This lyrical short poem was written on June 27, 1988. From the small note at the back of the poem, we can know that this was the second time Haizi took a train to Tibet. When passing through Delingha City in Qinghai Province, What I think and feel, I write sincerely. The whole poem adopts a diary, which is a convenient lyrical style, and uses the timid and sincere child tone of a "brother" from a foreign land to confess his true feelings to his "sister", weeping and telling. The whole poem is divided into four sections, with emotions progressing layer by layer. If the first section only explains my situation, that is, the night is shrouded, I only have the Gobi, and I am in Delingha, then the second and third sections are directly lyrical: "This is the only, last, lyrical/ This is the only, the last, grassland.” In the end, this lyricism reached its peak: "Sister, I don't care about humans tonight, I just want you." From this poem, we can understand Haizi's complicated mood at this time. He went to Tibet twice, first to seek creative materials and inspiration for his long poem "The Sun", and also to get rid of emotional entanglements and depression. As the central word of the whole poem, "sister" is not only the object of one's confession, but also an image in the poem. Her connotation should be multi-faceted. At this time, Haizi was exhausted from personal life-long matters, and the pain in his heart still existed faintly, but his belief in pursuing the sun became stronger. "Sister" can be understood as one's lover, the lover who has broken up, or all beautiful things, including one's own ideals, one's own beliefs, and even the mysterious things that lead one to be so obsessed with poetry creation. Through the image of "sister", it is better to express one's feelings directly. After talking and communicating with my "sister" for a period of time, I no longer feel desolate and my spirit is comforted. It turns out that the "desolate and lonely Gobi" has also become beautiful, with emotions arising from the scenery and blending of scenes. From this, it can be seen that Haizi's inner loneliness at this time has really reached an extreme, an aesthetic state. He enjoys such loneliness and loneliness alone. beauty.