At the beginning of the poem are two groups of neat long sentences, such as rushing to the reader with the wind and rain, with heroic momentum. "Didn't you see how the water of the Yellow River moved out of heaven and into the ocean, never to return?" Li Bai was in Yangying Mountain, not far from the Yellow River, and he climbed very high, so he used the Yellow River to amuse himself. The Yellow River has a long history and a great gap, such as falling from the sky, spilling thousands of miles and entering the sea eastward. The grandeur of the scene is invisible to the naked eye, so this situation is Li Bai's fantasy, "following the Tao" and exaggerating the words. The last sentence says that the coming of the big river is unstoppable; The next sentence says that the river is gone and irreversible. One rises and one disappears, forming a sigh that stretches back and forth, which is not available in short sentences (such as "The Yellow River falls into the sky and returns to the East China Sea"). Then, "you didn't see the lovely hair in the bright mirror of the high room, although it was silky black in the morning and turned into snow at night" is like a turbulent wave. The first two sentences exaggerate the space category, and these two sentences exaggerate the time category. Sighing that life is short, instead of directly saying that life is short, people will get old, but saying that "Highgarden Spiegel is so cute and locked" shows a helpless modality. Describing the whole process of life from youth to aging as "morning" and "evening", shortening the short-lived things and making the strong waves stronger than the previous two sentences, is a kind of reverse exaggeration. Therefore, the first set of parallel long sentences is metaphorical-the river is gone forever, indicating that life is perishable, and it also has a comparative effect-while the great eternity of the Yellow River shows the smallness and fragility of life. This beginning can be said to be extremely sad, but it is not delicate. It can be said that it is a giant sadness with thrilling artistic power, and it is also caused by the sense of momentum at the beginning of long sentences. This opening technique is commonly used by the author, such as "I had to throw Bolt and me away from yesterday;": It hurts my heart even more today "(Uncle Yun, a farewell school book in Xuancheng Xie Tiao Building), and Shen Deqian said that" this body is too white and self-centered ",which shows that it is quite original. This poem is a call for "not seeing you" (generally Yuefu poems are only used occasionally at the beginning or end of the article), which greatly enhances the emotional color of the poem. Poetry has the so-called big opening and closing, which can be described as big opening and closing.
"The husband of heaven and earth, the inverse of everything; Time flies, one hundred generations fly "(Preface to the Spring Banquet in Taoliyuan). Although sadness is inevitable, pessimism is not close to Li Bai's nature. In his view, as long as "life is proud", there is no regret and you should indulge in joy. Five or six sentences are reversed, from "sadness" to "joy". From then on, until "the cup never stops", poetry gradually became wild. "At the time of destiny, you can have no worries, and you can drink and climb the stairs" ("Liang Yuan Shi Hua"), so you can't eat, drink and be merry without wine, so you get to the point. However, the sentence does not directly describe the contents of the cup, but uses the image language of "golden cup" and "opposite the moon" to highlight the metaphor and make drinking poetic; If you don't write directly, you will drink and party. Don't write directly, but use the double negative expressions of "don't make" and "empty", which is more focused. "Oh, let a man with spirit take risks where he likes" seems to advocate the idea of "eat, drink and be merry", but it is only a phenomenon. The poet is in low spirits at this time. "When the phoenix first wrote purple mud, the emperor called it a royal banquet" ("Yu Hu Yin"), which was sent by the emperor to Beijing for a banquet, seemed to be proud, but it was just an illusion. Then to "Feng will return home, there is no fish to eat, and Zhou Busi will bow to the princes and nobles and meet them" (the second poem of Three Difficult Lines). In ancient times, Feng Xuan was a guest of Meng Changjun. He felt that Meng Changjun was not polite to himself. At first, he often played sword and sang, indicating that he would go back. Li Bai wants to "make friends with princes", but in Chang 'an, dignitaries don't take him seriously. Li Bai used Feng Xuan's allusions to describe his situation. At this time, I don't seem to be proud, just disappointed and indignant, but I'm not depressed. The poet then affirmed life and himself in an optimistic and strong tone: "Since God has given talents, let them find jobs!"! "This is an amazing sentence. "Useful" and "must" are confident, just like a person's value declaration, and this person-"I"-must be capitalized. Here, from the seemingly negative phenomenon, there is a hidden positive essential content that is eager to join the WTO. It is "one day, I will ride the wind and waves" (the first of Three Difficult Songs) that the day to realize my ideal will come. For such a future, we should drink and sing, and spending money is nothing. Spin a thousand silver coins and come back! ! This is another amazing statement of high self-confidence, which can drive money instead of being driven by money, and really surprises all ordinary people. Poetry is like a man, and the poet "dares to swim and plow, and within one year, more than 300,000 yuan is scattered" ("History of Peichang in Shang 'an Prefecture"). Such a heroic move is really rare. Therefore, the lofty sentiments deeply embedded in the bones are by no means posturing. Much like this, the author described a grand banquet, which was "cooking sheep and slaughtering cattle" from beginning to end, and would never stop until he drank "300 cups". Banquets in the Tang Dynasty generally don't need the whole sheep and cattle. The poet wrote this to show heroism. "300 cups" is also to exaggerate the amount of drinking and show the joyful atmosphere in the banquet. This is Li Bai's unique heroic style.
At this time, wild feelings tend to climax and the melody of poetry accelerates. The poet's interest is getting higher and higher. He not only enjoyed himself, but also tried his best to persuade his friends. His dizzy and feverish drunkenness jumped from the paper, and suddenly people felt as if they heard him loudly exhort wine: "Master Cen, Dan Qiusheng, don't stop drinking!" The sudden addition of several short sentences not only changed the rhythm of poetry, but also forced Xiao to speak loudly. He is not only a bosom friend, but also a drinking opponent. Not only "get carried away", the poet even forgot that he was writing a poem, and the poem he wrote seemed to restore life. He also thought, "Let me sing you a song! Please listen to me. " The following eight sentences are songs in the poem. The idea is so strange that it is a stroke of genius.
The rich poet of "bell and drum in one" thought it was "not expensive enough" and declared "May I stay drunk forever". At this point, poetry has obviously changed from wild to angry. There are not only drunken ravings, but also drunken confessions. Taking "I" as a talented and useful talent should have made a fortune in your position, but "the road is as wide as the sky, and there is no way out in front of you" (the second part of "Three Difficult Songs"). To say that wealth is "not expensive enough" is out of indignation. The following words "It has existed since ancient times, and sages get carried away" are also angry words. Li Bai once lamented that "it is impossible to rule Ge alone" and claimed that he had the talent of Guan Zhong, but Zhuge Liang's wisdom was not believed, so he called the ancients "lonely" and at the same time showed that he was "lonely". So I'd rather be drunk than awake. Here, the poet poured his own wine from an ancient wine glass. When it comes to "only drinkers leave their names", Cao Zhi, a "Wang Chen", as the representative, used the phrase "Go back to the banquet and have a good time, and strive for thousands of drinks" in his Mingdu. In ancient times, drunkards had a vivid image, preferring "Wang Chen", which was inseparable from Li Bai's conceit. In his mind, Xie An and other high-level figures set an example, and among these figures, "Wang Chen" is more associated with wine. This style of writing is consistent with the extremely confident tone mentioned above. Moreover, Cao Zhi, the "Wang Chen", was deeply suspected in Cao Pi and Cao Chui dynasties, and his ambition was difficult to show, which also aroused the sympathy of the poet. Mention "ancient sages" and "Wang Chen" Cao Zhi, full of grievances. At first, this poem seems to involve only the feelings of life, but has no political color. In fact, the whole article is full of a deep and profound anxiety and self-belief. Poetry is so sad but not hurt, so sad and strong, which is rooted in this.
Just showing a little affection, I went back to talk about wine, and my interest was higher. The following poems are wild again, becoming more and more crazy. "Master, why do you say your money is missing?" Not only did you take care of the phrase "1000 yuan has been spent", but you also pretended to be ups and downs, which led to the last brave words: Even if you spent 1000 yuan, you should not hesitate to send out the precious treasures-"flowers and horses" and "thousands of gold jewels" for wine, so as to get drunk. The beauty of this ending lies not only in "Tiger" and "Jade", but also in a big tune; Moreover, it has an arbitrary mood that the author may not be aware of at the moment. You know, poets are just guests invited to drink by friends. At the moment, he is sitting in a high seat, bossing around, suggesting that he should be a horse, which makes people wonder who is the "master". Romantic color is extremely strong. Speak quickly, unless you are bold and considerate, you can't do this. Poetry is so wild at this point that it makes people cry. When you sing, you should "dance". Love is not over, poetry is over. Suddenly, another sentence "I will always sell my sadness" is related to the beginning "sadness", and the meaning of "forever sadness" is more profound. At the end of this "white clouds floating from the air and disappearing with the wind", it is obvious that the poet is surging and ups and downs. Throughout the whole article, it is really ups and downs, and it must be like a giant pen.
"Into the Wine" is not long, but it is full of five tones and extraordinary weather. It is full of pen and ink, sad and angry, wild and uninhibited, and its language is extremely bold and calm. Poetry has the momentum and strength to shake the ancient and modern times, and of course it is related to exaggeration. For example, huge numbers are repeatedly used in poems (such as "1,000 yuan", "300 cups", "1,000 cups of wine", "a thousand treasures" and "eternal sorrow"). ) to express heroic poetic feelings, but at the same time it does not give people a sense of emptiness and exaggeration, which is rooted in its rich and profound inner feelings, and the potential wine words are like choppy anger. In addition, the whole article is full of ups and downs, and poetry suddenly unfolds, from sadness to joy, to madness, to anger, to madness, and finally to the song of everlasting regret, echoing the beginning of the article, such as the river running, magnificent, full of twists and turns, which can carry the tripod. There are some wonderful ways to write songs in his songs, as well as the wonderful method of "forgetting the pen and ink", which can neither be learned by deliberately describing and carving, nor can it be done hastily. Its rhyme and rhythm are sometimes slow and sometimes urgent, sometimes high and sometimes low, twists and turns, rushing forward. The whole article is mainly composed of seven words, but it is "broken" by thirty or fifty words, which is extremely unbalanced and complicated; Poetry is mainly scattered, interspersed with antithetical phrases (such as "Cenfuzi, Dan Qiusheng" and "Five Flowers and Horses, Thousand Golden Crouchers"), with changeable rhythm, unrestrained and difficult to flow. "300 Tang Poems" said: "Those who read Li Zhi's poems will be immortal if they win them quickly and get their deep escape."