The poem "Delighting in Rain on a Spring Night" written by Du Fu describes a heavy rain.

The poem "Delighting in Rain on a Spring Night" written by Du Fu depicts a heavy rain. Delighting in Rain on a Spring Night is one of the most famous poems in the Tang Dynasty, which was written by Du Fu when he lived in Chengdu Caotang in the second year of Shang Yuan (76 1). This poem describes the characteristics of Chengdu spring rain and the scene of rainy night with personification, and enthusiastically eulogizes the timely moistening of spring rain. The description of the spring rain in the poem is subtle, delicate and vivid. The whole poem is elegant in artistic conception, quiet in meaning and integrated with painting. This is a poem about rain, with vivid and unique charm.

What is the Golden Gate City in Du Fu's Delighting in Rain on a Spring Night? It is located in the south of Chengdu, also known as Jincheng. During the Three Kingdoms period, officials in charge of brocade in Shu and Han dynasties were stationed here, hence the name. Later generations took it as another name for Chengdu. But also for Chengdu.

What did Du Fu's poem Delighting in Rain on a Spring Night give me? Thoughts on Reading Du Fu's Delighting in Rain on a Spring Night.

Good rain knows the season, when spring comes.

Sneak into the night with the wind, moisten things silently.

The wild path is dark, and the river is bright.

Look at the red and wet place, the flowers in Jinguancheng are heavy.

There are more than 1000 poems by Du Fu, most of which are five-character poems, and most of them are five-character poems. This poem "Delighting in Rain on a Spring Night" is a famous piece in the Five Laws, which has been recorded in the anthologies of Tang poetry in past dynasties. There are many famous critics, such as Qiu, Pu Qilong, Qian, Xiao Difei, Fu Gengsheng and others. Poetry is very simple, I don't have to go to great lengths to write anything. I only reread this poem recently, and I have a deep understanding of it, so I belittle myself and present a short article.

This poem is called "Delighting in Rain on a Spring Night", which shows spring and focuses on "rain" and "happiness". How these two characteristics are expressed in the poem is a key to reading this poem.

In the first couplet of this poem, the author tells readers that the rain happened in spring and points out the significance of the theme. Seal couplets describe the form and way of spring rain, neck couplets describe the rain scene, and tail couplets write the spring scene after rain. Every pair of couplets, like flowers in early spring, gradually blooms, but step by step, either straightforward, auditory, visual or imaginative. Every sentence contains "rain" and couplets with "rain". Exquisite ideas and magical brushwork are not only for everyone to see, but also for observing things in detail and writing characteristics, which is even more remarkable.

Then the "happiness" in this poem comes from this. Wu Xiaoru analyzed the works and appreciated the article. He thought that it was necessary to find out that the background of this poem was written by Du Fu in Chengdu, while Sichuan was fertile land and coincided with the farming season through exegesis, understanding allusions, investigating the background and testing life experience. In the first couplet, "knowing the season" and "being in spring" are a kind of joy; The couplet adopts personification, and "dive" and "fine" both mean that the rain is light and quiet, and "it is written with pulse", which means that it is not a rainstorm and does not hurt things, but a second happiness; The "cloud is completely black" and "fire is completely bright" in the necklace is what the author sees, which shows that the rain is very dense, while the "spring rain is as expensive as oil", which is dense and lasting and beneficial to crops. This is Sanxi. William said that flowers bloom every minute after the rain, and the fragrance is full of "Golden Crown City", bringing spring scenery to the city. These are the four great happiness.

Many Tang poems can only be viewed as a whole, not dismembered. Once explained sentence by sentence, this poem is not a poem, and it is poetic. There are also many poems that only have epigrams, and the whole thought and language do not have much merit. This poem can be said to be good and natural as a whole; Good sentences, vivid images; Spell well and describe carefully. There is an overall aesthetic feeling, but it is also finely crafted. There is not a word that doesn't rain, and there is no connection without joy. Then how to show it specifically needs careful analysis and point it out one by one.

On the whole, the syntax, word formation and rhythm of Du Fu's poems are all representative works of Tang poetry. He is like a martial arts expert with a sword. The sword looks ordinary, but it is deadly. Literally, at first glance, it is plain and homely, with simple language and no difficulty. Under careful consideration, it is "the most unusual and peculiar", plain and interesting, light and tasteful, with endless aftertaste. After repeated chewing, it can be seen that Du Fu's wonderful pen is beautiful and energetic, but under careful consideration, it is "artificial nature". In the Qing Dynasty, Zhao Yi commented on Du Fu's "ordinary scenery writing, unintentional and strange, considerate, and even people can't come." This poem goes like this.

The first couplet is a link between the past and the present. The poem begins with a title, indicating that it rained in spring. Compare the rain to a wise man in an anthropomorphic way, knowing when it will rain and when it will rain, but the sentence is easy to understand and has no profound meaning.

Look at couplets again. The five-character rhythmic poems in the early Tang Dynasty were not very skillful in artistic techniques. Couplets and necklaces were often used only for decoration and did not add color to the poems, but they were not in Lao Du's hands. In this poem, the second couplet further shows the beauty of "rain". "Sneak into the night with the wind, moisten things silently" is the rain that the author heard. From the perspective of human senses, he always smells the sound first, and then sees people. The author heard the rain outside indoors and found that it was neither too heavy nor too urgent, so he used the words "latent" and "sunny", which showed his thoughtfulness. Shen Deqian's Tang Poetry in Qing Dynasty said that "the God of Spring Rain came from March 4th", which is an appropriate comment.

The third joint, "Wild trails and clouds are all black, rivers and boats are all bright", is what the author saw when he walked outside the door, and it is his visual observation. Because I heard the sound of rain, I went out to watch. From what I heard and saw, the description of "Happy Rain" went further and the author's joy deepened. The former is "all black" and the latter is "all bright". The first half of the sentence is a panoramic view, and the second half is a unique point, which can't be hidden at all. Instead, it forms a strong contrast and makes the image of rain more vivid.

At the end of the couplet, "Xiao Jian is red and wet, and Jinguan City is heavy." It is the author's idea. From hearing to seeing, from seeing to thinking, it conforms to one's thinking and gives rain a human touch, which is another beauty of this poem. In the conclusion, the author imagined the scene of Jinguan City filled with flowers after the rain the next day. The word "wet" indicates the unique characteristics of flowers after rain, and the word "heavy" also indicates the duration of rain. See also the word "happy". At this point, the connection between the past and the future is interlocking, and the poem is closed, which makes people feel quite eloquent and unfinished.

Poetry pays attention to syntax, one sentence is wrong, and the whole article is weak; If you don't practice a word, the whole article will be wasted. According to the anthology of Tang poetry, the word "red" is interpreted as a flower, so why do you need the word "flower" in the second half sentence? "Red wet" means that the rain falls on the flowers, which is wet and heavy. "Flower weight" also means this. Tan Ming Yuan Chun's Three Hundred Tang Poems commented: "The word' red wet' is better than rain. The word' heavy' is particularly wonderful, not wet or heavy. " But this sentence is suspected of overlapping, which seems inappropriate and puzzling. Similarly, reading through the whole poem, there is no overlap, all from one to the end, but there are "red" and "flowers", which makes you feel abrupt. Perhaps it was Lao Du's poor choice of words, or perhaps the annotations of later generations were wrong, which was puzzling.

Postscript: It is often the case that whenever Du Fu is mentioned, he always puts gold on his face, saying that he cares about the country and the people, and even writes landscape poems with "people's nature", even famous artists are no exception. I beg to differ. In particular, this five-character poem "Delighting in Rain on a Spring Night" is said to be a poem written by Lao Du to the working people to enjoy the spring rain, which reflects the poet's deep feelings for the working people and is even more disgusting.

I accidentally read "Delighting in Rain on a Spring Night" that day, and found the annotation very interesting, which aroused my interest in this poem and gave me some ideas, so I wanted to write some thoughts, but I was afraid that my thoughts were shallow, and the famous scholars who studied Du Fu didn't know how many. So I reread nearly 10 anthologies of Tang poetry in my dormitory and the works of some famous Du Fu researchers, only to find a strange phenomenon. There are no annotations in several anthologies of Delighting in Rain on a Spring Night. It seems that this poem is so easy to understand that even children can understand it. Some of the annotations are so simple that I can't read, trace or even know anything. I can't help feeling that it is really difficult to write an article that I am satisfied with. However, after all, there are many people who study Du Fu, and my views are originally from people's comments, so I can't get rid of the barriers of my predecessors after all.

Write the books translated in this article in this appendix:

G: Selected readings of Tang poetry.

Zhu Dongrun: The First Volume of Literary Works in Past Dynasties.

Zhu Dongrun: On Du Fu's Narrative

Shen Deqian: Selected Poems of Tang Poetry.

Wu Xiaoru: Classical Poems

Ai Zhiping: Exploration of the Art of Classical Poetry

Ai Zhiping: Ai Zhiping's Interpretation of Famous Poetry

H: Selected Tang Poems

H: tasting the famous Tang and Song dynasties.

Wang Shijing: Selected Poems of Tang Dynasty

Ma Maoyuan: "Ma Maoyuan said Tang poetry"

An analysis of du fu's poems.

Ye Jiaying: Appreciation of good poems.

Zhou: An example of literary style.

Shi Zhecun: Hundred Words in Tang Poetry

Qian Zhongshu: Talking about the Records of Art

Gu Sui: Notes on Gu Sui's Poetry

Retreat from Tang Dynasty: 300 Tang Poems

In Delighting in Rain on a Spring Night, the poet Du Fu painted a beautiful spring scene, "drizzle", which is more appropriate.

Du Fu's Delighting in Rain on a Spring Night, Delighting in Rain on a Spring Night and Du Fu in Tang Dynasty

Good rain knows the season, when spring comes.

Sneak into the night with the wind, moisten things silently.

The wild path is dark, and the river is bright.

Look at the red and wet place, the flowers in Jinguancheng are heavy.

Poems on rainy scenery on a spring night (except Du Fu's Delighting in Rain on a Spring Night) 1, Xiao Chun, Tang Dynasty, Meng Haoran.

Sleeping sickness in spring unconsciously broke the morning, and the chirping of birds disturbed my sleep.

How many flowers fall after a stormy night.

2. "Looking at Xixi in Chuzhou" Tang Wei

Alone, grass grows by the stream, and orioles sing on the trees. ?

The spring tide brought the rain late and urgent, and there was no boat on the wild crossing.

3, "Lin 'an Spring Rain" Song, Lu You

In recent years, officials are interested in a thin layer of gauze. Who will let me take a bus to Kyoto to visit this bustling city?

Living in a small building and listening to the falling spring rain, you will hear the sound of selling apricots in the depths of the alley early in the morning.

Slowly spread out small pieces of paper sideways, every word is organized, carefully boil water and tea under the sun window, skim it and try to taste famous tea.

Oh, don't sigh that the dust in Kyoto will stain the white clothes, and there is still time to return to the mirror house in Lake Ubak.

4, "Bufu Pan West Lake Living Room Zhai Zhai" Song Gao

Bend the index finger spring, break the finger to scare away the spring.

If the spider web outside the eaves falls, you can stay in spring.

A few days of spring is gratifying, and a few nights of spring rain are worrying.

Twelve carved windows and six screens, full of sad sentences.

5. "Five Lights in the Dark Room" In the Tang Dynasty, Dai Shulun.

Know suspicion, rape and slander, and talk with your lover at leisure. Another time is still a light, and I don't sleep with this night. ?

Cold lights illuminate, and heavy houses shock the spring rain. If you want to go far away, the road is blocked with mud. ?

The light shone on the empty house and the rain shadow hung on the wall. Always under the eaves, away from sorrow. ?

Monk Chu's words are silent, and there is more common concern than vanity. According to legend, it is in the dark. ?

The sound of rain and the shadows of lights twinkled in the air. And waste five words to lift, known as Wan Li.

The poems in Delighting in Rain on a Spring Night reflect Du Fu's thoughts and feelings, as well as the poet's lofty thoughts and feelings of caring for people's sufferings.

"Delighting in Rain on a Spring Night" Du Fu This is a masterpiece depicting _ _ _ _ _ _ _ _ _ _.

What did Du Fu do to write Delighting in Rain on a Spring Night's poem Delighting in Rain on a Spring Night? Du Fu fled the war and settled in Chengdu. This is the most turbulent period in this country and the most difficult period for the poet's personal life. However, during this period, Du Fu's works were the most popular, and he always linked his own suffering with the suffering of the world. The same is true of Delighting in Rain on a Spring Night. Although this poem is not as straightforward as the autumn wind breaks the hut, it vaguely reveals the author's people's nature. This kind of happiness is not only for rain, but also for self-entertainment. The rain in the poem is not the same as the rain that should be green, fat, red and thin.

As a great realistic poet, the popularity of Du Fu's works is the most important feature. Only by understanding the feelings of sharing the same fate with the people in Delighting in Rain on a Spring Night can we understand the depth of this poem.

What picture does the poem Delighting in Rain on a Spring Night describe? "Delighting in Rain on a Spring Night" describes a picture about the night rain in the village from a visual point of view, that is, good rain seems to know how to adapt to the season. In spring, plants germinate and grow, and drizzle falls quietly with the breeze at night, nourishing everything. The sky is overcast, the country road is dark, and only the boats on the river are flashing lights. The next morning, there was wet red everywhere, and flowers stained with rain decorated Jinguan City.

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