What is the image of Qingping Music written by Yan Shu? And tell a kind of artistic conception and writing characteristics.

The first two sentences indicate the time and render the environment in the scene. The golden wind is the autumn wind. In Selected Works, Zhang Xie's Miscellaneous Poems and Golden Fan Sacrifice, Shan Li pointed out: "The West is the master of autumn, so autumn wind is also called golden wind." At this time, the west wind leaves the courtyard, and the poets in the painting hall fell asleep after drinking green wine. The pen is light and elegant, and the tone seems to be talking to a friend. Among them, two groups of reduplicated words are connected end to end, and the melody is harmonious and graceful. With the "thin" golden wind, there is no small feeling that autumn wind is used to, but it seems calm and leisurely. The two nouns "leaves" are collocated together to unfold the scene of falling leaves, which makes people feel very orderly and rhythmic. It is always sad to write about Jingqiu, such as "More Leakage" in the article: "Trees, rain in the middle of the night, never leave their feelings. A leaf, a voice, and empty footsteps fall into the light. " Li Yu's "Night Cry": "Lonely phoenix tree deep courtyard locks clear autumn." After generations of poets' pen dyeing, it is sad to hear the autumn wind blowing on the phoenix tree. It is extremely rare for Yan Shu to write so plainly and implicitly. The following sentence of "green wine", because of the use of the words "early" and "easy", feels that he does not drink much, and getting drunk is also a stupid move. Then the poet used a heavier pen and ink: "The small window pillow sleeps deeply." The reason why "Green Wine" ends with "sound sleep" is to accompany the pen, and the phrase "one pillow" is the intention of this film. Why does a small glass of wine "get drunk easily"? How can I "sleep deeply" when I am drunk? It turns out that the poet is a little carefree, so he is easy to get drunk when he is worried, and he is easy to sleep deeply when he is shallow. The next movie is about the feeling of waking up at dusk the next day. The poet slept a whole day and a night, and slept like a log. He didn't say how he felt when he woke up from a deep sleep. He only reflected his carefree mood and careless appearance through what he saw in his eyes, but his conclusion still reflected a little sadness. Lagerstroemia indica, flowering in summer; Zhu Jin, flowers bloom in summer and autumn. In the last part, it was said that the golden wind blew the plane leaves. It was obviously autumn, and the poet looked out from the small window. These two flowers had withered. It is worth noting that: in the last film, the buttonwood leaves fell, but the ears were empty; The two kinds of flower residues in the next picture are what you see in your eyes. It is through the subtle feelings of things around him that the poet expresses his feelings at this moment. "The setting sun is dry", following the previous sentence, describes a quiet scene. Yan Shu said in another poem "Walking on the Sand": "A sad dream wakes up and the setting sun shines deep in the courtyard." The word context is similar. It is dusk and the sun is setting, which is the "season for Shuang Yan to return". Generally speaking, this meaning seems irrelevant and unimportant, but in fact, such language is used to reconcile the atmosphere, buffer the rhythm and set off the mood. Wu's "Lotus Story" said: "Love words must have a scene, which is a deep and beautiful feeling." "Swallows want to return" is a scenic phrase, which only plays the role of paving the way and setting off the next sentence "Silverscreen was slightly cold last night". Both Yan Zi are going home. This scene makes the poet feel that living alone is boring, so he thinks that he was alone after being drunk last night. A sad mood, indifference and sadness, can not help but overflow. But he didn't use the familiar words "cold pillow" and "cold", just saying that the screen was a little cold. Love at the scene, implicit, memorable. This poem is characterized by elegant style and luxurious weather. There are some contradictions between them, but the poet unified them and formed a special style to express his personality. Yan Shu, with respect for each other as guests and small lyric poems, won the charm of flowers. Liu Ban's Poems on Zhongshan said: "If you don't offer Feng Yansi's ci, what you do will not reduce your happiness." In other words, his style of writing resembles that of Feng Yansi. However, judging from this poem, although its elegant style is like Feng Ci, its luxurious atmosphere is a bit like Wen's works. The extravagance of literary words is mostly manifested in the wrong choice of words, so Wang Guowei's style of words is "painting a golden partridge" The luxury of harsh words is not in appearance, but in god. "Every time I talk about wealth, I don't talk about gold and jade, just talk about its weather, such as' flowers on the balcony, swallows in the curtain',' Pear Flower Garden melts the moon, and the catkin pond is faint'." (See Wu Chuhou's Blue Box Miscellaneous Notes. The writing style of this word is similar to the above two situations. It borrowed Chao's evaluation of his son Yan's ci, and created a refined image of "not a middleman in the three villages".