into his poems, and his thoughts flowed everywhere in his works. Compared with him, those so-called philosophical poems are not in the same class at all.
Fourth, the seventh song, Bian's "Broken Chapter": You stand on the bridge and watch the scenery, and the people who watch the scenery look at you upstairs. The bright moon decorated your window, and you decorated other people's dreams.
This one is the most famous among all the works with the theme of broken chapters. But many authoritative critics' explanations are different from the author's own.
Fifth, the sixth song, Zheng Chouyu's "Wrong": I walked across the south of the Yangtze River, waiting for the emergence of the season, such as lotus flowers blooming in the east wind in the future, catkins not flying in March, your heart is like a small lonely city, like the silence of Qingshi Street at night, and the spring curtain in March did not reveal your heart. Dada's horseshoe covered me tightly, which was a beautiful mistake. I am not a returnee, but a passer-by ... Maybe this mistake is not just for the people in the window. Many of Zheng Chouyu's poems are worth reading, especially Mistress.
Sixth, the fifth song, Wen Yiduo's "Dead Water": This is a desperate stagnant water, and the breeze can't blow at all. Why not throw more rubbish and throw out the leftovers?
Maybe copper should be green to emerald, and a few petals of peach blossoms should be embroidered on the tin can; Let greasy weave a layer of Luo qi, and the mold will steam out some clouds for him. Let the stagnant water ferment into a ditch of green wine, full of pearl-like foam; The laughter of the little bead turned into a big bead, and it was bitten by the flower mosquito who stole the wine.
Then a ditch of desperate stagnant water can be praised as somewhat clear. If the frog can't stand loneliness, it is stagnant water calling for a song.
This is a backwater of despair, which is definitely not the beauty. Let Ugly take it back and see what world he has created. Only such a person can write such a work.
Seven, the fourth song, Feng Zhi's "Snake": My loneliness is a long snake, too cold to speak-girl, if you dream of it, don't be completely afraid! He is my faithful companion, and his heart is full of homesickness: he is thinking about the dense grassland and the thick black silk on your head. It is as light as moonlight, sneaking past you; Keep your dream for me, like a crimson flower.
Feng Zhi is called "the most outstanding lyric poet in China" by Lu Xun, and only he can write such works. His southern night was too good to say anything.
Eight, the third song, He Qifang's "Prediction": This heartbeat day has finally arrived. I can clearly hear your sighing footsteps at night. It's not the whisper of leaves and night wind in the forest, but the hoof sound of elk crossing the moss path.
Tell me, tell me with your bell, were you predicted by the young God? You must come from the warm south, tell me the moonlight and sunshine there, tell me how the spring breeze blows open the flowers and how the swallows are madly in love with Populus davidiana. I will sleep in your dreamlike singing with my eyes closed, and I seem to remember and forget.
Please stop, stop your tired running, come in, there is a tiger mattress for you to sit on, let me burn the fallen leaves I pick up every autumn and listen to me sing my own songs in a low voice. That song will be as gloomy and lofty as fire, and it will tell my life like fire.
Don't go forward, there is an endless forest ahead, and the ancient trees are dotted with the words of wild animals, intertwined like half-dead vines and pythons, and there is no shortage of stars in the dense leaves. Hearing the empty echo of the first step, you will be too timid to let go of the second step.
Do you have to go? Please wait for me to go with you. My feet know every safe way. I can continue to sing the songs I forgot, and then give them to you, and then give them the warmth of your hand. The darkness of night interrupts us, so you can look me in the eyes in the blink of an eye.
You didn't listen to my exciting songs, and your feet didn't stop for my trembling, like a quiet breeze floating through this evening.
6. What does the "ordinary road" mean? Ordinary Road expresses a faint warmth and sadness, which can not only make listeners enjoy peace and innocence in a stable sense of melody after sinking their hearts, but also realize the intuition of youth through the power of songs and find the future direction in sadness and confusion.
Ordinary Road was composed by Pu Shu, written by Pu Shu and Han Han, arranged and sung by Pu Shu. The single was first released on July 6th, 20 14. This song is the theme song of the movie See You Later in the album Orion released by Pu Shu on April 30th, 2007.
2014165438+1October 22nd, this song won the Golden Horse Award for Best Original Movie Song in 5 1 Taiwan Film.
Extended data
The creation of "Ordinary Road" stems from Pu Shu's need to prepare for the release of the album, and also from Han Han's sincere invitation. Because Pu Shu has always been one of Han Han's favorite singers, he personally visited Pu Shu.
When I arrived at Park Shugu's home, Park Shugang had just finished writing the last note of "Ordinary Road". Han Han listened to this unfinished Demo and wanted to use it in the movie See you later. Pu Shu was also moved by Han Han's sincerity, so he readily agreed to cooperate with Han Han's lyrics.
When making this song, Pu Shu repeatedly adjusted it in the studio and revised it several times in the studio, and finally handed over the theme song "See you later" for the last time.